Claudine Bautze-Picron
Biographic Data
| ID | 5625352 |
|---|---|
| NAME | Claudine Bautze-Picron |
| GIVEN NAMES | Claudine |
| FAMILY NAME | Bautze-Picron |
| SIGNATURE | BAUTZE-PICRON C |
| AFFILIATIONS | Mondes Iranien et Indien |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Ganga-Brahmaputra & Beyond, Exploring art and iconography of Eastern and North-Eastern India
Some Observations on Vārāhī in Bihar and Bengal
The sheer intensity of the encounter between the Buddhist and Hindu pantheons in ‘Eastern India’ (comprising the Indian states of Bihar, Jharkhand, West Bengal and present Bangladesh) from the 7th to the 12th century, was unmatched in any other region.1 It left, above all, a visual and textual trail in the Buddhist iconography, as attested by the presence of two Mātṛkas (Mothers) among the members of Māra’s army attacking the Buddha on the night …
Images of Devotion and Power in South and Southeast Bengal
Gautam Sengupta and Sharmila Saha, Vibrant Rock
International audience
Jinah Kim, Receptacle of the Sacred
International audience
Vincent Lefevre, Portraiture in Early India, Between Transience and Eternity
As reminded by V. Lefèvre (p. xi), his interest for portraiture grew out of an initial study bearing on artistic sponsorship in South India which led to a survey of portraiture in literary, epigraphic, and artistic sources. The publication under review emerged out of this survey but is neither a comprehensive history of portraiture in South Asia nor a systematically presented handbook bearing on the topic. It is rather an attempt at answering var…
Bhairava et les Mères au Bengale septentrional
Study of an unpublished 12th-c. image of a dancing Bhairava surrounded by the Mothers, from north Bengal, and preserved in the go-down of the Indian Museum, Kolkata
The Goblet d'Alviella Tomb at Court-Saint-Etienne (Belgium)
Tomb built for Eugene, comte Goblet d'Alviella (1846-1925) on the model of a Hindu temple; it includes, moreover, numerous inscribed symbols drawn from religions from all over the world. Goblet d'Alviella was freemason and professor of history of religions at the Free University of Brussels
La statuaire du Sud-Est du Bangladesh du Xe au XIIe siècle
Various criteria contribute to define this school of sculpture : 1° till the end of the 10th c, images were imported from Bihar and Northern Bengal. Their number decreases afterwards when, in the 11th and 12th c, the local production suddenly increases ; 2° from the very beginning of the development, two stylistic (and secondarily here, iconographie) trends exist. The one remains close to the Northern Bengal stylistic school while the other becom…
Oxford
Gopāla II ou Gopāla III. Xe ou XIIe siècle. Datation d'une image de Śiva
Stylistic study of an image of Shiva allowing to ascribe it to the reign of Gopâla III, and not Gopâla II, the ruler being named without any further information in the inscription of the image
No prominent works on this page.
Gopāla II ou Gopāla III. Xe ou XIIe siècle. Datation d'une image de Śiva
Stylistic study of an image of Shiva allowing to ascribe it to the reign of Gopâla III, and not Gopâla II, the ruler being named without any further information in the inscription of the image
Oxford
La statuaire du Sud-Est du Bangladesh du Xe au XIIe siècle
Various criteria contribute to define this school of sculpture : 1° till the end of the 10th c, images were imported from Bihar and Northern Bengal. Their number decreases afterwards when, in the 11th and 12th c, the local production suddenly increases ; 2° from the very beginning of the development, two stylistic (and secondarily here, iconographie) trends exist. The one remains close to the Northern Bengal stylistic school while the other becom…
Bhairava et les Mères au Bengale septentrional
Study of an unpublished 12th-c. image of a dancing Bhairava surrounded by the Mothers, from north Bengal, and preserved in the go-down of the Indian Museum, Kolkata
The Goblet d'Alviella Tomb at Court-Saint-Etienne (Belgium)
Tomb built for Eugene, comte Goblet d'Alviella (1846-1925) on the model of a Hindu temple; it includes, moreover, numerous inscribed symbols drawn from religions from all over the world. Goblet d'Alviella was freemason and professor of history of religions at the Free University of Brussels
Vincent Lefevre, Portraiture in Early India, Between Transience and Eternity
As reminded by V. Lefèvre (p. xi), his interest for portraiture grew out of an initial study bearing on artistic sponsorship in South India which led to a survey of portraiture in literary, epigraphic, and artistic sources. The publication under review emerged out of this survey but is neither a comprehensive history of portraiture in South Asia nor a systematically presented handbook bearing on the topic. It is rather an attempt at answering var…
Gautam Sengupta and Sharmila Saha, Vibrant Rock
International audience
Jinah Kim, Receptacle of the Sacred
International audience
Images of Devotion and Power in South and Southeast Bengal
Some Observations on Vārāhī in Bihar and Bengal
The sheer intensity of the encounter between the Buddhist and Hindu pantheons in ‘Eastern India’ (comprising the Indian states of Bihar, Jharkhand, West Bengal and present Bangladesh) from the 7th to the 12th century, was unmatched in any other region.1 It left, above all, a visual and textual trail in the Buddhist iconography, as attested by the presence of two Mātṛkas (Mothers) among the members of Māra’s army attacking the Buddha on the night …
Ganga-Brahmaputra & Beyond, Exploring art and iconography of Eastern and North-Eastern India
Art (9 works) · Ancient history (7 works) · History (7 works) · History (6 works) · Archaeology (5 works) · Indian and Buddhist Studies (5 works) · Geography (4 works) · South asia (4 works) · Anthropological Studies and Insights (3 works) · BENGAL (3 works)