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A S Gratwick

Biographic Data

ID5627515
NAMEA S Gratwick
GIVEN NAMESA S
FAMILY NAMEGratwick
SIGNATUREGRATWICK A S
AFFILIATIONSUniversity of St Andrews
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS32
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Burning Mirrors

    Open Access•A S Gratwick•ARTICLE•The Classical Review•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Vale, Patrona Virgo

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•2002

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Plautus

    Paul B Harvey, Paul B Harvey Paul B Harvey et al.•ARTICLE•The Classical World•1996

  • Those Sneezes

    A S Gratwick•ARTICLE•Classical Philology•1992

  • Catullus XXXII

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1991•Cited by: 1

    This is clearly meant to ‘speak’, and offer thereby some clue to the interpretation. But what it ‘says’ is debatable. Most modern edd. settle for Ipsit(h)illa as the least badly attested form. The prominence of bidding in the poem best accords with the assumptions that the stem is indeed ipsa connoting ‘mistress of the establishment’ (cf. 3.8; OLD ipse 12, OLD ipsimus; ipsula , Pl. Cist . 450, issulo et delicio suo CIL 6.12156; ipsuma , Petron. S…

  • Drama

    Open Access•A S Gratwick•CHAPTER•The Cambridge History of…•1982

    The acting profession came to depend and to thrive on a circuit of musical and dramatic festivals among which Athens was only one of several centres. This chapter looks at the importance of the theatrical traditions of South Italy and Sicily. Andronicus is a major figure in the history of literature as the first to tackle the problems of literary translation. His approach was crucial for the subsequent development of Latin literature. All kinds o…

  • Light and Heavy Syllables as Dramatic Colouring in Plautus and Others

    Open Access•A S Gratwick, S J Lightley•ARTICLE•The Classical Quarterly•1982•Cited by: 1

    Our purpose is protreptic, to broach a subject neglected by researchers and consequently by commentators on Plautus and Terence. 1 We mean the relation of rhythm and dramatic meaning in the ordinary stichic iambo-trochaic metres. It is of course a longstanding convention that a commentator writing in usum scholarum will include some account of the basic rules of scansion and prosody and a conspectus metrorum of sorts. Ambitious efforts may be mad…

  • Curculio's Last Bow

    A S Gratwick•ARTICLE•Mnemosyne•1981•Cited by: 1

  • Quam lepide lexeis compostae

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1979•References: 2

    Most editors and commentators have acquiesced without enthusiasm in the reading in Creta religasset at 174, though Mynors in his Oxford text (1958) reverted to what had been the old vulgate in Cretam religasset (e.g. in Silvius' Delphin edition (Paris, 1685); Vulpius' (Padua 1737). If we read in Cretam , the sense must be ‘(Would that Theseus) had not untied his rope

  • Sundials, Parasites, and Girls from Boeotia

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1979•Cited by: 19•References: 1

    My purpose in this paper is, firstly, to investigate the relationship of the three passages printed below, and, secondly, to illustrate in passing the curious chain of historical accidents which have prevented the truth about that relationship from becoming common lore long ago

  • Titvs Maccivs Plavtvs’

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1973•Cited by: 10•References: 3

    The ways of naming the comedian which happen to survive to us are Plautus, Macci Titi, Maccus, (M)accius , and T. Macci Plauti; the best attested oi these names, Plautus , is twice adorned with curiously arch flourishes. The evidence as a whole presents two main problems: how do we interpret and reconcile Macci Titi, Maccus , and Maccius : and how do these names relate to the name Plautus ? The purpose of this paper is to emphasize more strongly …

  • Habeo and Aveo

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1972

    ‘The sudden emergence of all the post-classical functions of habeo +Infinitive in Tertullian is very remarkable’, as Mr. Coleman has said in his important paper (p. 226) on the origin and development of this structure, so prominent in the formation of the Future and Conditional paradigms of the main Romance languages. The functions which he has in mind are all Prospective: he distinguishes meanings tangential, as he puts it, to Possibility, Oblig…

  • Sundials, Parasites, and Girls from Boeotia

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1979•Cited by: 19•References: 1

    My purpose in this paper is, firstly, to investigate the relationship of the three passages printed below, and, secondly, to illustrate in passing the curious chain of historical accidents which have prevented the truth about that relationship from becoming common lore long ago

  • Titvs Maccivs Plavtvs’

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1973•Cited by: 10•References: 3

    The ways of naming the comedian which happen to survive to us are Plautus, Macci Titi, Maccus, (M)accius , and T. Macci Plauti; the best attested oi these names, Plautus , is twice adorned with curiously arch flourishes. The evidence as a whole presents two main problems: how do we interpret and reconcile Macci Titi, Maccus , and Maccius : and how do these names relate to the name Plautus ? The purpose of this paper is to emphasize more strongly …

  • Catullus XXXII

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1991•Cited by: 1

    This is clearly meant to ‘speak’, and offer thereby some clue to the interpretation. But what it ‘says’ is debatable. Most modern edd. settle for Ipsit(h)illa as the least badly attested form. The prominence of bidding in the poem best accords with the assumptions that the stem is indeed ipsa connoting ‘mistress of the establishment’ (cf. 3.8; OLD ipse 12, OLD ipsimus; ipsula , Pl. Cist . 450, issulo et delicio suo CIL 6.12156; ipsuma , Petron. S…

