Maroona Murmu
Biographic Data
| ID | 5624986 |
|---|---|
| NAME | Maroona Murmu |
| GIVEN NAMES | Maroona |
| FAMILY NAME | Murmu |
| SIGNATURE | MURMU M |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Domesticity
Critical questioning of broad framework of normative assumptions regarding womanly duties is studied in this chapter through close reading of Kailashbashini Debi’s polemical piece Hindu Mahilaganer Heenabastha and Swarnakumari Gupta’s didactic tract Usha Chinta Arthat Adhunik Arya Mahilaganer Abasthya Sambandhe Kayekti Katha . Beginning as an expression of femininity rather than a rebellion against it, they conceded that women bear innate potency…
Personal Narratives
By choosing two dissimilar genres in the form of Kailashbashini Debi’s diary Janaika Grihabadhur Diary and Saradasundari Debi’s dictated autobiography Atmakatha , the chapter shows how the unmediated (diary) and the highly mediated (autobiography) are still ‘relational’ outputs. These fulsomely reveal fragmented subjectivities, dismembered recollections, slippages, and gaps that are as much a product of their interactions with ‘men’ as they are o…
Words of Her Own
Drawing on a spectrum of genres, such as autobiographies, diaries, didactic tracts, novels and travelogues, this book examines the sociocultural incentives that enabled the emergence of middle-class Hindu and Brahmo women authors as an ever-growing distinct category in nineteenth-century Bengal and the factors facilitating production and circulation of their creations. By exploring the intersections of class, caste, gender, language, religion, an…
Words of Her Own
Drawing on a spectrum of genres, such as autobiographies, diaries, didactic tracts, novels and travelogues, this book examines the sociocultural incentives that enabled the emergence of middle-class Hindu and Brahmo women authors as an ever-growing distinct category in nineteenth-century Bengal and the factors facilitating production and circulation of their creations. By exploring the intersections of class, caste, gender, language, religion, an…
Domesticity
Critical questioning of broad framework of normative assumptions regarding womanly duties is studied in this chapter through close reading of Kailashbashini Debi’s polemical piece Hindu Mahilaganer Heenabastha and Swarnakumari Gupta’s didactic tract Usha Chinta Arthat Adhunik Arya Mahilaganer Abasthya Sambandhe Kayekti Katha . Beginning as an expression of femininity rather than a rebellion against it, they conceded that women bear innate potency…
Personal Narratives
By choosing two dissimilar genres in the form of Kailashbashini Debi’s diary Janaika Grihabadhur Diary and Saradasundari Debi’s dictated autobiography Atmakatha , the chapter shows how the unmediated (diary) and the highly mediated (autobiography) are still ‘relational’ outputs. These fulsomely reveal fragmented subjectivities, dismembered recollections, slippages, and gaps that are as much a product of their interactions with ‘men’ as they are o…
Words of Her Own
Drawing on a spectrum of genres, such as autobiographies, diaries, didactic tracts, novels and travelogues, this book examines the sociocultural incentives that enabled the emergence of middle-class Hindu and Brahmo women authors as an ever-growing distinct category in nineteenth-century Bengal and the factors facilitating production and circulation of their creations. By exploring the intersections of class, caste, gender, language, religion, an…
Anthropological Studies and Insights (3 works) · Art (3 works) · Gender Studies (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Law (2 works) · Political science (2 works) · Anthropology (1 work) · Antithesis (1 work)