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Mary‐Kay Gamel

Biographic Data

ID5635598
NAMEMary‐Kay Gamel
GIVEN NAMESMary‐Kay
FAMILY NAMEGamel
SIGNATUREGAMEL M K
AFFILIATIONSUniversity of California, Santa Cruz
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS17
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2018
H-INDEX2
  • Putting Ancient Drama Reception into Action

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•The Classical World•2018

    Using performance to teach ancient drama has many advantages. It teaches students that ancient plays were written for performance, not reading, and includes many theatrical aspects of the dramas (space, sound, light, movement, costumes, props, actor and audience reactions, and much more). Performance also engages the students in the characters and issues of the plays, provoking their responses and engagement both as individuals and as a group, le…

  • Greek Drama on the U.S. West Coast, 1970–2013

    Kathryn Bosher, Fiona Macintosh et al.•CHAPTER•Oxford Handbook of Greek Drama in…•2015

  • Can ‘Democratic’ Modern Stagings of Ancient Drama be ‘Authentic’?

    Mary-Kay Gamel, Mary‐Kay Gamel•CHAPTER•Classics In The Modern World A…•2013

    What criteria can be used to evaluate the ‘authenticity’ of later stagings of ancient Mediterranean drama? Using concepts drawn from aesthetic theory and performance studies, different definitions of authenticity are proposed, which can be used to describe, analyzes, and evaluate modern stagings. The six methods of authenticity proposed are nominal/historical, expressive, processual, structural, inductive, and critical, and examples of each kind …

  • Women and the Comic Plot in Menander by Ariana Traill

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•Phoenix•2010

    BOOK REV1EWS/COMPTES RENDUS Women and the Comic Plot in Menander. By Ariana Traill. Cambridge: Cambridge University Press. 2008. Pp. 301. Menander's importance in the history of European drama cannot be overestimated, and the discovery in the twentieth century of texts of his plays is a thrilling development. As Balme puts it: "Like a true comic heroine, Comedy herself has finally been reunited with her father after some twelve centuries of separ…

  • Hrotsvit of Gandersheim

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•Speculum•2006

  • From Thesmophoriazousai to the Julie Thesmo Show

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•The American Journal of Philology•2002•Cited by: 1•References: 15

  • Female Acts in Greek Tragedy (review)

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•Theatre Journal•2002

    In this deeply thoughtful book, Helene Foley argues that Athenian tragic playwrights found gender a valuable tool for thinking about the social order and confronting intractable social and philosophical problems. Unlike readers who see in tragedy only validation of the Athenian sex-gender system, Foley sees tragedy raising questions and destabilizing accepted ideas. By aiming "to capture the strangeness and difference of Greek representations of …

  • Greek Theatre Performance

    Open Access•David Wiles, Mary-Kay Gamel et al.•BOOK•Greek Theatre Performance•2000•Cited by: 14

    In this fascinating and accessible book, David Wiles introduces ancient Greek theatre to students and enthusiasts interested in knowing how the plays were performed. Theatre was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements which created the theatre of the time. Actors rather than writers are the book's main concern and Wiles examines how the actor used the resources of story-telling, d…

  • Language and Literature

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•ADFL Bulletin•1984•Cited by: 2

  • Greek Theatre Performance

    Open Access•David Wiles, Mary-Kay Gamel et al.•BOOK•Greek Theatre Performance•2000•Cited by: 14

    In this fascinating and accessible book, David Wiles introduces ancient Greek theatre to students and enthusiasts interested in knowing how the plays were performed. Theatre was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements which created the theatre of the time. Actors rather than writers are the book's main concern and Wiles examines how the actor used the resources of story-telling, d…

  • Language and Literature

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•ADFL Bulletin•1984•Cited by: 2

  • From Thesmophoriazousai to the Julie Thesmo Show

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•The American Journal of Philology•2002•Cited by: 1•References: 15

  • Language and Literature

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•ADFL Bulletin•1984•Cited by: 2

  • Greek Theatre Performance

    Open Access•David Wiles, Mary-Kay Gamel et al.•BOOK•Greek Theatre Performance•2000•Cited by: 14

    In this fascinating and accessible book, David Wiles introduces ancient Greek theatre to students and enthusiasts interested in knowing how the plays were performed. Theatre was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements which created the theatre of the time. Actors rather than writers are the book's main concern and Wiles examines how the actor used the resources of story-telling, d…

  • From Thesmophoriazousai to the Julie Thesmo Show

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•The American Journal of Philology•2002•Cited by: 1•References: 15

  • Female Acts in Greek Tragedy (review)

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•Theatre Journal•2002

    In this deeply thoughtful book, Helene Foley argues that Athenian tragic playwrights found gender a valuable tool for thinking about the social order and confronting intractable social and philosophical problems. Unlike readers who see in tragedy only validation of the Athenian sex-gender system, Foley sees tragedy raising questions and destabilizing accepted ideas. By aiming "to capture the strangeness and difference of Greek representations of …

  • Hrotsvit of Gandersheim

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•Speculum•2006

  • Women and the Comic Plot in Menander by Ariana Traill

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•Phoenix•2010

    BOOK REV1EWS/COMPTES RENDUS Women and the Comic Plot in Menander. By Ariana Traill. Cambridge: Cambridge University Press. 2008. Pp. 301. Menander's importance in the history of European drama cannot be overestimated, and the discovery in the twentieth century of texts of his plays is a thrilling development. As Balme puts it: "Like a true comic heroine, Comedy herself has finally been reunited with her father after some twelve centuries of separ…

  • Can ‘Democratic’ Modern Stagings of Ancient Drama be ‘Authentic’?

    Mary-Kay Gamel, Mary‐Kay Gamel•CHAPTER•Classics In The Modern World A…•2013

    What criteria can be used to evaluate the ‘authenticity’ of later stagings of ancient Mediterranean drama? Using concepts drawn from aesthetic theory and performance studies, different definitions of authenticity are proposed, which can be used to describe, analyzes, and evaluate modern stagings. The six methods of authenticity proposed are nominal/historical, expressive, processual, structural, inductive, and critical, and examples of each kind …

  • Greek Drama on the U.S. West Coast, 1970–2013

    Kathryn Bosher, Fiona Macintosh et al.•CHAPTER•Oxford Handbook of Greek Drama in…•2015

  • Putting Ancient Drama Reception into Action

    Mary-Kay Gamel, Mary‐Kay Gamel•ARTICLE•The Classical World•2018

    Using performance to teach ancient drama has many advantages. It teaches students that ancient plays were written for performance, not reading, and includes many theatrical aspects of the dramas (space, sound, light, movement, costumes, props, actor and audience reactions, and much more). Performance also engages the students in the characters and issues of the plays, provoking their responses and engagement both as individuals and as a group, le…

Art (8 works) · History (7 works) · Literature (6 works) · Aesthetics (4 works) · Classical Antiquity Studies (4 works) · Drama (4 works) · Philosophy (4 works) · History (3 works) · Law (3 works) · Political science (3 works)

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