Laurence Roussillon-Constanty
Biographic Data
| ID | 5611442 |
|---|---|
| NAME | Laurence Roussillon-Constanty |
| GIVEN NAMES | Laurence |
| FAMILY NAME | Roussillon-Constanty |
| SIGNATURE | ROUSSILLON-CONSTANTY L |
| AFFILIATIONS | Université de Pau et des Pays de l'Adour |
| ORCID | 0000-0001-8912-6838 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Interview with Adrian Wisnicki
Laurence Roussillon-Constanty: How did you start working on digital humanities projects?Adrian Wisnicki: It was a process involving several steps. While I was pursuing my Ph.D. at the City University of New York in the early 2000s, I had no interest in technology. In fact, I might have been described as a technophobe. In developing my dissertation in Victorian Studies, I used novels and short stories, consulted literary and historical criticism, …
Interdisciplinarity and the Challenge of a Changing Paradigm
If what the digital does is just take the old disciplines and make them digital, leaving disciplinarity and the silo structure of the university intact, it will have failed. I want to see the digital transform not just the content or practice of the disciplines, but the very idea of disciplinarity.David ParryIn the last couple of decades, acceleration in technology and the development of artificial intelligence have started not only modifying the…
Béatrice Laurent, Water and Women in the Victorian Imagination
Béatrice Laurent’s book is a well-documented study that focusses on the relation between woman and water during the Victorian period. The starting point of her inquiry is ‘that water became gendered at the same time as women were perceived as the natural possessors of, and made to adopt, fluid qualities such as adaptability, or intuitiveness’ (2). In order to illustrate her claim, the author assembles a large corpus of various ‘objects’—texts, pa…
Filiations critiques. De Diderot à Baudelaire, la peinture en partage
Cet article est un compte-rendu du livre : Nathalie Kremer, Traverser la peinture. Diderot-Baudelaire, Leyden : Brill, coll. « Faux Titre », 2018, 240 p., EAN 9004367934
Mediating Ruskin
February 2019 marked the bicentenary of John Ruskin’s birth, and for the members of the French Victorian and Edwardian Society (SFEVE) the anniversary provided a timely opportunity to reappraise the ways in which Ruskin’s ideas have been interpreted, translated, and accommodated in the numerous fields that were impacted by his writings. The selection of essays presented in this volume emerged from a two-day conference jointly organised by the Uni…
Mediating Ruskin. An interview with George Landow, Spring 2019
George Paul Landow is Professor of English and Art History Emeritus at Brown University and a leading authority on Victorian literature, art, and culture, as well as a pioneer in criticism and theory of Electronic literature, hypertext and hypermedia. He also pioneered the use of hypertext and the web in higher education, providing a wealth of resources for scholars all over the world through the foundation of the Victorian Web. The website was o…
Of Ruskinian Topography
As contemporary critics have shown, John Ruskin’s lifelong interest in geology not only provided him with a unique understanding of the mountain as a painting subject but also allowed him to develop an idiosyncratic theory of perception where movement and salience prevail – a theory he then applied to his often memorable prose. At first sight, salience is one feature of landscape that one can easily visually apprehend but much less easily account…
La topographie selon Ruskin
Comme l’ont bien montré plusieurs ouvrages critiques récents, l’intérêt que Ruskin a toute sa vie porté à la géologie lui a non seulement permis d’envisager la peinture de la montagne de façon unique mais aussi d’élaborer une théorie de la perception dans laquelle le mouvement et le relief jouent un rôle majeur – théorie qu’il illustra par la suite dans ses propres écrits à travers sa prose poétique.A première vue, le relief est un élément consti…
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Of Ruskinian Topography
As contemporary critics have shown, John Ruskin’s lifelong interest in geology not only provided him with a unique understanding of the mountain as a painting subject but also allowed him to develop an idiosyncratic theory of perception where movement and salience prevail – a theory he then applied to his often memorable prose. At first sight, salience is one feature of landscape that one can easily visually apprehend but much less easily account…
La topographie selon Ruskin
Comme l’ont bien montré plusieurs ouvrages critiques récents, l’intérêt que Ruskin a toute sa vie porté à la géologie lui a non seulement permis d’envisager la peinture de la montagne de façon unique mais aussi d’élaborer une théorie de la perception dans laquelle le mouvement et le relief jouent un rôle majeur – théorie qu’il illustra par la suite dans ses propres écrits à travers sa prose poétique.A première vue, le relief est un élément consti…
Mediating Ruskin
February 2019 marked the bicentenary of John Ruskin’s birth, and for the members of the French Victorian and Edwardian Society (SFEVE) the anniversary provided a timely opportunity to reappraise the ways in which Ruskin’s ideas have been interpreted, translated, and accommodated in the numerous fields that were impacted by his writings. The selection of essays presented in this volume emerged from a two-day conference jointly organised by the Uni…
Mediating Ruskin. An interview with George Landow, Spring 2019
George Paul Landow is Professor of English and Art History Emeritus at Brown University and a leading authority on Victorian literature, art, and culture, as well as a pioneer in criticism and theory of Electronic literature, hypertext and hypermedia. He also pioneered the use of hypertext and the web in higher education, providing a wealth of resources for scholars all over the world through the foundation of the Victorian Web. The website was o…
Filiations critiques. De Diderot à Baudelaire, la peinture en partage
Cet article est un compte-rendu du livre : Nathalie Kremer, Traverser la peinture. Diderot-Baudelaire, Leyden : Brill, coll. « Faux Titre », 2018, 240 p., EAN 9004367934
Béatrice Laurent, Water and Women in the Victorian Imagination
Béatrice Laurent’s book is a well-documented study that focusses on the relation between woman and water during the Victorian period. The starting point of her inquiry is ‘that water became gendered at the same time as women were perceived as the natural possessors of, and made to adopt, fluid qualities such as adaptability, or intuitiveness’ (2). In order to illustrate her claim, the author assembles a large corpus of various ‘objects’—texts, pa…
Interview with Adrian Wisnicki
Laurence Roussillon-Constanty: How did you start working on digital humanities projects?Adrian Wisnicki: It was a process involving several steps. While I was pursuing my Ph.D. at the City University of New York in the early 2000s, I had no interest in technology. In fact, I might have been described as a technophobe. In developing my dissertation in Victorian Studies, I used novels and short stories, consulted literary and historical criticism, …
Interdisciplinarity and the Challenge of a Changing Paradigm
If what the digital does is just take the old disciplines and make them digital, leaving disciplinarity and the silo structure of the university intact, it will have failed. I want to see the digital transform not just the content or practice of the disciplines, but the very idea of disciplinarity.David ParryIn the last couple of decades, acceleration in technology and the development of artificial intelligence have started not only modifying the…
Art (7 works) · Computer Science (3 works) · Historical Art and Culture Studies (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Historical and Literary Studies (2 works) · Humanities (2 works) · Literature (2 works) · Visual arts (2 works)