Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Ian Fielding

Biographic Data

ID5628774
NAMEIan Fielding
GIVEN NAMESIan
FAMILY NAMEFielding
SIGNATUREFIELDING I
AFFILIATIONSPhillips Exeter Academy
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2020
H-INDEX1
  • The authorship of Sulpicia

    Ian Fielding•CHAPTER•Constructing Authors and Readers…•2020

    This chapter explores a model of collaborative authorship for the Sulpicia elegies in the Appendix Tibulliana ([Tib.] 3.8–18). These poems represent the largest corpus of extant women’s writing in Latin from pre-Christian antiquity—but their authenticity is doubted by some. Such doubts are partly prompted by the presentation of Sulpicia—especially the switch to the third person in 3.8, 3.10, 3.12. It is argued here, however, that Sulpicia would h…

  • Transformations of Ovid in Late Antiquity

    Ian Fielding•BOOK•Transformations of Ovid in Late…•2017

    Ovid could be considered the original poet of late antiquity. In his exile poetry, he depicts a world in which Rome has become a distant memory, a community accessible only through his imagination. This, Ovid claimed, was a transformation as remarkable as any he had recounted in his Metamorphoses. Ian Fielding's book shows how late antique Latin poets referred to Ovid's experiences of isolation and estrangement as they reflected on the profound s…

  • Elegiac Memorial and the Martyr as Medium in Prudentius' Peristephanon

    Open Access•Ian Fielding•ARTICLE•The Classical Quarterly•2014•Cited by: 3•References: 13

    In the Peristephanon , a collection of hymns in praise of the Christian martyrs, the Spanish poet Aurelius Prudentius Clemens ( a.d . 347/8– c . 405) refers back to a time more than a hundred years before he was writing, when Christianity was not the predominant influence in the Roman world but the religion of a beleaguered minority. In the course of Prudentius' lifetime, the trials that were suffered by that minority under emperors such as Deciu…

  • Elegiac Memorial and the Martyr as Medium in Prudentius' Peristephanon

    Open Access•Ian Fielding•ARTICLE•The Classical Quarterly•2014•Cited by: 3•References: 13

    In the Peristephanon , a collection of hymns in praise of the Christian martyrs, the Spanish poet Aurelius Prudentius Clemens ( a.d . 347/8– c . 405) refers back to a time more than a hundred years before he was writing, when Christianity was not the predominant influence in the Roman world but the religion of a beleaguered minority. In the course of Prudentius' lifetime, the trials that were suffered by that minority under emperors such as Deciu…

  • Elegiac Memorial and the Martyr as Medium in Prudentius' Peristephanon

    Open Access•Ian Fielding•ARTICLE•The Classical Quarterly•2014•Cited by: 3•References: 13

    In the Peristephanon , a collection of hymns in praise of the Christian martyrs, the Spanish poet Aurelius Prudentius Clemens ( a.d . 347/8– c . 405) refers back to a time more than a hundred years before he was writing, when Christianity was not the predominant influence in the Roman world but the religion of a beleaguered minority. In the course of Prudentius' lifetime, the trials that were suffered by that minority under emperors such as Deciu…

  • Transformations of Ovid in Late Antiquity

    Ian Fielding•BOOK•Transformations of Ovid in Late…•2017

    Ovid could be considered the original poet of late antiquity. In his exile poetry, he depicts a world in which Rome has become a distant memory, a community accessible only through his imagination. This, Ovid claimed, was a transformation as remarkable as any he had recounted in his Metamorphoses. Ian Fielding's book shows how late antique Latin poets referred to Ovid's experiences of isolation and estrangement as they reflected on the profound s…

  • The authorship of Sulpicia

    Ian Fielding•CHAPTER•Constructing Authors and Readers…•2020

    This chapter explores a model of collaborative authorship for the Sulpicia elegies in the Appendix Tibulliana ([Tib.] 3.8–18). These poems represent the largest corpus of extant women’s writing in Latin from pre-Christian antiquity—but their authenticity is doubted by some. Such doubts are partly prompted by the presentation of Sulpicia—especially the switch to the third person in 3.8, 3.10, 3.12. It is argued here, however, that Sulpicia would h…

Art (3 works) · Classical Antiquity Studies (3 works) · Classics (3 works) · History (3 works) · Literature (3 works) · Poetry (3 works) · Aesthetics (2 works) · Historical and Religious Studies of Rome (2 works) · Philosophy (2 works) · 43 b.c.-17 a.d. or 18 a.d (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae