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Emily Gowers

Biographic Data

ID5626581
NAMEEmily Gowers
GIVEN NAMESEmily
FAMILY NAMEGowers
SIGNATUREGOWERS E
AFFILIATIONSSt. John's College of Nursing
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS29
AUTHOR COUNT16
EDITOR COUNT1
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2024
H-INDEX4
  • Rome's Patron: The Lives and Afterlives of Maecenas

    Emily Gowers•BOOK•Rome's Patron•2024

  • Ennius Perennis: The Annals and Beyond

    William Fitzgerald, Emily Gowers•BOOK•Ennius Perennis•2020

  • Why Isn’t Homer in Vergil’s Underworld? – and Other Notable Absences

    Emily Gowers•CHAPTER•Walking through Elysium•2020

  • The Cor of Ennius

    Emily Gowers•CHAPTER•Ennius Perennis•2020

  • Noises Off: The Thyestes Theme in Tacitus’ Dialogus

    Emily Gowers•CHAPTER•Roman Drama and Its Contexts•2016

  • Dido and the Owl

    Emily Gowers•CHAPTER•Wordplay and Powerplay in Latin…•2016

  • The Road to Sicily: Lucilius to Seneca

    Open Access•Emily Gowers•ARTICLE•Ramus•2011•Cited by: 2•References: 10

    One of Horace's best-known allegations in Epistles 1 is that where in the world you are is neither here nor there, as long as you have peace of mind ( animus aequus ): caelum non animum mutant qui trans mare currunt. strenua nos exercet inertia; nauibus atque quadrigis petimus bene uiuere. quod petis, hie est, est Vlubris, animus si te non deficit aequus. (Hor. Ep . 1.11.27-30) Cross the sea, and you change your climate, not your mental state. Re…

  • Dangerous Sailing: Valerius Maximus and the Suppression of Sextus Pompeius

    Open Access•Emily Gowers•ARTICLE•The Classical Quarterly•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Augustus and ‘Syracuse’

    Open Access•Emily Gowers•ARTICLE•The Journal of Roman Studies•2010•Cited by: 6•References: 19

    Suetonius ( Aug. 72.2) records among the habits of Augustus his inclination to retreat from time to time to a place he called ‘Syracuse’ or his ‘technophuon’ (workshop). These names have been variously explained, without agreement. The paper argues that ‘Syracuse’ evokes a complex of associations beyond the obvious connection with Archimedes and his inventions. By recalling other well-known figures, such as Marcellus and Dionysius, as well as Aug…

  • The restless companion: Horace, Satires 1 and 2

    Open Access•Emily Gowers•CHAPTER•The Cambridge Companion to Roman…•2005

    Horace’s two books of Satires have always lurked in the shadow of the Odes . Aside from such favourite anecdotes as the much-translated encounter with a literary gatecrasher on the Via Sacra, or the “granny’s tale” of the town mouse and the country mouse, they have for the most part been found strange, profoundly unsatisfying poems, whose self-deprecating tone has condemned them to neglect. They are also, by most standards, astonishingly unsatiri…

  • The Cambridge Companion to Roman Satire

    Open Access•Frances Muecke, Emily Gowers et al.•BOOK•The Cambridge companion to Roman…•2005

    Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, plac…

  • Virgil’s Sibyl and the ‘Many Mouths’ Cliché ( Aen. 6.625–7)

    Open Access•Emily Gowers•ARTICLE•The Classical Quarterly•2005•Cited by: 4

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Blind Eyes and Cut Throats: Amnesia and Silence in Horace "Satires" 1.7

    Emily Gowers•ARTICLE•Classical Philology•2002•Cited by: 6•References: 2

  • Apuleius and Persius

    Emily Gowers•CHAPTER•A companion to the Prologue of…•2001

    Persius the Neronian satlnst is an unlikely influence on Apuleius. One is as abrasive and awkward in his approach to the reader as the other is smooth and charming. Nevertheless, there are several ways in which the Metamorphoses Prologue gains in significance by being read as a response to Persius. I. The two unconventional philosophers draw on many of the same images to characterize their different styles of teaching: in particular, the stubborn…

  • Vegetable Love: Virgil, Columella, and Garden Poetry

    Open Access•Emily Gowers•ARTICLE•Ramus•2000•Cited by: 11•References: 2

    In 65 CE, a Spanish writer appointed himself Virgil's heir and stepped into a breach that did not really exist. L. Iunius Moderatus Columella chose to attach to his self-styled prose ‘monument’ of agricultural instruction an ornamental didactic poem on gardening, to fill the gap apparently left by Virgil at the start of Georgic 4. The result has been regarded for the most part as a misguided experiment, an uninspired pastiche of clippings and hal…

