Keith Rutter
Biographic Data
| ID | 5626026 |
|---|---|
| NAME | Keith Rutter |
| GIVEN NAMES | Keith |
| FAMILY NAME | Rutter |
| SIGNATURE | RUTTER K |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 20 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 3 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Ulla Westermark
The Archaeology of Greece and Rome
Contributions to Greek and Roman archaeology and history, inspired by the work of Anthony Snodgrass Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical arch…
Survey, Excavation and the Appearance of the Early Polis
When writing a contribution to a Festschrift , the first thing to think of is of course a theme that relates to the honorand and her or his research. In the case of Anthony Snodgrass that is a surprisingly difficult task, because there are so many possibilities to choose from. As we all know, Anthony has produced seminal contributions to thinking about field survey, the Elgin marbles, Early Iron Age Greece, pottery styles, city planning, Archaic …
Context Matters
In the nineteenth century, remains on the north-eastern side of the Forum Romanum were identified as belonging to the Basilica Paulli (Chioffi 1996 4–5; Fig. 17.18 below), which had been situated opposite the Basilica Iulia. This identification had been based on ancient texts which are, however, ambiguous in their reading. They attest in the Forum Romanum either a single Basilica Fulvia-Aemilia-Paulli ( communis opinio ) or two separate basilicas…
Homer and the Ekphrasists
In his seminal 1998 book, Homer and the Artists : Text and Picture in Early Greek Art , Anthony Snodgrass makes no mention of the Imagines , or indeed of its author, the Elder Philostratus. As Anthony would no doubt remind us, one would need have a very late (probably Byzantine) view of ‘Greek art’ to conceive of Philostratus alongside the word ‘early’. Yet the Imagines , written at around the beginning of the third century ad, provides one of th…
Archaeology of Greece and Rome
Archaeology of Greece and Rome
The nature of early Greek coinage – the case of Sicily
Coins were made and circulated in their millions in the ancient world. By common consent they are part of the evidence for the reconstruction of ancient history of all kinds, economic, artistic, religious, political. But how can the evidence provided by coins best be exploited? In a recent article, I suggested that it is on the basis of ‘detailed work on the numismatic material, on the structure and volume of different coinages, on the ‘rhythms’ …
Envy, Spite and Jealousy
Classical Greece was permeated by a spirit of rivalry. Games and sports, theatrical performances, courtroom trials, recitation of poetry, canvassing for public office, war itself -- all aspects of life were informed by a competitive ethos. This pioneering book considers how the Greeks viewed, explained, exploited and controlled the emotions that entered into such rivalrous activities, and looks at what the private and public effects were of such …
Word And Image In Ancient Greece
In ancient Greek society communication was largely oral and visual. The epic poets sang and recited the legends that served the Greeks as their historical past; lyric and elegiac poets sang songs of love and death and celebrated military and sporting success to the accompaniment of the lyre and pipes; the art of rhetoric was a vital ingredient in speeches in the assembly and the law courts; in tragedies and comedies actors spoke to audiences of t…
Word And Image In Ancient Greece
In ancient Greek society communication was largely oral and visual. The epic poets sang and recited the legends that served the Greeks as their historical past; lyric and elegiac poets sang songs of love and death and celebrated military and sporting success to the accompaniment of the lyre and pipes; the art of rhetoric was a vital ingredient in speeches in the assembly and the law courts; in tragedies and comedies actors spoke to audiences of t…
Envy, Spite and Jealousy
Classical Greece was permeated by a spirit of rivalry. Games and sports, theatrical performances, courtroom trials, recitation of poetry, canvassing for public office, war itself -- all aspects of life were informed by a competitive ethos. This pioneering book considers how the Greeks viewed, explained, exploited and controlled the emotions that entered into such rivalrous activities, and looks at what the private and public effects were of such …
Word And Image In Ancient Greece
In ancient Greek society communication was largely oral and visual. The epic poets sang and recited the legends that served the Greeks as their historical past; lyric and elegiac poets sang songs of love and death and celebrated military and sporting success to the accompaniment of the lyre and pipes; the art of rhetoric was a vital ingredient in speeches in the assembly and the law courts; in tragedies and comedies actors spoke to audiences of t…
Envy, Spite and Jealousy
Classical Greece was permeated by a spirit of rivalry. Games and sports, theatrical performances, courtroom trials, recitation of poetry, canvassing for public office, war itself -- all aspects of life were informed by a competitive ethos. This pioneering book considers how the Greeks viewed, explained, exploited and controlled the emotions that entered into such rivalrous activities, and looks at what the private and public effects were of such …
The Archaeology of Greece and Rome
Contributions to Greek and Roman archaeology and history, inspired by the work of Anthony Snodgrass Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical arch…
Survey, Excavation and the Appearance of the Early Polis
When writing a contribution to a Festschrift , the first thing to think of is of course a theme that relates to the honorand and her or his research. In the case of Anthony Snodgrass that is a surprisingly difficult task, because there are so many possibilities to choose from. As we all know, Anthony has produced seminal contributions to thinking about field survey, the Elgin marbles, Early Iron Age Greece, pottery styles, city planning, Archaic …
Context Matters
In the nineteenth century, remains on the north-eastern side of the Forum Romanum were identified as belonging to the Basilica Paulli (Chioffi 1996 4–5; Fig. 17.18 below), which had been situated opposite the Basilica Iulia. This identification had been based on ancient texts which are, however, ambiguous in their reading. They attest in the Forum Romanum either a single Basilica Fulvia-Aemilia-Paulli ( communis opinio ) or two separate basilicas…
Homer and the Ekphrasists
In his seminal 1998 book, Homer and the Artists : Text and Picture in Early Greek Art , Anthony Snodgrass makes no mention of the Imagines , or indeed of its author, the Elder Philostratus. As Anthony would no doubt remind us, one would need have a very late (probably Byzantine) view of ‘Greek art’ to conceive of Philostratus alongside the word ‘early’. Yet the Imagines , written at around the beginning of the third century ad, provides one of th…
Archaeology of Greece and Rome
Archaeology of Greece and Rome
The nature of early Greek coinage – the case of Sicily
Coins were made and circulated in their millions in the ancient world. By common consent they are part of the evidence for the reconstruction of ancient history of all kinds, economic, artistic, religious, political. But how can the evidence provided by coins best be exploited? In a recent article, I suggested that it is on the basis of ‘detailed work on the numismatic material, on the structure and volume of different coinages, on the ‘rhythms’ …
Ulla Westermark
Classical Antiquity Studies (7 works) · History (6 works) · Ancient Mediterranean Archaeology and History (4 works) · Antiquities (3 works) · Archaeology (3 works) · Art (3 works) · Ancient history (2 works) · Antike (2 works) · Archaeology (2 works) · Archaeology (2 works)