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Victoria Moul

Biographic Data

ID5626178
NAMEVictoria Moul
GIVEN NAMESVictoria
FAMILY NAMEMoul
SIGNATUREMOUL V
AFFILIATIONSKing's College London
ORCID0000-0002-9550-1216
VERIFIEDYes
TOTAL WORKS15
TOTAL CITATIONS2
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Poema de Hibernica

    Victoria Moul•ARTICLE•The Seventeenth Century•2020

    This very impressive volume sets a new standard for Anglophone editions of early modern Latin texts. The editors, Padraig Lenihan and Keith Sidwell, have considered carefully the various likely use

  • Virgil as a Poet

    Open Access•Victoria Moul•CHAPTER•Cambridge Companion to Virgil•2019

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Abraham Cowley’s 1656 Poems

    Victoria Moul•CHAPTER•Royalists and Royalism in…•2019

    Among the most glaring Cowley critical lacunae is his Latin writing. Victoria Moul, in this chapter, helps to remedy this by locating Cowley’s Latin literary output within its context. Her focus is on the ways in which the Latin poems printed in the Poems of 1656, not least the dedicatory poem preceding the preface, respond to the wider literary and political culture of the times. A disjunction between Cowley’s Latin poetic and English prose voic…

  • A Guide to Neo-Latin Literature

    Victoria Moul, Anthony F D’Elia•ARTICLE•Renaissance and Reformation•2019

  • The date of Marvell’s Hortus

    Victoria Moul•ARTICLE•The Seventeenth Century•2019•References: 17

    A post-Restoration dating of Marvell’s poem The Garden and its Latin companion piece “Hortus” to around 1668 has been generally accepted in recent criticism, despite some counter-arguments from those who defend the traditional dating to Marvell’s period at Nun Appleton (1650–2). None of these analyses, however, have attempted to date the Latin rather than the English poem. This article offers a new dating of “Hortus” to around 1654, during Marvel…

  • Hunting with Hounds in Neo-Latin

    Victoria Moul•BOOK•Grattius•2018

    This chapter explores the wide-ranging imitation and appropriation of Grattius in Europe during the sixteenth to the eighteenth centuries following the rediscovery of the text in the early years of the sixteenth century. Particular attention is focused on Giovanni Darcio’s poem, Canes (1543), Girolamo Fracastoro’s poem, Alcon (attested from at least 1555), and Jacques Vanière’s version of the Cynegetica in the sixteenth and final book of his magi…

  • Neo-Latin Literature and Literary Culture in Early Modern Scotland

    Open Access•Victoria Moul•ARTICLE•Renaissance Quarterly•2018

    Neo-Latin Literature and Literary Culture in Early Modern Scotland. Steven J. Reid and David McOmish, eds. Brill’s Studies in Intellectual History 260. Leiden: Brill, 2017. xi + 300 pp. $167. - Volume 71 Issue 2

  • The Oxford History of Classical Reception in English Literature, Volume I

    Open Access•Victoria Moul•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Revising the siege of York

    Victoria Moul•ARTICLE•The Seventeenth Century•2016•References: 7

    This is the first article dedicated to Payne (or Fitzpayne) Fisher (1615/6–1693), Cromwell’s forgotten laureate, who had a successful career as a Latin poet during the short-lived English Commonwealth (1649–1653) and Protectorate (1653–1659). The article examines in detail the four surviving versions of Fisher’s breakthrough success, the long Latin poem Marston Moor, first published in print in 1650, with a revised edition in 1656, but circulated…

  • Lyric Poetry

    Sarah Knight, Stefan Tilg et al.•CHAPTER•The Oxford Handbook of Neo-Latin•2015

  • A Mirror for Noble Deeds

    Open Access•Victoria Moul•ARTICLE•Bulletin of the Institute of…•2012

    A collection of distinguished scholars examine different moments in the victory ode’s reception history, from the lifetime of Pindar and Bacchylides themselves through the Roman empire and the Middle Ages to the modern world, in a variety of texts and in differing cultural contexts

  • Quo Rapis ? Tone and Allusion at Aulis in Statius' Achilleid

    Open Access•Victoria Moul•ARTICLE•The Classical Quarterly•2012•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Virgil in the Renaissance

    Open Access•Victoria Moul•ARTICLE•Renaissance Quarterly•2011

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Jonson, Horace and the Classical Tradition

    Open Access•Victoria Moul•BOOK•Jonson, Horace and the Classical…•2010

    The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges i…

  • Translation As Commentary? The Case of Ben Jonson’s Ars Poetica

    Open Access•Victoria Moul•ARTICLE•Palimpsestes•2007

    This article is a brief attempt to consider some of the ways in which Jonson’s neglected translation of Horace’s Ars Poetica—a project to which he returned over many years—is worthy of consideration as a major work of translation; a translation, moreover, which in its departures from and contention with the Latin text emerges as a kind of commentary. The reading of Horace that appears, as it were, from between the lines of Horace’s own text itsel…

  • Quo Rapis ? Tone and Allusion at Aulis in Statius' Achilleid

    Open Access•Victoria Moul•ARTICLE•The Classical Quarterly•2012•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Translation As Commentary? The Case of Ben Jonson’s Ars Poetica

    Open Access•Victoria Moul•ARTICLE•Palimpsestes•2007

    This article is a brief attempt to consider some of the ways in which Jonson’s neglected translation of Horace’s Ars Poetica—a project to which he returned over many years—is worthy of consideration as a major work of translation; a translation, moreover, which in its departures from and contention with the Latin text emerges as a kind of commentary. The reading of Horace that appears, as it were, from between the lines of Horace’s own text itsel…

  • Jonson, Horace and the Classical Tradition

    Open Access•Victoria Moul•BOOK•Jonson, Horace and the Classical…•2010

    The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges i…

  • Virgil in the Renaissance

    Open Access•Victoria Moul•ARTICLE•Renaissance Quarterly•2011

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Mirror for Noble Deeds

    Open Access•Victoria Moul•ARTICLE•Bulletin of the Institute of…•2012

    A collection of distinguished scholars examine different moments in the victory ode’s reception history, from the lifetime of Pindar and Bacchylides themselves through the Roman empire and the Middle Ages to the modern world, in a variety of texts and in differing cultural contexts

  • Quo Rapis ? Tone and Allusion at Aulis in Statius' Achilleid

    Open Access•Victoria Moul•ARTICLE•The Classical Quarterly•2012•Cited by: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Lyric Poetry

    Sarah Knight, Stefan Tilg et al.•CHAPTER•The Oxford Handbook of Neo-Latin•2015

  • Revising the siege of York

    Victoria Moul•ARTICLE•The Seventeenth Century•2016•References: 7

    This is the first article dedicated to Payne (or Fitzpayne) Fisher (1615/6–1693), Cromwell’s forgotten laureate, who had a successful career as a Latin poet during the short-lived English Commonwealth (1649–1653) and Protectorate (1653–1659). The article examines in detail the four surviving versions of Fisher’s breakthrough success, the long Latin poem Marston Moor, first published in print in 1650, with a revised edition in 1656, but circulated…

  • The Oxford History of Classical Reception in English Literature, Volume I

    Open Access•Victoria Moul•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Hunting with Hounds in Neo-Latin

    Victoria Moul•BOOK•Grattius•2018

    This chapter explores the wide-ranging imitation and appropriation of Grattius in Europe during the sixteenth to the eighteenth centuries following the rediscovery of the text in the early years of the sixteenth century. Particular attention is focused on Giovanni Darcio’s poem, Canes (1543), Girolamo Fracastoro’s poem, Alcon (attested from at least 1555), and Jacques Vanière’s version of the Cynegetica in the sixteenth and final book of his magi…

  • Neo-Latin Literature and Literary Culture in Early Modern Scotland

    Open Access•Victoria Moul•ARTICLE•Renaissance Quarterly•2018

    Neo-Latin Literature and Literary Culture in Early Modern Scotland. Steven J. Reid and David McOmish, eds. Brill’s Studies in Intellectual History 260. Leiden: Brill, 2017. xi + 300 pp. $167. - Volume 71 Issue 2

  • Virgil as a Poet

    Open Access•Victoria Moul•CHAPTER•Cambridge Companion to Virgil•2019

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Abraham Cowley’s 1656 Poems

    Victoria Moul•CHAPTER•Royalists and Royalism in…•2019

    Among the most glaring Cowley critical lacunae is his Latin writing. Victoria Moul, in this chapter, helps to remedy this by locating Cowley’s Latin literary output within its context. Her focus is on the ways in which the Latin poems printed in the Poems of 1656, not least the dedicatory poem preceding the preface, respond to the wider literary and political culture of the times. A disjunction between Cowley’s Latin poetic and English prose voic…

  • A Guide to Neo-Latin Literature

    Victoria Moul, Anthony F D’Elia•ARTICLE•Renaissance and Reformation•2019

  • The date of Marvell’s Hortus

    Victoria Moul•ARTICLE•The Seventeenth Century•2019•References: 17

    A post-Restoration dating of Marvell’s poem The Garden and its Latin companion piece “Hortus” to around 1668 has been generally accepted in recent criticism, despite some counter-arguments from those who defend the traditional dating to Marvell’s period at Nun Appleton (1650–2). None of these analyses, however, have attempted to date the Latin rather than the English poem. This article offers a new dating of “Hortus” to around 1654, during Marvel…

  • Poema de Hibernica

    Victoria Moul•ARTICLE•The Seventeenth Century•2020

    This very impressive volume sets a new standard for Anglophone editions of early modern Latin texts. The editors, Padraig Lenihan and Keith Sidwell, have considered carefully the various likely use

Art (11 works) · Literature (11 works) · History (10 works) · History (7 works) · Poetry (7 works) · Classical Antiquity Studies (5 works) · Classics (5 works) · Philosophy (5 works) · Classics (4 works) · Byzantine Studies and History (3 works)

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