Peter McNeil
Biographic Data
| ID | 5634938 |
|---|---|
| NAME | Peter McNeil |
| GIVEN NAMES | Peter |
| FAMILY NAME | McNeil |
| SIGNATURE | MCNEIL P |
| AFFILIATIONS | McNeil Center for Early American Studies |
| ORCID | 0000-0002-2151-4196 |
| VERIFIED | Yes |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 29 |
| WORKS AS AUTHOR | 21 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 3 |
The Cambridge Global History of Fashion
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways…
Le remodelage du vestiaire et du corps à la fin du XVIII e siècle en Angleterre
Dans la dernière décennie du xviii e siècle, l’influence « révolutionnaire » de l’anglophilie et des nouveaux modes vestimentaires anglais a influencé une grande partie de l’Europe occidentale. En Angleterre, de nombreuses tensions autour des attitudes à l’égard de l’habillement et des apparences sont apparues autour de la figure du « macaroni », un type de dandy évoqué dans nombre de textes, d’images, de pièces de théâtre, entre 1760 et 1780. Le…
World Luxury Destinations Conference
Report From Finland
“Everything progresses well. It’s a life of extremes.”Diana Cooper on Finland, 1938.1Salo is a small southern Finnish town, an hour and half’s drive from Helsinki where you would not necessarily ex
American Style and Spirit
Until recently in the small town of Marshfield, Wisconsin, there sat in an attic room the clothing of three generations of the Roddis family, dating from 1850 to 1995 (Figure 1). Approximately 250
Museums and the Making of Textile Histories
Nombre de musées différents collectionnent et préservent les textiles, et collectent les données les concernant. Ils les interprètent également par le biais d’expositions temporaires ou semi permanentes, de publications et d’interventions sur des sites web. Ces interprétations se présentent isolément, ou sont parfois inscrites dans un cadre plus large qui englobe l’histoire de l’art et du design, la science et la technologie, ou encore l’histoire…
Why Don't You”—Think for Yourself? Diana Vreeland after Diana Vreeland
(2014). “Why Don't You”—Think for Yourself? Diana Vreeland after Diana Vreeland. Fashion Theory: Vol. 18, No. 4, pp. 419-426
Sparks Set in Gold’
Introduction
Volume 1
Extended Review
This is a fully-referenced, original research, peer-reviewed article inspired by Valerie Steele's exhibition and accompanying book on gothic fashion
Japanese Fashion
(2010). Japanese Fashion: A Cultural History by Toby Slade. Fashion Theory: Vol. 14, No. 4, pp. 549-552
We're Not in the Fashion Business”
This article examines relationships between the museum fashion exhibit, viewing publics, and historians. It takes as a case study AngloMania: Tradition and Transgression in British Fashion, held at the Metropolitan Museum of Art, May 3–September 4 2006, as an example of a possibly new type of exhibition merging art-historical research with contemporary styling and viewing practices
Exhibition Review
The Art and Science of Walking
Examines the attitude of eighteenth-century Europeans toward footwear and its merchandising. Restrictions in physical mobility of the upper orders in urban and rural environments; Manifestation of changes in attitude towards walking through public spaces; Connection between dress systems, aesthetic models and shoes
Exhibition Review
(2005). Exhibition Review: Dangerous Liaisons. Fashion and Furniture in the Eighteenth Century. Fashion Theory: Vol. 9, No. 4, pp. 477-485
Don We Now Our Gay Apparel”
Macaroni Masculinities
That Doubtful Gender”
(1999). “That Doubtful Gender”: Macaroni Dress and Male Sexualities. Fashion Theory: Vol. 3, No. 4, pp. 411-447
Rarely looking in
Designing Women
We're Not in the Fashion Business”
This article examines relationships between the museum fashion exhibit, viewing publics, and historians. It takes as a case study AngloMania: Tradition and Transgression in British Fashion, held at the Metropolitan Museum of Art, May 3–September 4 2006, as an example of a possibly new type of exhibition merging art-historical research with contemporary styling and viewing practices
Macaroni Masculinities
That Doubtful Gender”