  • Light and Heavy Syllables as Dramatic Colouring in Plautus and Others

    Open Access•A S Gratwick, S J Lightley•ARTICLE•The Classical Quarterly•1982•Cited by: 1

    Our purpose is protreptic, to broach a subject neglected by researchers and consequently by commentators on Plautus and Terence. 1 We mean the relation of rhythm and dramatic meaning in the ordinary stichic iambo-trochaic metres. It is of course a longstanding convention that a commentator writing in usum scholarum will include some account of the basic rules of scansion and prosody and a conspectus metrorum of sorts. Ambitious efforts may be mad…

  • Curculio's Last Bow

    A S Gratwick•ARTICLE•Mnemosyne•1981•Cited by: 1

  • Habeo and Aveo

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1972

    ‘The sudden emergence of all the post-classical functions of habeo +Infinitive in Tertullian is very remarkable’, as Mr. Coleman has said in his important paper (p. 226) on the origin and development of this structure, so prominent in the formation of the Future and Conditional paradigms of the main Romance languages. The functions which he has in mind are all Prospective: he distinguishes meanings tangential, as he puts it, to Possibility, Oblig…

  • Titvs Maccivs Plavtvs’

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1973•Cited by: 10•References: 3

    The ways of naming the comedian which happen to survive to us are Plautus, Macci Titi, Maccus, (M)accius , and T. Macci Plauti; the best attested oi these names, Plautus , is twice adorned with curiously arch flourishes. The evidence as a whole presents two main problems: how do we interpret and reconcile Macci Titi, Maccus , and Maccius : and how do these names relate to the name Plautus ? The purpose of this paper is to emphasize more strongly …

  • Quam lepide lexeis compostae

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1979•References: 2

    Most editors and commentators have acquiesced without enthusiasm in the reading in Creta religasset at 174, though Mynors in his Oxford text (1958) reverted to what had been the old vulgate in Cretam religasset (e.g. in Silvius' Delphin edition (Paris, 1685); Vulpius' (Padua 1737). If we read in Cretam , the sense must be ‘(Would that Theseus) had not untied his rope

  • Sundials, Parasites, and Girls from Boeotia

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1979•Cited by: 19•References: 1

    My purpose in this paper is, firstly, to investigate the relationship of the three passages printed below, and, secondly, to illustrate in passing the curious chain of historical accidents which have prevented the truth about that relationship from becoming common lore long ago

  • Curculio's Last Bow

    A S Gratwick•ARTICLE•Mnemosyne•1981•Cited by: 1

  • Drama

    Open Access•A S Gratwick•CHAPTER•The Cambridge History of…•1982

    The acting profession came to depend and to thrive on a circuit of musical and dramatic festivals among which Athens was only one of several centres. This chapter looks at the importance of the theatrical traditions of South Italy and Sicily. Andronicus is a major figure in the history of literature as the first to tackle the problems of literary translation. His approach was crucial for the subsequent development of Latin literature. All kinds o…

  • Light and Heavy Syllables as Dramatic Colouring in Plautus and Others

    Open Access•A S Gratwick, S J Lightley•ARTICLE•The Classical Quarterly•1982•Cited by: 1

    Our purpose is protreptic, to broach a subject neglected by researchers and consequently by commentators on Plautus and Terence. 1 We mean the relation of rhythm and dramatic meaning in the ordinary stichic iambo-trochaic metres. It is of course a longstanding convention that a commentator writing in usum scholarum will include some account of the basic rules of scansion and prosody and a conspectus metrorum of sorts. Ambitious efforts may be mad…

  • Catullus XXXII

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•1991•Cited by: 1

    This is clearly meant to ‘speak’, and offer thereby some clue to the interpretation. But what it ‘says’ is debatable. Most modern edd. settle for Ipsit(h)illa as the least badly attested form. The prominence of bidding in the poem best accords with the assumptions that the stem is indeed ipsa connoting ‘mistress of the establishment’ (cf. 3.8; OLD ipse 12, OLD ipsimus; ipsula , Pl. Cist . 450, issulo et delicio suo CIL 6.12156; ipsuma , Petron. S…

  • Those Sneezes

    A S Gratwick•ARTICLE•Classical Philology•1992

  • Plautus

    Paul B Harvey, Paul B Harvey Paul B Harvey et al.•ARTICLE•The Classical World•1996

  • Vale, Patrona Virgo

    Open Access•A S Gratwick•ARTICLE•The Classical Quarterly•2002

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Burning Mirrors

    Open Access•A S Gratwick•ARTICLE•The Classical Review•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (10 works) · Classical Antiquity Studies (10 works) · Philosophy (8 works) · Literature (7 works) · Philosophy (7 works) · Linguistics (6 works) · Computer Science (5 works) · Historical and Literary Analyses (4 works) · History (4 works) · Organic Chemistry Synthesis Methods (4 works)

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