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Laura Jansen

Biographic Data

ID5628248
NAMELaura Jansen
GIVEN NAMESLaura
FAMILY NAMEJansen
SIGNATUREJANSEN L
AFFILIATIONSUniversity of Bristol
ORCID0000-0002-0200-7025
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT6
EDITOR COUNT2
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Truth in the Late Foucault: Antiquity, Sexuality, and Psychoanalysis

    Christian Thrue Djurslev, Vernon L Provencal et al.•BOOK•Truth in the Late Foucault•2024

    The first full treatment of truth as a core philosophical concept in the late Foucault, this volume examines his work on the ancient world and the early church. Each essay features a deep examination as to how the topics of truth and sexuality intersect with and focus on Foucault’s engagement with ancient philosophy and thought. Truth in the Late Foucault offers readings on Plato, Artemidorus, Cicero, Sophocles and the Stoics, and pays close atte…

  • Lightness and the Future of Antiquity in Lezioni americane

    Open Access•Laura Jansen•ARTICLE•California Italian Studies•2023

    This article considers Calvino’s memo on lightness in relation to his vision of antiquity as part of the literatures of the future. It sets out to explore this question from the perspective of speculative fiction and, crucially, the memo’s closural appeal to Kafka’s “The Bucket Rider” (1917), a short story that also ends with a forward-movement into an unknown future. The core of the discussion draws attention to the ways Calvino stages classical…

  • Classical Absences (1896–2017)

    Open Access•Laura Jansen•ARTICLE•Classical Receptions Journal•2021•References: 4

    When we consider classical receptions in terms of presences, we often think of how antiquity materializes visibly and/or substantially in the fabric of our histories, whether as physical remains or concrete traditions. Yet the search for the classical as a solid, conspicuous phenomenon reveals only one side of the fascinating story of how we can conceive its status and circulation across space and time. This article investigates some key examples…

  • Borges' Classics: Global Encounters with the Graeco-Roman Past

    Laura Jansen•BOOK•Borges' Classics•2018

  • Modern covers and paratextual strategy in Ovidian elegy

    Open Access•Laura Jansen•CHAPTER•Roman Paratext•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Introduction: Approaches to Roman paratextuality

    Open Access•Laura Jansen•CHAPTER•Roman Paratext•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Roman Paratext: Frame, Texts, Readers

    Open Access•Susan Butler, Shane Butler et al.•BOOK•Roman Paratext•2014

    What is a paratext, and where can we find it in a Roman text? What kind of space does a paratext occupy, and how does this space relate to the text and its contexts? How do we interpret Roman texts 'paratextually'? And what does this approach suggest about a work's original modes of plotting meaning, or the assumptions that underpin our own interpretation? These questions are central to the conceptual and practical concerns of the volume, which o…

  • On the Edge of the Text: Preface and Reader in Ovid’s Amores

    Laura Jansen•ARTICLE•Helios•2012•Cited by: 1•References: 10

    On the Edge of the TextPreface and Reader in Ovid’s Amores Laura Jansen (bio) Scholars who deal with the epigram prefacing the Amores open their discussion by addressing the question of the collection’s two editions. The reason is that the preface is the only source available to us which attests to the supposed existence of an earlier version of the Amores comprising a larger collection of poems arranged into a five-book format.1 Historico-relati…

  • On the Edge of the Text: Preface and Reader in Ovid’s Amores

    Laura Jansen•ARTICLE•Helios•2012•Cited by: 1•References: 10

    On the Edge of the TextPreface and Reader in Ovid’s Amores Laura Jansen (bio) Scholars who deal with the epigram prefacing the Amores open their discussion by addressing the question of the collection’s two editions. The reason is that the preface is the only source available to us which attests to the supposed existence of an earlier version of the Amores comprising a larger collection of poems arranged into a five-book format.1 Historico-relati…

  • On the Edge of the Text: Preface and Reader in Ovid’s Amores

    Laura Jansen•ARTICLE•Helios•2012•Cited by: 1•References: 10

    On the Edge of the TextPreface and Reader in Ovid’s Amores Laura Jansen (bio) Scholars who deal with the epigram prefacing the Amores open their discussion by addressing the question of the collection’s two editions. The reason is that the preface is the only source available to us which attests to the supposed existence of an earlier version of the Amores comprising a larger collection of poems arranged into a five-book format.1 Historico-relati…

  • Modern covers and paratextual strategy in Ovidian elegy

    Open Access•Laura Jansen•CHAPTER•Roman Paratext•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Introduction: Approaches to Roman paratextuality

    Open Access•Laura Jansen•CHAPTER•Roman Paratext•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Roman Paratext: Frame, Texts, Readers

    Open Access•Susan Butler, Shane Butler et al.•BOOK•Roman Paratext•2014

    What is a paratext, and where can we find it in a Roman text? What kind of space does a paratext occupy, and how does this space relate to the text and its contexts? How do we interpret Roman texts 'paratextually'? And what does this approach suggest about a work's original modes of plotting meaning, or the assumptions that underpin our own interpretation? These questions are central to the conceptual and practical concerns of the volume, which o…

  • Borges' Classics: Global Encounters with the Graeco-Roman Past

    Laura Jansen•BOOK•Borges' Classics•2018

  • Classical Absences (1896–2017)

    Open Access•Laura Jansen•ARTICLE•Classical Receptions Journal•2021•References: 4

    When we consider classical receptions in terms of presences, we often think of how antiquity materializes visibly and/or substantially in the fabric of our histories, whether as physical remains or concrete traditions. Yet the search for the classical as a solid, conspicuous phenomenon reveals only one side of the fascinating story of how we can conceive its status and circulation across space and time. This article investigates some key examples…

  • Lightness and the Future of Antiquity in Lezioni americane

    Open Access•Laura Jansen•ARTICLE•California Italian Studies•2023

    This article considers Calvino’s memo on lightness in relation to his vision of antiquity as part of the literatures of the future. It sets out to explore this question from the perspective of speculative fiction and, crucially, the memo’s closural appeal to Kafka’s “The Bucket Rider” (1917), a short story that also ends with a forward-movement into an unknown future. The core of the discussion draws attention to the ways Calvino stages classical…

  • Truth in the Late Foucault: Antiquity, Sexuality, and Psychoanalysis

    Christian Thrue Djurslev, Vernon L Provencal et al.•BOOK•Truth in the Late Foucault•2024

    The first full treatment of truth as a core philosophical concept in the late Foucault, this volume examines his work on the ancient world and the early church. Each essay features a deep examination as to how the topics of truth and sexuality intersect with and focus on Foucault’s engagement with ancient philosophy and thought. Truth in the Late Foucault offers readings on Plato, Artemidorus, Cicero, Sophocles and the Stoics, and pays close atte…

Art (6 works) · Literature (6 works) · Classical Antiquity Studies (5 works) · Philosophy (5 works) · History (4 works) · Linguistics (4 works) · Computer Science (3 works) · Epistemology (3 works) · Poetry (3 works) · Aesthetics (2 works)

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