Victoria Pedrick
Biographic Data
| ID | 5629255 |
|---|---|
| NAME | Victoria Pedrick |
| GIVEN NAMES | Victoria |
| FAMILY NAME | Pedrick |
| SIGNATURE | PEDRICK V |
| AFFILIATIONS | Georgetown University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Ovationes
Ovationes Maria Marsilio, Krystal Kubichek, Judith P. Hallett, Victoria Pedrick, and Henry Bender Mary Brown Vergilius noster memorat bellatricem Camillam, agmen agentem equitum et florentis aere catervas, proelia duram pati cursuque pedum praevertere ventos. 1 Hodie celebramus feminam pacis amantem, sed officiis innumerabilibus fungentem cum tanta duritia patientiaque, tanta celeritate efficacitateque, tanta benignitate et humanitate ut ipsa col…
Objects as Actors
Reviewed by: Objects as Actors: Props and the Poetics of Performance in Greek Tragedy by Melissa Mueller Victoria Pedrick Melissa Mueller. Objects as Actors: Props and the Poetics of Performance in Greek Tragedy. Chicago and London: The University of Chicago Press, 2016. Pp. viii, 272. $55.00. ISBN 978-0-226-31295-8. Mueller’s book teaches us that unless critics do more than simply acknowledge that ancient actors sometimes had something in their …
Euripides, Freud, and the Romance of Belonging
Freud's interpretation of the ancient legend of Oedipus-as formulated in Sophocles' tragic drama-is among the most widely known concepts of psychoanalysis. Euripides' Ion, however, presents a more complex version of the development of personal identity. Here, the discovery of family origins is a process in which parent and child both take part as distinct agents driven by their own impulses of violence and desire. Euripides, Freud, and the Romanc…
Spoken like a Woman
Revenge in Attic and Later Tragedy
The Muse corrects
The first ten verses of the Odyssey are a peculiar proem; as Stephanie West in a recent commentary summarizes: Despite the care which has obviously been bestowed on its composition, this is...an odd opening for our Odyssey . It covers only a third of the poem (V–XII), not very accurately, and gives disproportionate emphasis to a single incident...[And] the suitors' sins are of far more importance for the poem as a whole than those of Odysseus' co…
Selections from Catullus and Horace
The Theory of Oral Composition
The Language of Heroes
Disguise and Recognition in the Odyssey
Homer's Iliad
Homer's Iliad
Disguise and Recognition in the Odyssey
The Theory of Oral Composition
The Language of Heroes
The Muse corrects
The first ten verses of the Odyssey are a peculiar proem; as Stephanie West in a recent commentary summarizes: Despite the care which has obviously been bestowed on its composition, this is...an odd opening for our Odyssey . It covers only a third of the poem (V–XII), not very accurately, and gives disproportionate emphasis to a single incident...[And] the suitors' sins are of far more importance for the poem as a whole than those of Odysseus' co…
Selections from Catullus and Horace
Revenge in Attic and Later Tragedy
Spoken like a Woman
Euripides, Freud, and the Romance of Belonging
Freud's interpretation of the ancient legend of Oedipus-as formulated in Sophocles' tragic drama-is among the most widely known concepts of psychoanalysis. Euripides' Ion, however, presents a more complex version of the development of personal identity. Here, the discovery of family origins is a process in which parent and child both take part as distinct agents driven by their own impulses of violence and desire. Euripides, Freud, and the Romanc…
Objects as Actors
Reviewed by: Objects as Actors: Props and the Poetics of Performance in Greek Tragedy by Melissa Mueller Victoria Pedrick Melissa Mueller. Objects as Actors: Props and the Poetics of Performance in Greek Tragedy. Chicago and London: The University of Chicago Press, 2016. Pp. viii, 272. $55.00. ISBN 978-0-226-31295-8. Mueller’s book teaches us that unless critics do more than simply acknowledge that ancient actors sometimes had something in their …
Ovationes
Ovationes Maria Marsilio, Krystal Kubichek, Judith P. Hallett, Victoria Pedrick, and Henry Bender Mary Brown Vergilius noster memorat bellatricem Camillam, agmen agentem equitum et florentis aere catervas, proelia duram pati cursuque pedum praevertere ventos. 1 Hodie celebramus feminam pacis amantem, sed officiis innumerabilibus fungentem cum tanta duritia patientiaque, tanta celeritate efficacitateque, tanta benignitate et humanitate ut ipsa col…
Art (11 works) · Literature (8 works) · Classical Antiquity Studies (7 works) · History (6 works) · Philosophy (5 works) · Aesthetics (2 works) · Composition (language) (2 works) · History (2 works) · Linguistics (2 works) · Psychology (2 works)