Rosie Harman
Biographic Data
| ID | 5635717 |
|---|---|
| NAME | Rosie Harman |
| GIVEN NAMES | Rosie |
| FAMILY NAME | Harman |
| SIGNATURE | HARMAN R |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Politics of Viewing in Xenophon’s Historical Narratives
This book considers cultural identity and power in early fourth-century BCE Greece through a reading of Xenophon’s historical narratives, the Hellenica, Anabasis and Cyropaedia. These texts depict conflicts between Greek states, conflicts between Greeks and non-Greeks, and relations between the elite individual and society. In all three texts, politically significant moments are imagined in visual terms. We witness spectacles of Spartan military …
Viewing Spartans, Viewing Barbarians
A Spectacle of Greekness
Xenophon?s representation of Agesilaus must be understood within the political context of the early fourth century and the intellectual context of Panhellenism. A time of upheaval, conflict and violence, this period saw multiple shifting alliances and struggles for ascendancy between Greek states in the Corinthian War. In this chapter the author argues that although the Agesilaus can be understood as a ?Panhellenist? text in that it engages with …
No prominent works on this page.
A Spectacle of Greekness
Xenophon?s representation of Agesilaus must be understood within the political context of the early fourth century and the intellectual context of Panhellenism. A time of upheaval, conflict and violence, this period saw multiple shifting alliances and struggles for ascendancy between Greek states in the Corinthian War. In this chapter the author argues that although the Agesilaus can be understood as a ?Panhellenist? text in that it engages with …
Viewing Spartans, Viewing Barbarians
The Politics of Viewing in Xenophon’s Historical Narratives
This book considers cultural identity and power in early fourth-century BCE Greece through a reading of Xenophon’s historical narratives, the Hellenica, Anabasis and Cyropaedia. These texts depict conflicts between Greek states, conflicts between Greeks and non-Greeks, and relations between the elite individual and society. In all three texts, politically significant moments are imagined in visual terms. We witness spectacles of Spartan military …
Art (2 works) · Classical Antiquity Studies (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 work) · African history and culture analysis (1 work) · African history and culture studies (1 work) · Byzantine Studies and History (1 work) · Classics (1 work)