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Keith Rutter

Biographic Data

ID5626026
NAMEKeith Rutter
GIVEN NAMESKeith
FAMILY NAMERutter
SIGNATURERUTTER K
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS20
WORKS AS AUTHOR7
WORKS AS EDITOR3
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Ulla Westermark

    Keith Rutter•ARTICLE•Gnomon•2021

  • The Archaeology of Greece and Rome

    Open Access•John Bintliff, Keith Rutter•BOOK•Archaeology of Greece and Rome•2016

    Contributions to Greek and Roman archaeology and history, inspired by the work of Anthony Snodgrass Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical arch…

  • Survey, Excavation and the Appearance of the Early Polis

    Vladimir Stissi, John Bintliff et al.•EDITOR•CHAPTER•The Archaeology of Greece and Rome•2016

    When writing a contribution to a Festschrift , the first thing to think of is of course a theme that relates to the honorand and her or his research. In the case of Anthony Snodgrass that is a surprisingly difficult task, because there are so many possibilities to choose from. As we all know, Anthony has produced seminal contributions to thinking about field survey, the Elgin marbles, Early Iron Age Greece, pottery styles, city planning, Archaic …

  • Context Matters

    Rolf Michael Schneider, John Bintliff et al.•EDITOR•CHAPTER•The Archaeology of Greece and Rome•2016

    In the nineteenth century, remains on the north-eastern side of the Forum Romanum were identified as belonging to the Basilica Paulli (Chioffi 1996 4–5; Fig. 17.18 below), which had been situated opposite the Basilica Iulia. This identification had been based on ancient texts which are, however, ambiguous in their reading. They attest in the Forum Romanum either a single Basilica Fulvia-Aemilia-Paulli ( communis opinio ) or two separate basilicas…

  • Homer and the Ekphrasists

    Open Access•Michael Squire, Jaś Elsner et al.•EDITOR•CHAPTER•The Archaeology of Greece and Rome•2016

    In his seminal 1998 book, Homer and the Artists : Text and Picture in Early Greek Art , Anthony Snodgrass makes no mention of the Imagines , or indeed of its author, the Elder Philostratus. As Anthony would no doubt remind us, one would need have a very late (probably Byzantine) view of ‘Greek art’ to conceive of Philostratus alongside the word ‘early’. Yet the Imagines , written at around the beginning of the third century ad, provides one of th…

  • Archaeology of Greece and Rome

    John Bintliff, Keith Rutter•BOOK•Archaeology of Greece and Rome•2016

  • Archaeology of Greece and Rome

    John Bintliff, Keith Rutter et al.•BOOK•Archaeology of Greece and Rome•2016

  • The nature of early Greek coinage – the case of Sicily

    Keith Rutter•ARTICLE•JOURNAL OF GREEK ARCHAEOLOGY•2016•References: 13

    Coins were made and circulated in their millions in the ancient world. By common consent they are part of the evidence for the reconstruction of ancient history of all kinds, economic, artistic, religious, political. But how can the evidence provided by coins best be exploited? In a recent article, I suggested that it is on the basis of ‘detailed work on the numismatic material, on the structure and volume of different coinages, on the ‘rhythms’ …

  • Envy, Spite and Jealousy

    David Konstan, N K Rutter et al.•BOOK•Envy, Spite and Jealousy•2003•Cited by: 6

    Classical Greece was permeated by a spirit of rivalry. Games and sports, theatrical performances, courtroom trials, recitation of poetry, canvassing for public office, war itself -- all aspects of life were informed by a competitive ethos. This pioneering book considers how the Greeks viewed, explained, exploited and controlled the emotions that entered into such rivalrous activities, and looks at what the private and public effects were of such …

  • Word And Image In Ancient Greece

    Open Access•Keith Rutter, N Keith Rutter et al.•BOOK•Word and image in ancient Greece•2000•Cited by: 14

    In ancient Greek society communication was largely oral and visual. The epic poets sang and recited the legends that served the Greeks as their historical past; lyric and elegiac poets sang songs of love and death and celebrated military and sporting success to the accompaniment of the lyre and pipes; the art of rhetoric was a vital ingredient in speeches in the assembly and the law courts; in tragedies and comedies actors spoke to audiences of t…

  • Word And Image In Ancient Greece

    Open Access•Keith Rutter, N Keith Rutter et al.•BOOK•Word and image in ancient Greece•2000•Cited by: 14

    In ancient Greek society communication was largely oral and visual. The epic poets sang and recited the legends that served the Greeks as their historical past; lyric and elegiac poets sang songs of love and death and celebrated military and sporting success to the accompaniment of the lyre and pipes; the art of rhetoric was a vital ingredient in speeches in the assembly and the law courts; in tragedies and comedies actors spoke to audiences of t…

