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Sabine Lauret-Taft

Biographic Data

ID5624418
NAMESabine Lauret-Taft
GIVEN NAMESSabine
FAMILY NAMELauret-Taft
SIGNATURELAURET-TAFT S
AFFILIATIONSUniversité Sorbonne Nouvelle
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2026
H-INDEX1
  • “Today, the Great Devouring Has Begun”

    Open Access•Sabine Lauret-Taft•ARTICLE•ILCEA•2026

    With the Ibis Trilogy, Amitav Ghosh sets out to explore the First Opium War (1838–1842). This paper, dedicated to River of Smoke (2011) and Flood of Fire (2015), the second and third instalments, delves into how the British colonial expansion relied on ways to consume the East and more particularly an orientalist idea of the Other. Weaving together multiple viewpoints, from British traders to Indian soldiers, Ghosh places opium at the heart of a …

  • “You’re Just a Housewife. What on Earth Could You Possibly Do?”

    Open Access•Sabine Lauret-Taft•ARTICLE•Commonwealth Essays and Studies•2020

    British-Bangladeshi Tahmima Anam’s debut novel A Golden Age (2007) is a mother-daughter tale of the Bangladesh War of Independence, and is set during an exceptional period of martial law. It is a story of resistance told from the margins, from a domestic space known as “Shona.” This paper explores how the struggle for independence is embodied by the actions of women, and analyzes how weaving violence and resistance into the fabric of mundane live…

  • We Live in a State of Terror”

    Open Access•Sabine Lauret-Taft•ARTICLE•Commonwealth Essays and Studies•2016•Cited by: 2•References: 2

    In Heaven’s Edge (2002), British writer Romesh Gunesekera, who was born in Sri Lanka, accounts for the sharp contrast between the images that the island conjures up of a par-adise destination for tourists and the extremely violent past of its people. Terror and beauty collide to portray a dystopian reality. This paper will examine how Gunesekera voices conflicts and how reverie serves as a coping mechanism to come to terms with inevitable violenc…

  • We Live in a State of Terror”

    Open Access•Sabine Lauret-Taft•ARTICLE•Commonwealth Essays and Studies•2016•Cited by: 2•References: 2

    In Heaven’s Edge (2002), British writer Romesh Gunesekera, who was born in Sri Lanka, accounts for the sharp contrast between the images that the island conjures up of a par-adise destination for tourists and the extremely violent past of its people. Terror and beauty collide to portray a dystopian reality. This paper will examine how Gunesekera voices conflicts and how reverie serves as a coping mechanism to come to terms with inevitable violenc…

  • We Live in a State of Terror”

    Open Access•Sabine Lauret-Taft•ARTICLE•Commonwealth Essays and Studies•2016•Cited by: 2•References: 2

    In Heaven’s Edge (2002), British writer Romesh Gunesekera, who was born in Sri Lanka, accounts for the sharp contrast between the images that the island conjures up of a par-adise destination for tourists and the extremely violent past of its people. Terror and beauty collide to portray a dystopian reality. This paper will examine how Gunesekera voices conflicts and how reverie serves as a coping mechanism to come to terms with inevitable violenc…

  • “You’re Just a Housewife. What on Earth Could You Possibly Do?”

    Open Access•Sabine Lauret-Taft•ARTICLE•Commonwealth Essays and Studies•2020

    British-Bangladeshi Tahmima Anam’s debut novel A Golden Age (2007) is a mother-daughter tale of the Bangladesh War of Independence, and is set during an exceptional period of martial law. It is a story of resistance told from the margins, from a domestic space known as “Shona.” This paper explores how the struggle for independence is embodied by the actions of women, and analyzes how weaving violence and resistance into the fabric of mundane live…

  • “Today, the Great Devouring Has Begun”

    Open Access•Sabine Lauret-Taft•ARTICLE•ILCEA•2026

    With the Ibis Trilogy, Amitav Ghosh sets out to explore the First Opium War (1838–1842). This paper, dedicated to River of Smoke (2011) and Flood of Fire (2015), the second and third instalments, delves into how the British colonial expansion relied on ways to consume the East and more particularly an orientalist idea of the Other. Weaving together multiple viewpoints, from British traders to Indian soldiers, Ghosh places opium at the heart of a …

Bangladesh Politics, Society, and Development (2 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 work) · Alien (1 work) · Anthropological Studies and Insights (1 work) · Art (1 work) · Beauty (1 work) · British Empire (1 work) · Colonialism (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae