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Hans Rupprecht Goette

Biographic Data

ID5626323
NAMEHans Rupprecht Goette
GIVEN NAMESHans Rupprecht
FAMILY NAMEGoette
SIGNATUREGOETTE H R
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS44
WORKS AS AUTHOR4
WORKS AS EDITOR3
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Theatre and Autocracy in the Ancient World

    Lucia Athanassaki, Ewen Bowie et al.•EDITOR•BOOK•Theatre and Autocracy in the…•2022

    Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" ( Republic 568c). For more than forty years scho…

  • The Portraits of Herodes Atticus and His Circle

    Hans Rupprecht Goette•CHAPTER•Handbook of Greek Sculpture•2019

    This chapter deals mainly with the portraits of Herodes Atticus and those of his foster sons, Polydeukion, Memnon and Achilles, set up by the sophist after their deaths. These portraits were made by Attic workshops and partially reflect the imperial portraiture of their time

  • “Choregic” or victory monuments of the tribal Panathenaic contests

    Hans Rupprecht Goette•CHAPTER•Panathenaic Games•2015

  • The Archaeology of the ‘Rural’ Dionysia in Attica

    Hans Rupprecht Goette•CHAPTER•Greek Theatre in the Fourth…•2014

  • Greek Theatre in the Fourth Century BC

    Eric Csapo, Hans Rupprecht Goette et al.•EDITOR•BOOK•Greek Theatre in the Fourth…•2014•Cited by: 43

    Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous …

  • Armut - Arbeit - Menschenwürde

    Open Access•Dio Chrysostom, Dio Chrysostomus et al.•EDITOR•BOOK•Armut - Arbeit - Menschenwürde•2012

    Der von Gustav Adolf Lehmann herausgegebene Band enthält eine vollständige Übersetzung und Kommentierung der Euböischen Rede des Dion von Prusa, von der allgemein nur der erste Teil, der Kurz-Roman über das Leben der Jägerfamilie in den Bergwäldern Süd-Euböas, bekannt ist. Tatsächlich umfasst die Euböische Rede jedoch in ihrem zweiten Teil ein bedeutendes soziales und ökonomisches Programm, um gerade der urbanen Stadtarmut eine menschenwürdige Ar…

  • Athens, Attica and the Megarid

    Hans Rupprecht Goette, HANS RU GOETTE•BOOK•Athens, Attica & the Megarid•2010•Cited by: 1

    This exciting new guide is the ideal companion to Greece if you are a traveller with historical and archaeological interests, as it combines practical information with impeccable scholarly research.Written by an expert on Greece's landscape and archaeology, the guide is unique in exploring a wide range of sites off the beaten track. It also tours all the best-known monuments and regions, from the Acropolis to Aegina, from Megara to Marathon and f…

  • Greek Theatre in the Fourth Century BC

    Eric Csapo, Hans Rupprecht Goette et al.•EDITOR•BOOK•Greek Theatre in the Fourth…•2014•Cited by: 43

    Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous …

  • Athens, Attica and the Megarid

    Hans Rupprecht Goette, HANS RU GOETTE•BOOK•Athens, Attica & the Megarid•2010•Cited by: 1

    This exciting new guide is the ideal companion to Greece if you are a traveller with historical and archaeological interests, as it combines practical information with impeccable scholarly research.Written by an expert on Greece's landscape and archaeology, the guide is unique in exploring a wide range of sites off the beaten track. It also tours all the best-known monuments and regions, from the Acropolis to Aegina, from Megara to Marathon and f…

  • Athens, Attica and the Megarid

    Hans Rupprecht Goette, HANS RU GOETTE•BOOK•Athens, Attica & the Megarid•2010•Cited by: 1

    This exciting new guide is the ideal companion to Greece if you are a traveller with historical and archaeological interests, as it combines practical information with impeccable scholarly research.Written by an expert on Greece's landscape and archaeology, the guide is unique in exploring a wide range of sites off the beaten track. It also tours all the best-known monuments and regions, from the Acropolis to Aegina, from Megara to Marathon and f…

  • Armut - Arbeit - Menschenwürde

    Open Access•Dio Chrysostom, Dio Chrysostomus et al.•EDITOR•BOOK•Armut - Arbeit - Menschenwürde•2012

    Der von Gustav Adolf Lehmann herausgegebene Band enthält eine vollständige Übersetzung und Kommentierung der Euböischen Rede des Dion von Prusa, von der allgemein nur der erste Teil, der Kurz-Roman über das Leben der Jägerfamilie in den Bergwäldern Süd-Euböas, bekannt ist. Tatsächlich umfasst die Euböische Rede jedoch in ihrem zweiten Teil ein bedeutendes soziales und ökonomisches Programm, um gerade der urbanen Stadtarmut eine menschenwürdige Ar…

  • The Archaeology of the ‘Rural’ Dionysia in Attica

    Hans Rupprecht Goette•CHAPTER•Greek Theatre in the Fourth…•2014

  • Greek Theatre in the Fourth Century BC

    Eric Csapo, Hans Rupprecht Goette et al.•EDITOR•BOOK•Greek Theatre in the Fourth…•2014•Cited by: 43

    Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous …

  • “Choregic” or victory monuments of the tribal Panathenaic contests

    Hans Rupprecht Goette•CHAPTER•Panathenaic Games•2015

  • The Portraits of Herodes Atticus and His Circle

    Hans Rupprecht Goette•CHAPTER•Handbook of Greek Sculpture•2019

    This chapter deals mainly with the portraits of Herodes Atticus and those of his foster sons, Polydeukion, Memnon and Achilles, set up by the sophist after their deaths. These portraits were made by Attic workshops and partially reflect the imperial portraiture of their time

  • Theatre and Autocracy in the Ancient World

    Lucia Athanassaki, Ewen Bowie et al.•EDITOR•BOOK•Theatre and Autocracy in the…•2022

    Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" ( Republic 568c). For more than forty years scho…

Classical Antiquity Studies (6 works) · Art (4 works) · History (4 works) · Ancient history (3 works) · Greece (3 works) · Political science (3 works) · Ancient Mediterranean Archaeology and History (2 works) · Antiquities (2 works) · Geography (2 works) · Historical, Religious, and Philosophical Studies (2 works)

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