Mark A Radice
Biographic Data
| ID | 5634602 |
|---|---|
| NAME | Mark A Radice |
| GIVEN NAMES | Mark A |
| FAMILY NAME | Radice |
| SIGNATURE | RADICE M A |
| AFFILIATIONS | Ithaca College School of Music |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Inventing the Opera House
Johnson’s title evokes anticipation for a musician; thus, when my copy of the text arrived, I noted the titles of the eleven essays in the volume—which span topics from the 1480s to the 1690s—then excitedly gave a look at the index. I had always wondered about the original staging of theatre works by Giulio Caccini, such as Euridice and Rapimento di Cefalo; I was curious, too, about the theatrical scores of his elder daughter, Francesca Caccini, …
The Nature of the Style galant
Journal Article The Nature of the Style galant: Evidence from the Repertoire Get access Mark A. Radice Mark A. Radice Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume 83, Issue 4, Winter 1999, Pages 607–647, https://doi.org/10.1093/mq/83.4.607 Published: 01 December 1999
The Nature of the Style galant
Journal Article The Nature of the Style galant: Evidence from the Repertoire Get access Mark A. Radice Mark A. Radice Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume 83, Issue 4, Winter 1999, Pages 607–647, https://doi.org/10.1093/mq/83.4.607 Published: 01 December 1999
The Nature of the Style galant
Journal Article The Nature of the Style galant: Evidence from the Repertoire Get access Mark A. Radice Mark A. Radice Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume 83, Issue 4, Winter 1999, Pages 607–647, https://doi.org/10.1093/mq/83.4.607 Published: 01 December 1999
Inventing the Opera House
Johnson’s title evokes anticipation for a musician; thus, when my copy of the text arrived, I noted the titles of the eleven essays in the volume—which span topics from the 1480s to the 1690s—then excitedly gave a look at the index. I had always wondered about the original staging of theatre works by Giulio Caccini, such as Euridice and Rapimento di Cefalo; I was curious, too, about the theatrical scores of his elder daughter, Francesca Caccini, …
Art (2 works) · Art history (2 works) · Literature (2 works) · Musical (2 works) · Baroque (1 works) · Drama (1 works) · Historical and Literary Studies (1 works) · Historical Art and Architecture Studies (1 works) · Humanities (1 works) · Index (typography) (1 works)