  • The Anatomy of Rome from Capitol to Cloaca

    Open Access•Emily Gowers•ARTICLE•The Journal of Roman Studies•1995•References: 5

    ‘Can I fix Rome for you on this poor sheet of paper?’ Something like Petrarch's lament must precede any attempt to sum up Rome in words; only an Atlas could do justice to the vast weight of such a city. But there is at least one compensation: we are describing a city that we all know, or think we know. For Montaigne, it was the first city that entered his consciousness: ‘I have had knowledge of the affairs of Rome long time before I had knowledge…

  • The Loaded Table: Representations of Food in Roman Literature

    Emily Gowers•BOOK•The loaded table•1993

    This book offers a novel and unconventional approach to Roman culture, through food - or rather, food as it is represented in literature. Food is not generally thought of as the noblest of literary subjects, and this view is a legacy from the Romans, so it is curious that Roman writers chose so persistently to depict their society at the dinner-table. Why this was so, and what effect the inclusion of food had on the status of the literary texts t…

  • Vegetable Love: Virgil, Columella, and Garden Poetry

    Open Access•Emily Gowers•ARTICLE•Ramus•2000•Cited by: 11•References: 2

    In 65 CE, a Spanish writer appointed himself Virgil's heir and stepped into a breach that did not really exist. L. Iunius Moderatus Columella chose to attach to his self-styled prose ‘monument’ of agricultural instruction an ornamental didactic poem on gardening, to fill the gap apparently left by Virgil at the start of Georgic 4. The result has been regarded for the most part as a misguided experiment, an uninspired pastiche of clippings and hal…

  • Augustus and ‘Syracuse’

    Open Access•Emily Gowers•ARTICLE•The Journal of Roman Studies•2010•Cited by: 6•References: 19

    Suetonius ( Aug. 72.2) records among the habits of Augustus his inclination to retreat from time to time to a place he called ‘Syracuse’ or his ‘technophuon’ (workshop). These names have been variously explained, without agreement. The paper argues that ‘Syracuse’ evokes a complex of associations beyond the obvious connection with Archimedes and his inventions. By recalling other well-known figures, such as Marcellus and Dionysius, as well as Aug…

  • Blind Eyes and Cut Throats: Amnesia and Silence in Horace "Satires" 1.7

    Emily Gowers•ARTICLE•Classical Philology•2002•Cited by: 6•References: 2

  • Virgil’s Sibyl and the ‘Many Mouths’ Cliché ( Aen. 6.625–7)

    Open Access•Emily Gowers•ARTICLE•The Classical Quarterly•2005•Cited by: 4

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Road to Sicily: Lucilius to Seneca

    Open Access•Emily Gowers•ARTICLE•Ramus•2011•Cited by: 2•References: 10

    One of Horace's best-known allegations in Epistles 1 is that where in the world you are is neither here nor there, as long as you have peace of mind ( animus aequus ): caelum non animum mutant qui trans mare currunt. strenua nos exercet inertia; nauibus atque quadrigis petimus bene uiuere. quod petis, hie est, est Vlubris, animus si te non deficit aequus. (Hor. Ep . 1.11.27-30) Cross the sea, and you change your climate, not your mental state. Re…

  • The Loaded Table: Representations of Food in Roman Literature

    Emily Gowers•BOOK•The loaded table•1993

    This book offers a novel and unconventional approach to Roman culture, through food - or rather, food as it is represented in literature. Food is not generally thought of as the noblest of literary subjects, and this view is a legacy from the Romans, so it is curious that Roman writers chose so persistently to depict their society at the dinner-table. Why this was so, and what effect the inclusion of food had on the status of the literary texts t…

  • The Anatomy of Rome from Capitol to Cloaca

    Open Access•Emily Gowers•ARTICLE•The Journal of Roman Studies•1995•References: 5

    ‘Can I fix Rome for you on this poor sheet of paper?’ Something like Petrarch's lament must precede any attempt to sum up Rome in words; only an Atlas could do justice to the vast weight of such a city. But there is at least one compensation: we are describing a city that we all know, or think we know. For Montaigne, it was the first city that entered his consciousness: ‘I have had knowledge of the affairs of Rome long time before I had knowledge…

