Catherine Keane
Biographic Data
| ID | 5628635 |
|---|---|
| NAME | Catherine Keane |
| GIVEN NAMES | Catherine |
| FAMILY NAME | Keane |
| SIGNATURE | KEANE C |
| AFFILIATIONS | Rocky Bay Mosman Park Western Australia Australia |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 25 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Co‐designing a telepractice journey map with disability customers and clinicians
INTRODUCTION: Telepractice has the potential to align with the directive to reduce inequalities by United Nations Sustainable Development Goal 10. Telepractice additionally addresses a national digital health strategic plan for accessible digitally enabled models of care. To plan improvements, it is essential to understand the experience of telepractice for people with disability, which may be achieved through an approach such as journey mapping.…
Roman Satire and the Old Comic Tradition by Jennifer L. Ferriss-Hill
Reviewed by: Roman Satire and the Old Comic Tradition by Jennifer L. Ferriss-Hill Catherine Keane Jennifer L. Ferriss-Hill. Roman Satire and the Old Comic Tradition. New York: Cambridge University Press, 2015. Pp. x, 302. $95.00. ISBN 978–1-107–08154–3. The late antique grammarian Diomedes enigmatically describes Roman satire as “composed in the style of Old Comedy.” Horace casually posits a genealogical [End Page 424] connection between the genr…
Juvenal and the Satiric Emotions
In his sixteen Satires, the Roman poet Juvenal explores the emotional provocations and pleasures associated with social criticism and mockery, drawing on a diverse array of Greco-Roman treatments of the emotions. But as Keane shows, the satiric emotions are not found only in the author's rhetorical performances; they are also at the centre of the human farrago that the Satires purport to treat. As he paints human experience and conflict from many…
Conclusion
Juvenal was fated to be remembered mainly for his beginning, and in a retrospective framework. This concluding chapter shifts our perspective on the poet, illustrating how he was fully engaged with the life of the imperial capital and outlining his relationships with his predecessor Martial and his successors, specifically Horace. Furthermore, just as Juvenal turns out to be an authority on emotions of all kinds, his interest in emotion does not …
Life in the Text
Lessons in Reading
In Epistles 1.2, Horace designs his summaries of the Iliad and Odyssey to function as critical exercises for someone who intends to read Homer's epics for moral insight. Horace models two approaches to reading Homer, one insufficiently self-reflective and the other excessively so. With allusions to metapoetically significant episodes in the epics, Horace points out the attractions and pitfalls of the readings he models, and implies that a moral r…
Classical Literary Careers and their Reception
This is a wide-ranging collection of essays on ancient Roman literary careers and their reception in later European literature, with contributions by leading experts. Starting from the three major Roman models for constructing a literary career - Virgil (the rota Vergiliana), Horace and Ovid - the volume then looks at alternative and counter-models in antiquity: Propertius, Juvenal, Cicero and Pliny. A range of post-antique responses to the ancie…
The Function of Humour in Roman Verse Satire
Reviewed by: The Function of Humour in Roman Verse Satire: Laughing and Lying Catherine Keane Maria Plaza . The Function of Humour in Roman Verse Satire: Laughing and Lying. Oxford: Oxford University Press, 2006. Pp. x, 370. $99.00. ISBN 978-0-19-928111-4. This book presents a comparative anatomy of humor strategies in Horace, Persius, and Juvenal. Plaza argues that humor is a site of the paradoxes and tensions of the satiric genre, and specifica…
Philosophy into Satire
The Satires of Juvenal's fifth book constitute an important chapter in the satiric genre's dialogue with philosophy. The parodic consolatio (Satire 13) introduces a cynical and erudite satiric speaker who manipulates conventions to create a virtual dramatic exchange. An examination of the rhetorical structure and philosophical influences in the remaining poems, which are less often discussed, reveals a consistent program. Satires 14–16 all have "…
Figuring Genre in Roman Satire
Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the …
Theatre, Spectacle, and the Satirist in Juvenal
BESIDES HIS FAMOUS POSTURE OF INDIGNATIO, Juvenal's most notable contribution the genre of Roman satire is colorful, sustained narrative of human activities. In Horace and Persius, stories and tableaux are relatively brief and ancillary dialogues and monologues, but Juvenal takes us with ceremony the streets of Rome, the homes of the great, and even foreign parts, show us what he is attacking. At 1.63-64Juvenal encourages us think of him standing…
Lessons in Reading
In Epistles 1.2, Horace designs his summaries of the Iliad and Odyssey to function as critical exercises for someone who intends to read Homer's epics for moral insight. Horace models two approaches to reading Homer, one insufficiently self-reflective and the other excessively so. With allusions to metapoetically significant episodes in the epics, Horace points out the attractions and pitfalls of the readings he models, and implies that a moral r…
Figuring Genre in Roman Satire
Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the …
Philosophy into Satire
The Satires of Juvenal's fifth book constitute an important chapter in the satiric genre's dialogue with philosophy. The parodic consolatio (Satire 13) introduces a cynical and erudite satiric speaker who manipulates conventions to create a virtual dramatic exchange. An examination of the rhetorical structure and philosophical influences in the remaining poems, which are less often discussed, reveals a consistent program. Satires 14–16 all have "…
Theatre, Spectacle, and the Satirist in Juvenal
BESIDES HIS FAMOUS POSTURE OF INDIGNATIO, Juvenal's most notable contribution the genre of Roman satire is colorful, sustained narrative of human activities. In Horace and Persius, stories and tableaux are relatively brief and ancillary dialogues and monologues, but Juvenal takes us with ceremony the streets of Rome, the homes of the great, and even foreign parts, show us what he is attacking. At 1.63-64Juvenal encourages us think of him standing…
Theatre, Spectacle, and the Satirist in Juvenal
BESIDES HIS FAMOUS POSTURE OF INDIGNATIO, Juvenal's most notable contribution the genre of Roman satire is colorful, sustained narrative of human activities. In Horace and Persius, stories and tableaux are relatively brief and ancillary dialogues and monologues, but Juvenal takes us with ceremony the streets of Rome, the homes of the great, and even foreign parts, show us what he is attacking. At 1.63-64Juvenal encourages us think of him standing…
Figuring Genre in Roman Satire
Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the …
The Function of Humour in Roman Verse Satire
Reviewed by: The Function of Humour in Roman Verse Satire: Laughing and Lying Catherine Keane Maria Plaza . The Function of Humour in Roman Verse Satire: Laughing and Lying. Oxford: Oxford University Press, 2006. Pp. x, 370. $99.00. ISBN 978-0-19-928111-4. This book presents a comparative anatomy of humor strategies in Horace, Persius, and Juvenal. Plaza argues that humor is a site of the paradoxes and tensions of the satiric genre, and specifica…
Philosophy into Satire
The Satires of Juvenal's fifth book constitute an important chapter in the satiric genre's dialogue with philosophy. The parodic consolatio (Satire 13) introduces a cynical and erudite satiric speaker who manipulates conventions to create a virtual dramatic exchange. An examination of the rhetorical structure and philosophical influences in the remaining poems, which are less often discussed, reveals a consistent program. Satires 14–16 all have "…
Classical Literary Careers and their Reception
This is a wide-ranging collection of essays on ancient Roman literary careers and their reception in later European literature, with contributions by leading experts. Starting from the three major Roman models for constructing a literary career - Virgil (the rota Vergiliana), Horace and Ovid - the volume then looks at alternative and counter-models in antiquity: Propertius, Juvenal, Cicero and Pliny. A range of post-antique responses to the ancie…
Lessons in Reading
In Epistles 1.2, Horace designs his summaries of the Iliad and Odyssey to function as critical exercises for someone who intends to read Homer's epics for moral insight. Horace models two approaches to reading Homer, one insufficiently self-reflective and the other excessively so. With allusions to metapoetically significant episodes in the epics, Horace points out the attractions and pitfalls of the readings he models, and implies that a moral r…
Life in the Text
Juvenal and the Satiric Emotions
In his sixteen Satires, the Roman poet Juvenal explores the emotional provocations and pleasures associated with social criticism and mockery, drawing on a diverse array of Greco-Roman treatments of the emotions. But as Keane shows, the satiric emotions are not found only in the author's rhetorical performances; they are also at the centre of the human farrago that the Satires purport to treat. As he paints human experience and conflict from many…
Conclusion
Juvenal was fated to be remembered mainly for his beginning, and in a retrospective framework. This concluding chapter shifts our perspective on the poet, illustrating how he was fully engaged with the life of the imperial capital and outlining his relationships with his predecessor Martial and his successors, specifically Horace. Furthermore, just as Juvenal turns out to be an authority on emotions of all kinds, his interest in emotion does not …
Roman Satire and the Old Comic Tradition by Jennifer L. Ferriss-Hill
Reviewed by: Roman Satire and the Old Comic Tradition by Jennifer L. Ferriss-Hill Catherine Keane Jennifer L. Ferriss-Hill. Roman Satire and the Old Comic Tradition. New York: Cambridge University Press, 2015. Pp. x, 302. $95.00. ISBN 978–1-107–08154–3. The late antique grammarian Diomedes enigmatically describes Roman satire as “composed in the style of Old Comedy.” Horace casually posits a genealogical [End Page 424] connection between the genr…
Co‐designing a telepractice journey map with disability customers and clinicians
INTRODUCTION: Telepractice has the potential to align with the directive to reduce inequalities by United Nations Sustainable Development Goal 10. Telepractice additionally addresses a national digital health strategic plan for accessible digitally enabled models of care. To plan improvements, it is essential to understand the experience of telepractice for people with disability, which may be achieved through an approach such as journey mapping.…
Classical Antiquity Studies (9 works) · Art (8 works) · Literature (7 works) · Philosophy (7 works) · Linguistics (5 works) · Medieval Literature and History (4 works) · Classical Philosophy and Thought (3 works) · History (3 works) · Psychology (3 works) · Aesthetics (2 works)