Muhammad Velji
Biographic Data
| ID | 5625116 |
|---|---|
| NAME | Muhammad Velji |
| GIVEN NAMES | Muhammad |
| FAMILY NAME | Velji |
| SIGNATURE | VELJI M |
| AFFILIATIONS | Wesleyan University |
| ORCID | 0000-0002-3297-3240 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Proposing an Islamic virtue ethics beyond the situationist debates
I begin the first part by showing how situationism should make us question traditional understandings of virtues as intrinsic dispositions. I concentrate specifically on situationist experiments related to mood. I then introduce Islamic virtue ethics and the dawa movement. In parts two and three I examine ethnography of the dawa movement to explore how they deal with worries about the influence of mood on their virtue. In part two I show how they…
From Opposition to Creativity
Saba Mahmood's anthropological work studies the gain in skills, agency, and capacity building by the women's dawa movement in Egypt. These women increase their virtue toward the goal of piety by following dominant, often patriarchal norms. Mahmood argues that “teleological feminism” ignores this gain in agency because this kind of feminism only focuses on opposition or resistance to these norms. In this paper I defend Mahmood's “anti-teleological…
Seductive Piety
Martin Heidegger broadened the meaning of art to a truth-disclosing event akin to seemingly disparate events such as the founding of a political state, Jesus’s sacrifice for all humankind, and the questioning of a philosopher. Art makes us pay attention to it by presenting the familiar in a new and unfamiliar context and unsettles our presuppositions and reconceptualizes our way of thinking. I begin by explicating the Heideggerian interpretation …
From Opposition to Creativity
Saba Mahmood's anthropological work studies the gain in skills, agency, and capacity building by the women's dawa movement in Egypt. These women increase their virtue toward the goal of piety by following dominant, often patriarchal norms. Mahmood argues that “teleological feminism” ignores this gain in agency because this kind of feminism only focuses on opposition or resistance to these norms. In this paper I defend Mahmood's “anti-teleological…
Seductive Piety
Martin Heidegger broadened the meaning of art to a truth-disclosing event akin to seemingly disparate events such as the founding of a political state, Jesus’s sacrifice for all humankind, and the questioning of a philosopher. Art makes us pay attention to it by presenting the familiar in a new and unfamiliar context and unsettles our presuppositions and reconceptualizes our way of thinking. I begin by explicating the Heideggerian interpretation …
Proposing an Islamic virtue ethics beyond the situationist debates
I begin the first part by showing how situationism should make us question traditional understandings of virtues as intrinsic dispositions. I concentrate specifically on situationist experiments related to mood. I then introduce Islamic virtue ethics and the dawa movement. In parts two and three I examine ethnography of the dawa movement to explore how they deal with worries about the influence of mood on their virtue. In part two I show how they…
From Opposition to Creativity
Saba Mahmood's anthropological work studies the gain in skills, agency, and capacity building by the women's dawa movement in Egypt. These women increase their virtue toward the goal of piety by following dominant, often patriarchal norms. Mahmood argues that “teleological feminism” ignores this gain in agency because this kind of feminism only focuses on opposition or resistance to these norms. In this paper I defend Mahmood's “anti-teleological…
Epistemology (3 works) · Philosophy (3 works) · Sociology (3 works) · Aesthetics (2 works) · Anthropological Studies and Insights (2 works) · Law (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works)