(1999). “That Doubtful Gender”: Macaroni Dress and Male Sexualities. Fashion Theory: Vol. 3, No. 4, pp. 411-447
Exhibition Review
(2005). Exhibition Review: Dangerous Liaisons. Fashion and Furniture in the Eighteenth Century. Fashion Theory: Vol. 9, No. 4, pp. 477-485
Sparks Set in Gold’
Introduction
The Art and Science of Walking
Examines the attitude of eighteenth-century Europeans toward footwear and its merchandising. Restrictions in physical mobility of the upper orders in urban and rural environments; Manifestation of changes in attitude towards walking through public spaces; Connection between dress systems, aesthetic models and shoes
Rarely looking in
Designing Women
Designing Women
Rarely looking in
That Doubtful Gender”
(1999). “That Doubtful Gender”: Macaroni Dress and Male Sexualities. Fashion Theory: Vol. 3, No. 4, pp. 411-447
Macaroni Masculinities
Don We Now Our Gay Apparel”
The Art and Science of Walking
Examines the attitude of eighteenth-century Europeans toward footwear and its merchandising. Restrictions in physical mobility of the upper orders in urban and rural environments; Manifestation of changes in attitude towards walking through public spaces; Connection between dress systems, aesthetic models and shoes
Exhibition Review
(2005). Exhibition Review: Dangerous Liaisons. Fashion and Furniture in the Eighteenth Century. Fashion Theory: Vol. 9, No. 4, pp. 477-485
Exhibition Review
We're Not in the Fashion Business”
This article examines relationships between the museum fashion exhibit, viewing publics, and historians. It takes as a case study AngloMania: Tradition and Transgression in British Fashion, held at the Metropolitan Museum of Art, May 3–September 4 2006, as an example of a possibly new type of exhibition merging art-historical research with contemporary styling and viewing practices
Extended Review
This is a fully-referenced, original research, peer-reviewed article inspired by Valerie Steele's exhibition and accompanying book on gothic fashion
Japanese Fashion
(2010). Japanese Fashion: A Cultural History by Toby Slade. Fashion Theory: Vol. 14, No. 4, pp. 549-552
Introduction
Volume 1
Sparks Set in Gold’
Why Don't You”—Think for Yourself? Diana Vreeland after Diana Vreeland
(2014). “Why Don't You”—Think for Yourself? Diana Vreeland after Diana Vreeland. Fashion Theory: Vol. 18, No. 4, pp. 419-426
Museums and the Making of Textile Histories
Nombre de musées différents collectionnent et préservent les textiles, et collectent les données les concernant. Ils les interprètent également par le biais d’expositions temporaires ou semi permanentes, de publications et d’interventions sur des sites web. Ces interprétations se présentent isolément, ou sont parfois inscrites dans un cadre plus large qui englobe l’histoire de l’art et du design, la science et la technologie, ou encore l’histoire…
Report From Finland
“Everything progresses well. It’s a life of extremes.”Diana Cooper on Finland, 1938.1Salo is a small southern Finnish town, an hour and half’s drive from Helsinki where you would not necessarily ex
American Style and Spirit
Until recently in the small town of Marshfield, Wisconsin, there sat in an attic room the clothing of three generations of the Roddis family, dating from 1850 to 1995 (Figure 1). Approximately 250
World Luxury Destinations Conference
Le remodelage du vestiaire et du corps à la fin du XVIII e siècle en Angleterre
Dans la dernière décennie du xviii e siècle, l’influence « révolutionnaire » de l’anglophilie et des nouveaux modes vestimentaires anglais a influencé une grande partie de l’Europe occidentale. En Angleterre, de nombreuses tensions autour des attitudes à l’égard de l’habillement et des apparences sont apparues autour de la figure du « macaroni », un type de dandy évoqué dans nombre de textes, d’images, de pièces de théâtre, entre 1760 et 1780. Le…
The Cambridge Global History of Fashion
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways…
Art (18 works) · Fashion and Cultural Textiles (14 works) · History (13 works) · Visual arts (12 works) · History (10 works) · Art history (9 works) · Sociology (7 works) · Archaeology (5 works) · Gender Studies (5 works) · Cultural Industries and Urban Development (4 works)