Hayden Pelliccia
Biographic Data
| ID | 5628091 |
|---|---|
| NAME | Hayden Pelliccia |
| GIVEN NAMES | Hayden |
| FAMILY NAME | Pelliccia |
| SIGNATURE | PELLICCIA H |
| AFFILIATIONS | Cornell University |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Seeing the unseen in the Iliad 1
This chapter begins from the commonplace observation that Homer is cinematic, in the sense that he makes it easy for the audience to visualize the action. It points out that Homer's visualization project is more ambitious than that of the Athenian tragic poets in that he includes the gods in his action. In tragedy gods as a rule appear either in the prolog, which is to say before the dramatic illusion of the plot has fully taken hold, or at the e…
They Keep It All Hid: Augustan Poetry, Its Antecedents and Reception
Thumos
Parables
Monologues
Reception, Hellenistic
Mental Organs
Double Motivation
Unlocking Aeneid 6.460: Plautus’ Amphitryon, Euripides’ Protesilaus and the Referents of Callimachus’ Coma
Why does Virgil have Aeneas in his underworld encounter with Dido quote Catullus’ translation of Callimachus’ lighthearted Coma Berenices? Virgil alludes to a long and largely lost tradition of unwilling departure scenes that provided Callimachus with his own models and referents,chief among them,Euripides’ Protesilaus, in which the title-character returned only for a day from the underworld to visit his wife Laodamia, and thus led her, grief-str…
Simonides, Pindar and Bacchylides
The surviving corpus of Pindar includes something unique in the remains of early Greek melic poetry: a large number of complete poems that come to us by way of a direct manuscript transmission. We will consider below how and why his four books of epinikia enjoyed this privileged mode of preservation; for now we will only remark that the fact of it conditions the way in which we perceive his relationship to Simonides and Bacchylides, which in turn…
The Cambridge Companion to Greek Lyric
Greek lyric poetry encompassed a wide range of types of poem, from elegy to iambos and dithyramb to epinician. It particularly flourished in the Archaic and Classical periods, and some of its practitioners, such as Sappho and Pindar, had significant cultural influence in subsequent centuries down to the present day. This Companion provides an accessible introduction to this fascinating and diverse body of poetry and its later reception. It takes …
Mind, Body and Speech in Homer and Pindar
Sappho 16, Gorgias' Helen , and the preface to Herodotus' Histories
In a recent article on Sappho and Alcaeus, William H. Race pointed out that the discussion of ἔρως in Gorgias' Helen is indebted to Sappho 16, and suggested that the sophist was directly indebted to the poet; in his book on the priamel, Race had already remarked upon the structural similarity of Herodotus' preface to the same poem, without suggesting any direct link. My purpose here is to complete the triangle by demonstrating a connection, indep…
Anacreon 13 (358 PMG)
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Anacreon 13 (358 PMG)
Sappho 16, Gorgias' Helen , and the preface to Herodotus' Histories
In a recent article on Sappho and Alcaeus, William H. Race pointed out that the discussion of ἔρως in Gorgias' Helen is indebted to Sappho 16, and suggested that the sophist was directly indebted to the poet; in his book on the priamel, Race had already remarked upon the structural similarity of Herodotus' preface to the same poem, without suggesting any direct link. My purpose here is to complete the triangle by demonstrating a connection, indep…
Mind, Body and Speech in Homer and Pindar
Simonides, Pindar and Bacchylides
The surviving corpus of Pindar includes something unique in the remains of early Greek melic poetry: a large number of complete poems that come to us by way of a direct manuscript transmission. We will consider below how and why his four books of epinikia enjoyed this privileged mode of preservation; for now we will only remark that the fact of it conditions the way in which we perceive his relationship to Simonides and Bacchylides, which in turn…
The Cambridge Companion to Greek Lyric
Greek lyric poetry encompassed a wide range of types of poem, from elegy to iambos and dithyramb to epinician. It particularly flourished in the Archaic and Classical periods, and some of its practitioners, such as Sappho and Pindar, had significant cultural influence in subsequent centuries down to the present day. This Companion provides an accessible introduction to this fascinating and diverse body of poetry and its later reception. It takes …
Unlocking Aeneid 6.460: Plautus’ Amphitryon, Euripides’ Protesilaus and the Referents of Callimachus’ Coma
Why does Virgil have Aeneas in his underworld encounter with Dido quote Catullus’ translation of Callimachus’ lighthearted Coma Berenices? Virgil alludes to a long and largely lost tradition of unwilling departure scenes that provided Callimachus with his own models and referents,chief among them,Euripides’ Protesilaus, in which the title-character returned only for a day from the underworld to visit his wife Laodamia, and thus led her, grief-str…
Thumos
Parables
Monologues
Reception, Hellenistic
Mental Organs
Double Motivation
They Keep It All Hid: Augustan Poetry, Its Antecedents and Reception
Seeing the unseen in the Iliad 1
This chapter begins from the commonplace observation that Homer is cinematic, in the sense that he makes it easy for the audience to visualize the action. It points out that Homer's visualization project is more ambitious than that of the Athenian tragic poets in that he includes the gods in his action. In tragedy gods as a rule appear either in the prolog, which is to say before the dramatic illusion of the plot has fully taken hold, or at the e…
Classical Antiquity Studies (11 works) · Computer Science (9 works) · Library science (7 works) · Citation (6 works) · Art (5 works) · Historical, Religious, and Philosophical Studies (5 works) · History (5 works) · Information retrieval (5 works) · Literature (4 works) · Philosophy (4 works)