  • Envy, Spite and Jealousy

    David Konstan, N K Rutter et al.•BOOK•Envy, Spite and Jealousy•2003•Cited by: 6

    Classical Greece was permeated by a spirit of rivalry. Games and sports, theatrical performances, courtroom trials, recitation of poetry, canvassing for public office, war itself -- all aspects of life were informed by a competitive ethos. This pioneering book considers how the Greeks viewed, explained, exploited and controlled the emotions that entered into such rivalrous activities, and looks at what the private and public effects were of such …

  • Word And Image In Ancient Greece

    Open Access•Keith Rutter, N Keith Rutter et al.•BOOK•Word and image in ancient Greece•2000•Cited by: 14

    In ancient Greek society communication was largely oral and visual. The epic poets sang and recited the legends that served the Greeks as their historical past; lyric and elegiac poets sang songs of love and death and celebrated military and sporting success to the accompaniment of the lyre and pipes; the art of rhetoric was a vital ingredient in speeches in the assembly and the law courts; in tragedies and comedies actors spoke to audiences of t…

  • Envy, Spite and Jealousy

    David Konstan, N K Rutter et al.•BOOK•Envy, Spite and Jealousy•2003•Cited by: 6

    Classical Greece was permeated by a spirit of rivalry. Games and sports, theatrical performances, courtroom trials, recitation of poetry, canvassing for public office, war itself -- all aspects of life were informed by a competitive ethos. This pioneering book considers how the Greeks viewed, explained, exploited and controlled the emotions that entered into such rivalrous activities, and looks at what the private and public effects were of such …

  • The Archaeology of Greece and Rome

    Open Access•John Bintliff, Keith Rutter•BOOK•Archaeology of Greece and Rome•2016

    Contributions to Greek and Roman archaeology and history, inspired by the work of Anthony Snodgrass Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical arch…

  • Survey, Excavation and the Appearance of the Early Polis

    Vladimir Stissi, John Bintliff et al.•EDITOR•CHAPTER•The Archaeology of Greece and Rome•2016

    When writing a contribution to a Festschrift , the first thing to think of is of course a theme that relates to the honorand and her or his research. In the case of Anthony Snodgrass that is a surprisingly difficult task, because there are so many possibilities to choose from. As we all know, Anthony has produced seminal contributions to thinking about field survey, the Elgin marbles, Early Iron Age Greece, pottery styles, city planning, Archaic …

  • Context Matters

    Rolf Michael Schneider, John Bintliff et al.•EDITOR•CHAPTER•The Archaeology of Greece and Rome•2016

    In the nineteenth century, remains on the north-eastern side of the Forum Romanum were identified as belonging to the Basilica Paulli (Chioffi 1996 4–5; Fig. 17.18 below), which had been situated opposite the Basilica Iulia. This identification had been based on ancient texts which are, however, ambiguous in their reading. They attest in the Forum Romanum either a single Basilica Fulvia-Aemilia-Paulli ( communis opinio ) or two separate basilicas…

  • Homer and the Ekphrasists

    Open Access•Michael Squire, Jaś Elsner et al.•EDITOR•CHAPTER•The Archaeology of Greece and Rome•2016

    In his seminal 1998 book, Homer and the Artists : Text and Picture in Early Greek Art , Anthony Snodgrass makes no mention of the Imagines , or indeed of its author, the Elder Philostratus. As Anthony would no doubt remind us, one would need have a very late (probably Byzantine) view of ‘Greek art’ to conceive of Philostratus alongside the word ‘early’. Yet the Imagines , written at around the beginning of the third century ad, provides one of th…

  • Archaeology of Greece and Rome

    John Bintliff, Keith Rutter•BOOK•Archaeology of Greece and Rome•2016

  • Archaeology of Greece and Rome

    John Bintliff, Keith Rutter et al.•BOOK•Archaeology of Greece and Rome•2016

  • The nature of early Greek coinage – the case of Sicily

    Keith Rutter•ARTICLE•JOURNAL OF GREEK ARCHAEOLOGY•2016•References: 13

    Coins were made and circulated in their millions in the ancient world. By common consent they are part of the evidence for the reconstruction of ancient history of all kinds, economic, artistic, religious, political. But how can the evidence provided by coins best be exploited? In a recent article, I suggested that it is on the basis of ‘detailed work on the numismatic material, on the structure and volume of different coinages, on the ‘rhythms’ …

  • Ulla Westermark

    Keith Rutter•ARTICLE•Gnomon•2021

Classical Antiquity Studies (7 works) · History (6 works) · Ancient Mediterranean Archaeology and History (4 works) · Antiquities (3 works) · Archaeology (3 works) · Art (3 works) · Ancient history (2 works) · Antike (2 works) · Archaeology (2 works) · Archaeology (2 works)

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