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Megan O Drinkwater

Datos Biográficos

ID5627833
NOMBREMegan O Drinkwater
NOMBRESMegan
APELLIDOO Drinkwater
FIRMADRINKWATER M O
AFILIACIONESAgnes Scott College
VERIFICADONo
TOTAL DE OBRAS6
TOTAL DE CITAS63
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2004
AÑO MÁS RECIENTE DE PUBLICACIÓN2015
ÍNDICE H3
  • Irreconcilable Differences

    Megan O Drinkwater•ARTICLE•The Classical World•2015•Referencias: 8

    Ovid’s Oenone in Heroides 5, her attempt to win back Paris, is a deft manipulator not only of pastoral and elegy, as previously recognized, but also of epic. This essay illustrates both the nymph’s careful deployment of epic themes and that her approach is a necessary response to Paris’ own change of heart and genre as evidenced in Heroides 16. In particular, Oenone’s version of her past history with Paris, their separate accounts of Paris’ recog…

  • Militia amoris

    Open Access•Megan O Drinkwater•CHAPTER•Cambridge Companion to Latin Love…•2013

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Cambridge Companion to Latin Love Elegy

    Open Access•Federica Bessone, Richard Hunter et al.•BOOK•Cambridge Companion to Latin Love…•2013

    Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an …

  • The Woman's Part

    Open Access•Megan O Drinkwater•ARTICLE•The Classical Quarterly•2013•Citada por: 18•Referencias: 18

    Roman elegy is well known for its reversal of traditional Roman gender roles: women are presented in positions of power, chiefly but not exclusively erotic, that bear little or no relation to women's lived experience in the first century b.c.e . Yet the way elegy presents the beloved in a position of power over her lover, as Sharon James has observed, ‘retains standard Roman social and power structures, thus suggesting an inescapable inequity eve…

  • His Turn to Cry

    Megan O Drinkwater, MEGAN O DRINKWATER MEGAN O DRINKWATER•ARTICLE•The Classical Journal•2012•Citada por: 32•Referencias: 8

    This article rcsituates the Marathus cycle, unique in Roman elegy for its focus on homoerotic love, within its wider elegiac context, arguing that the poems may he read as an encapsulation of elegy as a whole. It focuses on the interchangeability of male and female roles to illustrate how the characters that populate these elegies both typify and reinforce the norms of Latin love elegy while nonetheless retaining the centrality of elegy’s male sp…

  • "Readers and Writers in Ovid's "Heroides

    Megan O Drinkwater, Efrossini Spentzou•ARTICLE•The Classical World•2004•Citada por: 13

  • His Turn to Cry

    Megan O Drinkwater, MEGAN O DRINKWATER MEGAN O DRINKWATER•ARTICLE•The Classical Journal•2012•Citada por: 32•Referencias: 8

    This article rcsituates the Marathus cycle, unique in Roman elegy for its focus on homoerotic love, within its wider elegiac context, arguing that the poems may he read as an encapsulation of elegy as a whole. It focuses on the interchangeability of male and female roles to illustrate how the characters that populate these elegies both typify and reinforce the norms of Latin love elegy while nonetheless retaining the centrality of elegy’s male sp…

  • The Woman's Part

    Open Access•Megan O Drinkwater•ARTICLE•The Classical Quarterly•2013•Citada por: 18•Referencias: 18

    Roman elegy is well known for its reversal of traditional Roman gender roles: women are presented in positions of power, chiefly but not exclusively erotic, that bear little or no relation to women's lived experience in the first century b.c.e . Yet the way elegy presents the beloved in a position of power over her lover, as Sharon James has observed, ‘retains standard Roman social and power structures, thus suggesting an inescapable inequity eve…

  • "Readers and Writers in Ovid's "Heroides

    Megan O Drinkwater, Efrossini Spentzou•ARTICLE•The Classical World•2004•Citada por: 13

  • "Readers and Writers in Ovid's "Heroides

    Megan O Drinkwater, Efrossini Spentzou•ARTICLE•The Classical World•2004•Citada por: 13

  • His Turn to Cry

    Megan O Drinkwater, MEGAN O DRINKWATER MEGAN O DRINKWATER•ARTICLE•The Classical Journal•2012•Citada por: 32•Referencias: 8

    This article rcsituates the Marathus cycle, unique in Roman elegy for its focus on homoerotic love, within its wider elegiac context, arguing that the poems may he read as an encapsulation of elegy as a whole. It focuses on the interchangeability of male and female roles to illustrate how the characters that populate these elegies both typify and reinforce the norms of Latin love elegy while nonetheless retaining the centrality of elegy’s male sp…

  • Militia amoris

    Open Access•Megan O Drinkwater•CHAPTER•Cambridge Companion to Latin Love…•2013

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Cambridge Companion to Latin Love Elegy

    Open Access•Federica Bessone, Richard Hunter et al.•BOOK•Cambridge Companion to Latin Love…•2013

    Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an …

  • The Woman's Part

    Open Access•Megan O Drinkwater•ARTICLE•The Classical Quarterly•2013•Citada por: 18•Referencias: 18

    Roman elegy is well known for its reversal of traditional Roman gender roles: women are presented in positions of power, chiefly but not exclusively erotic, that bear little or no relation to women's lived experience in the first century b.c.e . Yet the way elegy presents the beloved in a position of power over her lover, as Sharon James has observed, ‘retains standard Roman social and power structures, thus suggesting an inescapable inequity eve…

  • Irreconcilable Differences

    Megan O Drinkwater•ARTICLE•The Classical World•2015•Referencias: 8

    Ovid’s Oenone in Heroides 5, her attempt to win back Paris, is a deft manipulator not only of pastoral and elegy, as previously recognized, but also of epic. This essay illustrates both the nymph’s careful deployment of epic themes and that her approach is a necessary response to Paris’ own change of heart and genre as evidenced in Heroides 16. In particular, Oenone’s version of her past history with Paris, their separate accounts of Paris’ recog…

Art (6 obras) · Classical Antiquity Studies (6 obras) · Literature (5 obras) · Elegy (4 obras) · History (4 obras) · Poetry (4 obras) · Historical and Literary Studies (3 obras) · History (3 obras) · Classical Philosophy and Thought (2 obras) · Elegiac (2 obras)

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