  • Vegetable Love: Virgil, Columella, and Garden Poetry

    Open Access•Emily Gowers•ARTICLE•Ramus•2000•Cited by: 11•References: 2

    In 65 CE, a Spanish writer appointed himself Virgil's heir and stepped into a breach that did not really exist. L. Iunius Moderatus Columella chose to attach to his self-styled prose ‘monument’ of agricultural instruction an ornamental didactic poem on gardening, to fill the gap apparently left by Virgil at the start of Georgic 4. The result has been regarded for the most part as a misguided experiment, an uninspired pastiche of clippings and hal…

  • Apuleius and Persius

    Emily Gowers•CHAPTER•A companion to the Prologue of…•2001

    Persius the Neronian satlnst is an unlikely influence on Apuleius. One is as abrasive and awkward in his approach to the reader as the other is smooth and charming. Nevertheless, there are several ways in which the Metamorphoses Prologue gains in significance by being read as a response to Persius. I. The two unconventional philosophers draw on many of the same images to characterize their different styles of teaching: in particular, the stubborn…

  • Blind Eyes and Cut Throats: Amnesia and Silence in Horace "Satires" 1.7

    Emily Gowers•ARTICLE•Classical Philology•2002•Cited by: 6•References: 2

  • The restless companion: Horace, Satires 1 and 2

    Open Access•Emily Gowers•CHAPTER•The Cambridge Companion to Roman…•2005

    Horace’s two books of Satires have always lurked in the shadow of the Odes . Aside from such favourite anecdotes as the much-translated encounter with a literary gatecrasher on the Via Sacra, or the “granny’s tale” of the town mouse and the country mouse, they have for the most part been found strange, profoundly unsatisfying poems, whose self-deprecating tone has condemned them to neglect. They are also, by most standards, astonishingly unsatiri…

  • The Cambridge Companion to Roman Satire

    Open Access•Frances Muecke, Emily Gowers et al.•BOOK•The Cambridge companion to Roman…•2005

    Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, plac…

  • Virgil’s Sibyl and the ‘Many Mouths’ Cliché ( Aen. 6.625–7)

    Open Access•Emily Gowers•ARTICLE•The Classical Quarterly•2005•Cited by: 4

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Dangerous Sailing: Valerius Maximus and the Suppression of Sextus Pompeius

    Open Access•Emily Gowers•ARTICLE•The Classical Quarterly•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Augustus and ‘Syracuse’

    Open Access•Emily Gowers•ARTICLE•The Journal of Roman Studies•2010•Cited by: 6•References: 19

    Suetonius ( Aug. 72.2) records among the habits of Augustus his inclination to retreat from time to time to a place he called ‘Syracuse’ or his ‘technophuon’ (workshop). These names have been variously explained, without agreement. The paper argues that ‘Syracuse’ evokes a complex of associations beyond the obvious connection with Archimedes and his inventions. By recalling other well-known figures, such as Marcellus and Dionysius, as well as Aug…

  • The Road to Sicily: Lucilius to Seneca

    Open Access•Emily Gowers•ARTICLE•Ramus•2011•Cited by: 2•References: 10

    One of Horace's best-known allegations in Epistles 1 is that where in the world you are is neither here nor there, as long as you have peace of mind ( animus aequus ): caelum non animum mutant qui trans mare currunt. strenua nos exercet inertia; nauibus atque quadrigis petimus bene uiuere. quod petis, hie est, est Vlubris, animus si te non deficit aequus. (Hor. Ep . 1.11.27-30) Cross the sea, and you change your climate, not your mental state. Re…

  • Noises Off: The Thyestes Theme in Tacitus’ Dialogus

    Emily Gowers•CHAPTER•Roman Drama and Its Contexts•2016

  • Dido and the Owl

    Emily Gowers•CHAPTER•Wordplay and Powerplay in Latin…•2016

  • Ennius Perennis: The Annals and Beyond

    William Fitzgerald, Emily Gowers•BOOK•Ennius Perennis•2020

  • Why Isn’t Homer in Vergil’s Underworld? – and Other Notable Absences

    Emily Gowers•CHAPTER•Walking through Elysium•2020

  • The Cor of Ennius

    Emily Gowers•CHAPTER•Ennius Perennis•2020

  • Rome's Patron: The Lives and Afterlives of Maecenas

    Emily Gowers•BOOK•Rome's Patron•2024

Classical Antiquity Studies (13 works) · Art (11 works) · Literature (9 works) · History (8 works) · Computer Science (7 works) · Philosophy (6 works) · Psychology (5 works) · Philosophy (4 works) · Classical Philosophy and Thought (3 works) · Classics (3 works)

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