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Shane Hawkins

Biographic Data

ID5634639
NAMEShane Hawkins
GIVEN NAMESShane
FAMILY NAMEHawkins
SIGNATUREHAWKINS S
AFFILIATIONSCarleton University
ORCID0000-0003-4522-879X
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS3
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Hipponax the Poet

    Open Access•Carmine Catenacci, Margarita Alexandrou et al.•BOOK•Hipponax the Poet•2026

    'Hipponax the poet' is an elusive figure. Stories about him abounded already in antiquity, at least in part extrapolated from the stories about himself that abounded in his poems. But what distinguishes him from other Greek lyric poets is the manner in which his corpus suggests a strategy of mischievousness around self-presentation: a deliberate confounding of expectations, the projecting of a pointedly strange and untrustworthy authorial persona…

  • Hammer of the gods

    Shane Hawkins, Timothy Pettipiece•ARTICLE•Metal Music Studies•2024

    This article explores metal music’s lyrical and aesthetic reception of the Norse mythological hero Thor, both as a tragi-comic figure evoking humour and pathos and as a mythological figure that lends itself to poses that incorporate outsider tropes. The anti-establishment and anti-conformist attitudes of metal music are freely adopted by Viking metal but surface in a unique stance against the Christianization of space deemed Pagan along with the …

  • Once More Unto the Breach

    Open Access•Shane Hawkins•ARTICLE•The Classical Quarterly•2024

    In addition to the acrostic–telestic combination natu ceu aes ‘from birth like bronze’, Catullus poem 60 contains the earliest attested Latin mesostic ( mi pia ‘dutiful to me’), which runs down its caesuras. The use of pius anticipates the language of aristocratic obligation that is used of Lesbia in the epigrams and is perhaps also a wordplay on the praenomen of Clodia’s father, Appius . The complex acrostics and the syntax of mi pia , along wit…

  • Selig wer auch Zeichen gibt

    Shane Hawkin, Shane Hawkins•ARTICLE•The European Legacy•2018•References: 17

    Leibniz’s philosophical and philological interests overlapped at many points, and some of his fundamental philosophical notions shaped his views on language, particularly his thinking about language history, in decisive ways. Although he is better known for his work on universal language, his writings on natural language and language history are worth consideration both for their subtlety and for the insight they give into the complex history of …

  • Catullus 60

    Shane Hawkins•ARTICLE•The American Journal of Philology•2014•Cited by: 2•References: 46

    Although Catullus 60 is widely dismissed as an incomplete scrap tacked on to the end of the polymetra, it is a complete and ingenious poem that contains an erudite and punning allusion to Euripides’ Medea , an acrostic and telestic formation, and a Callimachean play on the name Scylla, all of which taken together identify the recipient, Lesbia, as a fellatrix and associate her with the name Metelli . A better appreciation of poem 60 and the thema…

  • Catullus’ Furius

    Shane Hawkins•ARTICLE•Classical Philology•2011•Cited by: 1

  • Greek and the Languages of Asia Minor to the Classical Period

    Open Access•Shane Hawkins•OTHER•A Companion to the Ancient Greek…•2010

    This chapter contains sections titled: The Languages of Asia Minor Contexts for Contacts Language Artefacts Further Reading

  • Variation in the organization of medical terms

    Lynne Bowker, Shane Hawkins•ARTICLE•Terminology International Journal…•2006

    The prescriptive school of thought in terminology holds that terms should be fixed items and should not be prone to variation. More recently, however, descriptive studies have begun to reveal that many terms do in fact have variants. This poses a challenge for language professionals such as translators and terminologists, who need to decide which form of a term to use in a given context. This article explores one specific type of variant that occ…

  • Catullus 60

    Shane Hawkins•ARTICLE•The American Journal of Philology•2014•Cited by: 2•References: 46

    Although Catullus 60 is widely dismissed as an incomplete scrap tacked on to the end of the polymetra, it is a complete and ingenious poem that contains an erudite and punning allusion to Euripides’ Medea , an acrostic and telestic formation, and a Callimachean play on the name Scylla, all of which taken together identify the recipient, Lesbia, as a fellatrix and associate her with the name Metelli . A better appreciation of poem 60 and the thema…

  • Catullus’ Furius

    Shane Hawkins•ARTICLE•Classical Philology•2011•Cited by: 1

  • Variation in the organization of medical terms

    Lynne Bowker, Shane Hawkins•ARTICLE•Terminology International Journal…•2006

    The prescriptive school of thought in terminology holds that terms should be fixed items and should not be prone to variation. More recently, however, descriptive studies have begun to reveal that many terms do in fact have variants. This poses a challenge for language professionals such as translators and terminologists, who need to decide which form of a term to use in a given context. This article explores one specific type of variant that occ…

  • Greek and the Languages of Asia Minor to the Classical Period

    Open Access•Shane Hawkins•OTHER•A Companion to the Ancient Greek…•2010

    This chapter contains sections titled: The Languages of Asia Minor Contexts for Contacts Language Artefacts Further Reading

  • Catullus’ Furius

    Shane Hawkins•ARTICLE•Classical Philology•2011•Cited by: 1

  • Catullus 60

    Shane Hawkins•ARTICLE•The American Journal of Philology•2014•Cited by: 2•References: 46

    Although Catullus 60 is widely dismissed as an incomplete scrap tacked on to the end of the polymetra, it is a complete and ingenious poem that contains an erudite and punning allusion to Euripides’ Medea , an acrostic and telestic formation, and a Callimachean play on the name Scylla, all of which taken together identify the recipient, Lesbia, as a fellatrix and associate her with the name Metelli . A better appreciation of poem 60 and the thema…

  • Selig wer auch Zeichen gibt

    Shane Hawkin, Shane Hawkins•ARTICLE•The European Legacy•2018•References: 17

    Leibniz’s philosophical and philological interests overlapped at many points, and some of his fundamental philosophical notions shaped his views on language, particularly his thinking about language history, in decisive ways. Although he is better known for his work on universal language, his writings on natural language and language history are worth consideration both for their subtlety and for the insight they give into the complex history of …

  • Hammer of the gods

    Shane Hawkins, Timothy Pettipiece•ARTICLE•Metal Music Studies•2024

    This article explores metal music’s lyrical and aesthetic reception of the Norse mythological hero Thor, both as a tragi-comic figure evoking humour and pathos and as a mythological figure that lends itself to poses that incorporate outsider tropes. The anti-establishment and anti-conformist attitudes of metal music are freely adopted by Viking metal but surface in a unique stance against the Christianization of space deemed Pagan along with the …

  • Once More Unto the Breach

    Open Access•Shane Hawkins•ARTICLE•The Classical Quarterly•2024

    In addition to the acrostic–telestic combination natu ceu aes ‘from birth like bronze’, Catullus poem 60 contains the earliest attested Latin mesostic ( mi pia ‘dutiful to me’), which runs down its caesuras. The use of pius anticipates the language of aristocratic obligation that is used of Lesbia in the epigrams and is perhaps also a wordplay on the praenomen of Clodia’s father, Appius . The complex acrostics and the syntax of mi pia , along wit…

  • Hipponax the Poet

    Open Access•Carmine Catenacci, Margarita Alexandrou et al.•BOOK•Hipponax the Poet•2026

    'Hipponax the poet' is an elusive figure. Stories about him abounded already in antiquity, at least in part extrapolated from the stories about himself that abounded in his poems. But what distinguishes him from other Greek lyric poets is the manner in which his corpus suggests a strategy of mischievousness around self-presentation: a deliberate confounding of expectations, the projecting of a pointedly strange and untrustworthy authorial persona…

Art (5 works) · Classical Antiquity Studies (4 works) · History (4 works) · Linguistics (4 works) · Philosophy (4 works) · Literature (3 works) · Poetry (3 works) · Psychology (3 works) · Allusion (2 works) · Computer Science (2 works)

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