André Dodeman
Biographic Data
| ID | 5611815 |
|---|---|
| NAME | André Dodeman |
| GIVEN NAMES | André |
| FAMILY NAME | Dodeman |
| SIGNATURE | DODEMAN A |
| AFFILIATIONS | Université Pierre Mendes France |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Revisiting Canadian Modernism
This article proposes to revisit Sheila Watson’s The Double Hook (1959) and the role it played in the emergence of Canadian modernism in the 1950s. Watson’s experimentation with narrative and her examination of the traditional borders between prose and poetry account for her novel’s position in Canadian literature as a singular text. While this paper will consider Watson’s novel in light of the realist tradition that shaped early twentieth-centur…
L’ascension de l’artiste dans The Mountain and the Valley (1952) d’Ernest Buckler
Avec son premier roman The Mountain and the Valley (1952), l’écrivain canadien Ernest Buckler s’inscrit dans une longue tradition du Künstlerrroman dont l’une des grandes figures à l’époque des modernistes reste James Joyce et son A Portrait of the Artist as a Young Man (1916). Tout comme Joyce qui remet le genre au goût du jour, Buckler décide d’aborder les affres du jeune artiste et son désir de s’arracher à la tradition et à la vie à la campag…
The Ascent of the Artist in Ernest Buckler’s The Mountain and the Valley (1952)
With his first novel, The Mountain and the Valley (1952), Canadian writer Ernest Buckler chose to stay true to the longstanding tradition of the Künstlerroman, best illustrated by one of the greatest modernist writers of the twentieth century, James Joyce and his A Portrait of the Artist as a Young Man (1916). Like Joyce who chose to revisit the genre, Buckler decided to write about the throes of a young artist who seeks to escape from tradition …
Re/membering Place
This book examines how the notion of place is reconstructed by memory (be it individual or collective), imagination, fantasy, desire, language, myth in a colonial or post-colonial context of displacement, migration, or exile, in the English-speaking world; how memory and personal testimonies serve to fill in the blanks of historical discourse, give voice to a forgotten community, and question grand narratives which tend to exclude the (hi)stories…
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Re/membering Place
This book examines how the notion of place is reconstructed by memory (be it individual or collective), imagination, fantasy, desire, language, myth in a colonial or post-colonial context of displacement, migration, or exile, in the English-speaking world; how memory and personal testimonies serve to fill in the blanks of historical discourse, give voice to a forgotten community, and question grand narratives which tend to exclude the (hi)stories…
L’ascension de l’artiste dans The Mountain and the Valley (1952) d’Ernest Buckler
Avec son premier roman The Mountain and the Valley (1952), l’écrivain canadien Ernest Buckler s’inscrit dans une longue tradition du Künstlerrroman dont l’une des grandes figures à l’époque des modernistes reste James Joyce et son A Portrait of the Artist as a Young Man (1916). Tout comme Joyce qui remet le genre au goût du jour, Buckler décide d’aborder les affres du jeune artiste et son désir de s’arracher à la tradition et à la vie à la campag…
The Ascent of the Artist in Ernest Buckler’s The Mountain and the Valley (1952)
With his first novel, The Mountain and the Valley (1952), Canadian writer Ernest Buckler chose to stay true to the longstanding tradition of the Künstlerroman, best illustrated by one of the greatest modernist writers of the twentieth century, James Joyce and his A Portrait of the Artist as a Young Man (1916). Like Joyce who chose to revisit the genre, Buckler decided to write about the throes of a young artist who seeks to escape from tradition …
Revisiting Canadian Modernism
This article proposes to revisit Sheila Watson’s The Double Hook (1959) and the role it played in the emergence of Canadian modernism in the 1950s. Watson’s experimentation with narrative and her examination of the traditional borders between prose and poetry account for her novel’s position in Canadian literature as a singular text. While this paper will consider Watson’s novel in light of the realist tradition that shaped early twentieth-centur…
Art (4 works) · Canadian Identity and History (3 works) · Short Stories in Global Literature (3 works) · Art history (2 works) · History (2 works) · Literature (2 works) · Narrative (2 works) · American and British Literature Analysis (1 work) · Canadian literature (1 work) · Character (mathematics) (1 work)