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Nikki Grout

Biographic Data

ID5625909
NAMENikki Grout
GIVEN NAMESNikki
FAMILY NAMEGrout
SIGNATUREGROUT N
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS24
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2025
H-INDEX1
  • African Collections in Scottish Museums

    Open Access•John Giblin, John D Giblin et al.•ARTICLE•Museum Worlds•2025

    The colonial-era extraction of cultural belongings and treasures from the continent of Africa by colonial agents contributed to the globalization of African material cultures. Through the actions of traders, mariners, missionaries, soldiers, engineers, administrators, their families, and others associated with colonization, huge quantities of African material culture entered global circulation, eventually being amassed in private and public colle…

  • Dismantling the Master’s House

    John Giblin, Imma Ramos et al.•ARTICLE•Third Text•2019•Cited by: 24

    Museums were both produced by and producers of the ideals that drove the growth of European empires. As such, many of the collections made during and since the colonial era are unique and powerful reflections of this history. Despite this potential, with few exceptions, object-focused critical histories of empire in museums have typically either been marginalised in favour of celebratory narratives, art historical perspectives or de-historicised …

  • Dismantling the Master’s House

    John Giblin, Imma Ramos et al.•ARTICLE•Third Text•2019•Cited by: 24

    Museums were both produced by and producers of the ideals that drove the growth of European empires. As such, many of the collections made during and since the colonial era are unique and powerful reflections of this history. Despite this potential, with few exceptions, object-focused critical histories of empire in museums have typically either been marginalised in favour of celebratory narratives, art historical perspectives or de-historicised …

  • Dismantling the Master’s House

    John Giblin, Imma Ramos et al.•ARTICLE•Third Text•2019•Cited by: 24

    Museums were both produced by and producers of the ideals that drove the growth of European empires. As such, many of the collections made during and since the colonial era are unique and powerful reflections of this history. Despite this potential, with few exceptions, object-focused critical histories of empire in museums have typically either been marginalised in favour of celebratory narratives, art historical perspectives or de-historicised …

  • African Collections in Scottish Museums

    Open Access•John Giblin, John D Giblin et al.•ARTICLE•Museum Worlds•2025

    The colonial-era extraction of cultural belongings and treasures from the continent of Africa by colonial agents contributed to the globalization of African material cultures. Through the actions of traders, mariners, missionaries, soldiers, engineers, administrators, their families, and others associated with colonization, huge quantities of African material culture entered global circulation, eventually being amassed in private and public colle…

Colonialism (2 works) · Decolonization (2 works) · Museums and Cultural Heritage (2 works) · Aesthetics (1 works) · Archaeological Research and Protection (1 works) · Archaeology (1 works) · Art (1 works) · Art history (1 works) · British Empire (1 works) · Cultural Heritage Management and Preservation (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae