David McInnis
Biographic Data
| ID | 5629308 |
|---|---|
| NAME | David McInnis |
| GIVEN NAMES | David |
| FAMILY NAME | McInnis |
| SIGNATURE | MCINNIS D |
| AFFILIATIONS | The University of Melbourne |
| ORCID | 0000-0001-7011-8045 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 4 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Race in Repertory
Scholarship on Shakespeare and race has broadened its scope to encompass more plays than such mainstays as Othello and Titus Andronicus. Moving beyond even Shakespeare’s ‘other race plays’, this chapter focuses on the benefits of a repertory studies approach in offering theatrical context for representations of race and identity on stage (Brown et al. 2022, 19). This can function in two related ways: the first examples in this chapter feature com…
Restoration Playbooks and Receivers’ Stamps
The Clarendon Edition of the Works of John Locke, Vol. 23
Now our Athenian Olive Spreads
"Now our Athenian Olive Spreads" published on by null.
Travel and Drama in Early Modern England
This agenda-setting volume on travel and drama in early modern England provides new insights into Renaissance stage practice, performance history, and theatre's transnational exchanges. It advances our understanding of theatre history, drama's generic conventions, and what constitutes plays about travel at a time when the professional theatre was rapidly developing and England was attempting to announce its presence within a global economy. Recen…
Lost Plays in Shakespeare’s England
Lost Plays in Shakespeare's England examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already fa
“2 Fortune’s Tennis” and the Admirars Men
This chapter has a dual purpose: first, to revisit the most neglected of backstage plots (the plot commonly referred to as “2 Fortune’s Tennis”) and ask new questions about the information it provides; and second, to offer this inquiry as a case study of the methodology, aims and limitations of working with lost plays. “2 Fortune’s Tennis” has been dismissed by W. W. Greg and others as the “the most fragmentary of all the plots”, 1 and for this r…
Therapeutic Travel in Richard Brome's The Antipodes
Critics typically situate Richard Brome's The Antipodes (1636) in a satiric tradition of travel writing in the vein of Joseph Hall's Mundus Alter et Idem (1605), arguing that the play is "purely allegorical" and a "travel drama that is not about travel." This paper argues that The Antipodes is very much "about travel," but specifically about the psychology of travel, not the physicality of voyaging. Brome foregrounds travel tropes within the fram…
Mind-Travelling and Voyage Drama in Early Modern England
Drawing on a wide range of drama from across the seventeenth century, including works by Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, this book situates voyage drama in its historical a
Lost Plays from Early Modern England
This article arises out of work on the recently launched Lost Plays Database ( http://www.lostplays.org ), and provides a case study of how consideration of lost plays can affect studies of early modern English drama. Through attention to lost travel plays, I discuss how our perception of voyage drama as a sub‐genre stands to be radically revised by the fragmentary evidence of non‐extant texts
"Humoral Theory as an Organizing Principle in Shelley's "Ode to the West Wind
(2007). Humoral Theory as an Organizing Principle in Shelley's 'Ode to the West Wind'? ANQ: A Quarterly Journal of Short Articles, Notes and Reviews: Vol. 20, No. 2, pp. 32-34
On Cleopatra's “Strange Invisible Perfume”
Mind-Travelling and Voyage Drama in Early Modern England
Drawing on a wide range of drama from across the seventeenth century, including works by Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, this book situates voyage drama in its historical a
Travel and Drama in Early Modern England
This agenda-setting volume on travel and drama in early modern England provides new insights into Renaissance stage practice, performance history, and theatre's transnational exchanges. It advances our understanding of theatre history, drama's generic conventions, and what constitutes plays about travel at a time when the professional theatre was rapidly developing and England was attempting to announce its presence within a global economy. Recen…
On Cleopatra's “Strange Invisible Perfume”
"Humoral Theory as an Organizing Principle in Shelley's "Ode to the West Wind
(2007). Humoral Theory as an Organizing Principle in Shelley's 'Ode to the West Wind'? ANQ: A Quarterly Journal of Short Articles, Notes and Reviews: Vol. 20, No. 2, pp. 32-34
Lost Plays from Early Modern England
This article arises out of work on the recently launched Lost Plays Database ( http://www.lostplays.org ), and provides a case study of how consideration of lost plays can affect studies of early modern English drama. Through attention to lost travel plays, I discuss how our perception of voyage drama as a sub‐genre stands to be radically revised by the fragmentary evidence of non‐extant texts
Therapeutic Travel in Richard Brome's The Antipodes
Critics typically situate Richard Brome's The Antipodes (1636) in a satiric tradition of travel writing in the vein of Joseph Hall's Mundus Alter et Idem (1605), arguing that the play is "purely allegorical" and a "travel drama that is not about travel." This paper argues that The Antipodes is very much "about travel," but specifically about the psychology of travel, not the physicality of voyaging. Brome foregrounds travel tropes within the fram…
Mind-Travelling and Voyage Drama in Early Modern England
Drawing on a wide range of drama from across the seventeenth century, including works by Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, this book situates voyage drama in its historical a
Lost Plays in Shakespeare’s England
Lost Plays in Shakespeare's England examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already fa
“2 Fortune’s Tennis” and the Admirars Men
This chapter has a dual purpose: first, to revisit the most neglected of backstage plots (the plot commonly referred to as “2 Fortune’s Tennis”) and ask new questions about the information it provides; and second, to offer this inquiry as a case study of the methodology, aims and limitations of working with lost plays. “2 Fortune’s Tennis” has been dismissed by W. W. Greg and others as the “the most fragmentary of all the plots”, 1 and for this r…
Travel and Drama in Early Modern England
This agenda-setting volume on travel and drama in early modern England provides new insights into Renaissance stage practice, performance history, and theatre's transnational exchanges. It advances our understanding of theatre history, drama's generic conventions, and what constitutes plays about travel at a time when the professional theatre was rapidly developing and England was attempting to announce its presence within a global economy. Recen…
The Clarendon Edition of the Works of John Locke, Vol. 23
Now our Athenian Olive Spreads
"Now our Athenian Olive Spreads" published on by null.
Race in Repertory
Scholarship on Shakespeare and race has broadened its scope to encompass more plays than such mainstays as Othello and Titus Andronicus. Moving beyond even Shakespeare’s ‘other race plays’, this chapter focuses on the benefits of a repertory studies approach in offering theatrical context for representations of race and identity on stage (Brown et al. 2022, 19). This can function in two related ways: the first examples in this chapter feature com…
Restoration Playbooks and Receivers’ Stamps
Art (9 works) · History (7 works) · Literature (7 works) · Drama (4 works) · Philippine History and Culture (4 works) · Art history (3 works) · History (3 works) · Psychology (3 works) · Sociology (3 works) · Classical Antiquity Studies (2 works)