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Joan Breton Connelly

Biographic Data

ID5628753
NAMEJoan Breton Connelly
GIVEN NAMESJoan Breton
FAMILY NAMEConnelly
SIGNATURECONNELLY J B
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS63
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2009
H-INDEX2
  • Hybridity and identity on Late Ptolemaic Yeronisos

    Open Access•Joan Breton Connelly•ARTICLE•Cahiers du Centre d Etudes…•2009

    Les fouilles de l’île de Yeronisos, près de la côte sud-ouest de Chypre, permettent de mieux comprendre le bilinguisme et la bi-culturalité des communautés qui habitaient la région de Paphos à la fin de l’époque hellénistique. Un ensemble d’amulettes en pierre décorées découvertes sur ce site, ainsi que des monnaies, des ostraka, des céramiques, des lampes et des éléments architecturaux montrent comment l’art, la culture et les pratiques chypriot…

  • Portrait of a Priestess

    Joan Breton Connelly•BOOK•Portrait of a Priestess•2007•Cited by: 33

    In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses …

  • Cyprus

    Paul Astrom, Joan Breton Connelly et al.•CHAPTER•2003

  • Parthenon and Parthenoi

    Joan Breton Connelly•ARTICLE•American Journal of Archaeology•1996•Cited by: 30

    Since the late 18th century, the Parthenon frieze has generally been viewed as a representation of the fifth-century Athenian citizenry participating in their annual (or quadrennial) Panathenaic procession. Viewed without a mythological reference, the frieze stands outside the conventions of Greek temple decoration, which regularly derived its subject matter from the mythical past. The story of King Erechtheus, his wife Praxithea, and their three…

  • Votive Sculpture of Hellenistic Cyprus

    Anne Weis, Joan Breton Connelly•ARTICLE•The Classical World•1990

  • Votive Offerings from Hellenistic Failaka

    Joan Breton Connelly•CHAPTER•L'Arabie préislamique et son…•1989

  • Portrait of a Priestess

    Joan Breton Connelly•BOOK•Portrait of a Priestess•2007•Cited by: 33

    In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses …

  • Parthenon and Parthenoi

    Joan Breton Connelly•ARTICLE•American Journal of Archaeology•1996•Cited by: 30

    Since the late 18th century, the Parthenon frieze has generally been viewed as a representation of the fifth-century Athenian citizenry participating in their annual (or quadrennial) Panathenaic procession. Viewed without a mythological reference, the frieze stands outside the conventions of Greek temple decoration, which regularly derived its subject matter from the mythical past. The story of King Erechtheus, his wife Praxithea, and their three…

  • Votive Offerings from Hellenistic Failaka

    Joan Breton Connelly•CHAPTER•L'Arabie préislamique et son…•1989

  • Votive Sculpture of Hellenistic Cyprus

    Anne Weis, Joan Breton Connelly•ARTICLE•The Classical World•1990

  • Parthenon and Parthenoi

    Joan Breton Connelly•ARTICLE•American Journal of Archaeology•1996•Cited by: 30

    Since the late 18th century, the Parthenon frieze has generally been viewed as a representation of the fifth-century Athenian citizenry participating in their annual (or quadrennial) Panathenaic procession. Viewed without a mythological reference, the frieze stands outside the conventions of Greek temple decoration, which regularly derived its subject matter from the mythical past. The story of King Erechtheus, his wife Praxithea, and their three…

  • Cyprus

    Paul Astrom, Joan Breton Connelly et al.•CHAPTER•2003

  • Portrait of a Priestess

    Joan Breton Connelly•BOOK•Portrait of a Priestess•2007•Cited by: 33

    In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses …

  • Hybridity and identity on Late Ptolemaic Yeronisos

    Open Access•Joan Breton Connelly•ARTICLE•Cahiers du Centre d Etudes…•2009

    Les fouilles de l’île de Yeronisos, près de la côte sud-ouest de Chypre, permettent de mieux comprendre le bilinguisme et la bi-culturalité des communautés qui habitaient la région de Paphos à la fin de l’époque hellénistique. Un ensemble d’amulettes en pierre décorées découvertes sur ce site, ainsi que des monnaies, des ostraka, des céramiques, des lampes et des éléments architecturaux montrent comment l’art, la culture et les pratiques chypriot…

Art (5 works) · Ancient history (4 works) · Classical Antiquity Studies (4 works) · History (4 works) · Art history (3 works) · Ancient Mediterranean Archaeology and History (2 works) · Archaeology (2 works) · Archaeology and Historical Studies (2 works) · Classics (2 works) · Classics (2 works)

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