Marcus Deufert
Biographic Data
| ID | 5625878 |
|---|---|
| NAME | Marcus Deufert |
| GIVEN NAMES | Marcus |
| FAMILY NAME | Deufert |
| SIGNATURE | DEUFERT M |
| AFFILIATIONS | Leipzig University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 29 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Giulia Torello-Hill, Andrew J. Turner
Notes on the Text of Varro's De Lingva Latina
This article discusses the text of seven passages in the etymological books 5–7 of Varro's De lingua Latina , and proposes new conjectures for all of them. The discussions are of direct relevance to the interpretation of fragments and testimonies of lost Latin authors quoted by Varro: the scenic poets Naevius, Pacuvius, Caecilius Statius, Juventius and Atilius, and the grammarian Aurelius Opillus. The starting point for the discussions is the new…
De rerum natura
The edition offers a new critical text of De rerum natura . It has been established after fresh collation of the manuscripts and a critical evaluation of previous editorial scholarship. It is equipped with a critical apparatus, an apparatus of sources and an apparatus of repeated lines. The preface discusses the manuscript tradition of Lucretius and the way the text and apparatuses have been constructed.
Kritischer Kommentar zu Lukrezens "De rerum natura"
The critical commentary justifies the text of the new edition of Lucretius' De rerum natura in the Bibliotheca Teubneriana . It discusses many passages which are difficult or corrupt, examines competing conjectures and offers new solutions. Beyond textual criticism the commentary illuminates philosophical, literary and stylistic aspects of the poem.
Latin Literature and its Transmission
This is a series of innovative studies in the textual and literary criticism of Latin literature, exploring how these two branches of the discipline are mutually supportive. The contributors include many leading scholars in the field. Individual essays are devoted to Catullus, Cicero, Horace, Lucretius, Ovid, Tacitus and Virgil, and there are also essays on the Renaissance reception of Virgil and on principles of editorial practice. The collectio…
Metrics and Music
This chapter presents an overview of metrics and music in Roman comedy. It distinguishes between musically accompanied and unaccompanied verses and discusses the evidence for the performance of musically accompanied scenes. The different meters of Roman comedy are briefly described and analyzed in relation to their Greek equivalents. Particular attention is paid to the differences between Plautus, Terence, and their Greek originals in regard to v…
Textgeschichte und Rezeption der plautinischen Komödien im Altertum
After his death, the comedies of the Roman dramatist Plautus continued to be staged, and were interpreted by scholars and read by enthusiasts and students. The present study deals with the textual history and reception of these comedies from their first performances (approx. 220 - 185 BC) until the start of their direct transmission (approx. 400 AD). The author traces the changes that occurred in the course of the comedies' performance, commentar…
Textgeschichte und Rezeption der plautinischen Komödien im Altertum
After his death, the comedies of the Roman dramatist Plautus continued to be staged, and were interpreted by scholars and read by enthusiasts and students. The present study deals with the textual history and reception of these comedies from their first performances (approx. 220 - 185 BC) until the start of their direct transmission (approx. 400 AD). The author traces the changes that occurred in the course of the comedies' performance, commentar…
Textgeschichte und Rezeption der plautinischen Komödien im Altertum
After his death, the comedies of the Roman dramatist Plautus continued to be staged, and were interpreted by scholars and read by enthusiasts and students. The present study deals with the textual history and reception of these comedies from their first performances (approx. 220 - 185 BC) until the start of their direct transmission (approx. 400 AD). The author traces the changes that occurred in the course of the comedies' performance, commentar…
Metrics and Music
This chapter presents an overview of metrics and music in Roman comedy. It distinguishes between musically accompanied and unaccompanied verses and discusses the evidence for the performance of musically accompanied scenes. The different meters of Roman comedy are briefly described and analyzed in relation to their Greek equivalents. Particular attention is paid to the differences between Plautus, Terence, and their Greek originals in regard to v…
Latin Literature and its Transmission
This is a series of innovative studies in the textual and literary criticism of Latin literature, exploring how these two branches of the discipline are mutually supportive. The contributors include many leading scholars in the field. Individual essays are devoted to Catullus, Cicero, Horace, Lucretius, Ovid, Tacitus and Virgil, and there are also essays on the Renaissance reception of Virgil and on principles of editorial practice. The collectio…
Kritischer Kommentar zu Lukrezens "De rerum natura"
The critical commentary justifies the text of the new edition of Lucretius' De rerum natura in the Bibliotheca Teubneriana . It discusses many passages which are difficult or corrupt, examines competing conjectures and offers new solutions. Beyond textual criticism the commentary illuminates philosophical, literary and stylistic aspects of the poem.
De rerum natura
The edition offers a new critical text of De rerum natura . It has been established after fresh collation of the manuscripts and a critical evaluation of previous editorial scholarship. It is equipped with a critical apparatus, an apparatus of sources and an apparatus of repeated lines. The preface discusses the manuscript tradition of Lucretius and the way the text and apparatuses have been constructed.
Notes on the Text of Varro's De Lingva Latina
This article discusses the text of seven passages in the etymological books 5–7 of Varro's De lingua Latina , and proposes new conjectures for all of them. The discussions are of direct relevance to the interpretation of fragments and testimonies of lost Latin authors quoted by Varro: the scenic poets Naevius, Pacuvius, Caecilius Statius, Juventius and Atilius, and the grammarian Aurelius Opillus. The starting point for the discussions is the new…
Giulia Torello-Hill, Andrew J. Turner
Art (6 works) · Philosophy (6 works) · Literature (4 works) · Classical Antiquity Studies (3 works) · Classics (3 works) · History (3 works) · ancient (2 works) · Art history (2 works) · Classical Philosophy and Thought (2 works) · Criticism and interpretation (2 works)