Massimo Fusillo
Biographic Data
| ID | 5633689 |
|---|---|
| NAME | Massimo Fusillo |
| GIVEN NAMES | Massimo |
| FAMILY NAME | Fusillo |
| SIGNATURE | FUSILLO M |
| AFFILIATIONS | University of L'Aquila |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 62 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 3 |
Inter-mediality in Digital Media Environment
As a medium literature has always been characterized by a strong virtual dimension: the capacity to evoke alternative worlds, an imaginary universe which may clash with the real one, or even deconstruct the opposition between real and fictional. Postmodern fiction has stressed and expanded the inter-medial aspect of literature, showing a true obsession with visual media and extra-literary codes. Sometimes it goes well beyond infinite, playful rew…
Aethiopika (Heliodorus, Third or Fourth Century)
L’ Orestea nel nuovo millennio: Il re-enactment di Milo Rau
This paper deals first with 20th century prominent performances and rewritings of Aeschylus’ Oresteia , focusing especially on their clear political potential: it analyses then Milo Rau’s poetics, which brilliantly combines empathy and estrangement; and finally offers a close reading of Rau’s Orestes in Mosul , which highlights the contamination between myth and reality, video and acting, classical text and political re-enactment
Mapping the Roots: The Novel in Antiquity
Il lavoro analizza il romanzo antico in quanto genere non codificato, marginale ma popolare, e ramificato in una serie di filoni: quello incentrato su amore e avventura, quello comico-realistico,, quello fantastico
Apoudnius Rhodius As "Inventor" of the Interior Monologue
In their pre-narratological summa of western narrative techniques, The Nature of Narrative , Robert Scholes and Robert Kellogg affirm that the merit of inventing the interior monologue belongs to Apollonius Rhodius, who is, in their opinion, a narrative artist far from having the reputation he deserves. In Scholes and Kellogg's definition, interior monologue is more a topos than a narrative device, and they single out six features transmitted by …
Aethiopika (Heliodorus, Third or Fourth Century)
Classical Myth and Culture in the Cinema
Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature. The book illustrates the continuing presence of antiquity in the most varied and influential medium of modern popular culture. The diversity of content and theoretical stances found in Classical Myth and Culture in the Cinema will make t…
Apollonius Rhodius as “Inventor” of the Interior Monologue
A Companion to Apollonius Rhodius
This volume on Apollonius of Rhodes, whose Argonautica is the sole full-length epic to survive from the Hellenistic period, comprises articles by fourteen leading scholars from Europe and America. Their contributions cover a wide range of issues from the history of the text and the problems of the poet's biography through questions of style, literary technique and intertextual relations to the epic's literary and cultural reception. The aim is to…
Modern Critical Theories and the Ancient Novel
In the history of Western literature the polarity between tragedy and novel seems to be a basic one: as much as the first is a closed form, old, noble, sublime and rigidly coded, so the second is an open one, new and low, without strong rules. The ancient works of aesthetics do not even mention the novel, although there is a strong relationship between this genre and rhetoric. At the end of the eighteenth century this situation changes completely…
The Novel in the Ancient World
This is the second publication in Brill's handbook series The Classical Tradition. The subject of this volume is that group of works of extended prose narrative fiction which bears many similarities to the modern novel and which appeared in the later classical periods in Greece and Rome. The ancient novel has enjoyed renewed popularity in recent years not only among students of literature, but also among those looking for new sources on the popul…
The Novel in the Ancient World
This is the second publication in Brill's handbook series The Classical Tradition. The subject of this volume is that group of works of extended prose narrative fiction which bears many similarities to the modern novel and which appeared in the later classical periods in Greece and Rome. The ancient novel has enjoyed renewed popularity in recent years not only among students of literature, but also among those looking for new sources on the popul…
A Companion to Apollonius Rhodius
This volume on Apollonius of Rhodes, whose Argonautica is the sole full-length epic to survive from the Hellenistic period, comprises articles by fourteen leading scholars from Europe and America. Their contributions cover a wide range of issues from the history of the text and the problems of the poet's biography through questions of style, literary technique and intertextual relations to the epic's literary and cultural reception. The aim is to…
Classical Myth and Culture in the Cinema
Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature. The book illustrates the continuing presence of antiquity in the most varied and influential medium of modern popular culture. The diversity of content and theoretical stances found in Classical Myth and Culture in the Cinema will make t…
Modern Critical Theories and the Ancient Novel
In the history of Western literature the polarity between tragedy and novel seems to be a basic one: as much as the first is a closed form, old, noble, sublime and rigidly coded, so the second is an open one, new and low, without strong rules. The ancient works of aesthetics do not even mention the novel, although there is a strong relationship between this genre and rhetoric. At the end of the eighteenth century this situation changes completely…
The Novel in the Ancient World
This is the second publication in Brill's handbook series The Classical Tradition. The subject of this volume is that group of works of extended prose narrative fiction which bears many similarities to the modern novel and which appeared in the later classical periods in Greece and Rome. The ancient novel has enjoyed renewed popularity in recent years not only among students of literature, but also among those looking for new sources on the popul…
Apollonius Rhodius as “Inventor” of the Interior Monologue
A Companion to Apollonius Rhodius
This volume on Apollonius of Rhodes, whose Argonautica is the sole full-length epic to survive from the Hellenistic period, comprises articles by fourteen leading scholars from Europe and America. Their contributions cover a wide range of issues from the history of the text and the problems of the poet's biography through questions of style, literary technique and intertextual relations to the epic's literary and cultural reception. The aim is to…
Classical Myth and Culture in the Cinema
Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature. The book illustrates the continuing presence of antiquity in the most varied and influential medium of modern popular culture. The diversity of content and theoretical stances found in Classical Myth and Culture in the Cinema will make t…
Aethiopika (Heliodorus, Third or Fourth Century)
Apoudnius Rhodius As "Inventor" of the Interior Monologue
In their pre-narratological summa of western narrative techniques, The Nature of Narrative , Robert Scholes and Robert Kellogg affirm that the merit of inventing the interior monologue belongs to Apollonius Rhodius, who is, in their opinion, a narrative artist far from having the reputation he deserves. In Scholes and Kellogg's definition, interior monologue is more a topos than a narrative device, and they single out six features transmitted by …
Mapping the Roots: The Novel in Antiquity
Il lavoro analizza il romanzo antico in quanto genere non codificato, marginale ma popolare, e ramificato in una serie di filoni: quello incentrato su amore e avventura, quello comico-realistico,, quello fantastico
Aethiopika (Heliodorus, Third or Fourth Century)
L’ Orestea nel nuovo millennio: Il re-enactment di Milo Rau
This paper deals first with 20th century prominent performances and rewritings of Aeschylus’ Oresteia , focusing especially on their clear political potential: it analyses then Milo Rau’s poetics, which brilliantly combines empathy and estrangement; and finally offers a close reading of Rau’s Orestes in Mosul , which highlights the contamination between myth and reality, video and acting, classical text and political re-enactment
Inter-mediality in Digital Media Environment
As a medium literature has always been characterized by a strong virtual dimension: the capacity to evoke alternative worlds, an imaginary universe which may clash with the real one, or even deconstruct the opposition between real and fictional. Postmodern fiction has stressed and expanded the inter-medial aspect of literature, showing a true obsession with visual media and extra-literary codes. Sometimes it goes well beyond infinite, playful rew…
Art (7 works) · Classical Antiquity Studies (7 works) · History (6 works) · Literature (5 works) · Aesthetics (2 works) · Biblical Studies and Interpretation (2 works) · Classics (2 works) · Classics (2 works) · History (2 works) · Law (2 works)