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Susanne Ebbinghaus

Biographic Data

ID5635927
NAMESusanne Ebbinghaus
GIVEN NAMESSusanne
FAMILY NAMEEbbinghaus
SIGNATUREEBBINGHAUS S
AFFILIATIONSNy Carlsberg Glyptotek
ORCID0009-0004-1087-1448
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS6
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Tracking Color Through Time

    Cecilie Brøns, Jens Stenger et al.•ARTICLE•American Journal of Archaeology•2024•References: 27

    A comparative study of four Etruscan terracotta urns from Chiusi, Italy, investigates their ancient polychromy and the urns’ trajectories through changing modern-day art market practices and museum conservation policies. The objects’ shared moldmade motif of a specific scene from Sophocles’ play Antigone makes this group particularly suitable for illustrating differences and similarities in their past and present materiality, uncovered by multisp…

  • An Achaemenid God in Color

    Open Access•Susanne Ebbinghaus, Katherine Eremin et al.•ARTICLE•Heritage•2023•Cited by: 1•References: 18

    A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration and has played a key role in the rediscovery of polychromy at the Achaemenid Persian capital. After tracing the fragment’s journey to Cambridge, MA, this article presents the results of recent te…

  • New evidence on the von Mercklin class of rhyta

    Open Access•Susanne Ebbinghaus, J Ellis Jones•ARTICLE•The Annual of the British School…•2001•References: 1

    From the 1997 excavations at a Lavrion silver-mine ore washery, Agrileza Compound B, datable to the fourth century BC, came a fragmentary black gloss ram head rhyton of the so-called von Mercklin Class. The rhyton from Agrileza is at present the only known example of this group with a well-defined archaeological context, and is therefore taken as the basis for a review of the regional and chronological attributions of von Mercklin rhyta in severa…

  • Urbanism and Economy at Euesperides (Benghazi)

    Open Access•Andrew Wilson, Paul Bennett et al.•ARTICLE•Libyan Studies•1999•Cited by: 5•References: 17

    This paper reports on the first season of a new project at Euesperides (Benghazi) aimed at studying the urban development and economy of the city. Two area excavations were started, the first on the site of early Hellenistic pebble and tessellated mosaics discovered in 1998, and the second in what appears to be an area of houses and workshops built against the city wall on the east side of the mound of Sidi Abeid. Geophysical survey and surface p…

  • Urbanism and Economy at Euesperides (Benghazi)

    Open Access•Andrew Wilson, Paul Bennett et al.•ARTICLE•Libyan Studies•1999•Cited by: 5•References: 17

    This paper reports on the first season of a new project at Euesperides (Benghazi) aimed at studying the urban development and economy of the city. Two area excavations were started, the first on the site of early Hellenistic pebble and tessellated mosaics discovered in 1998, and the second in what appears to be an area of houses and workshops built against the city wall on the east side of the mound of Sidi Abeid. Geophysical survey and surface p…

  • An Achaemenid God in Color

    Open Access•Susanne Ebbinghaus, Katherine Eremin et al.•ARTICLE•Heritage•2023•Cited by: 1•References: 18

    A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration and has played a key role in the rediscovery of polychromy at the Achaemenid Persian capital. After tracing the fragment’s journey to Cambridge, MA, this article presents the results of recent te…

  • Urbanism and Economy at Euesperides (Benghazi)

    Open Access•Andrew Wilson, Paul Bennett et al.•ARTICLE•Libyan Studies•1999•Cited by: 5•References: 17

    This paper reports on the first season of a new project at Euesperides (Benghazi) aimed at studying the urban development and economy of the city. Two area excavations were started, the first on the site of early Hellenistic pebble and tessellated mosaics discovered in 1998, and the second in what appears to be an area of houses and workshops built against the city wall on the east side of the mound of Sidi Abeid. Geophysical survey and surface p…

  • New evidence on the von Mercklin class of rhyta

    Open Access•Susanne Ebbinghaus, J Ellis Jones•ARTICLE•The Annual of the British School…•2001•References: 1

    From the 1997 excavations at a Lavrion silver-mine ore washery, Agrileza Compound B, datable to the fourth century BC, came a fragmentary black gloss ram head rhyton of the so-called von Mercklin Class. The rhyton from Agrileza is at present the only known example of this group with a well-defined archaeological context, and is therefore taken as the basis for a review of the regional and chronological attributions of von Mercklin rhyta in severa…

  • An Achaemenid God in Color

    Open Access•Susanne Ebbinghaus, Katherine Eremin et al.•ARTICLE•Heritage•2023•Cited by: 1•References: 18

    A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration and has played a key role in the rediscovery of polychromy at the Achaemenid Persian capital. After tracing the fragment’s journey to Cambridge, MA, this article presents the results of recent te…

  • Tracking Color Through Time

    Cecilie Brøns, Jens Stenger et al.•ARTICLE•American Journal of Archaeology•2024•References: 27

    A comparative study of four Etruscan terracotta urns from Chiusi, Italy, investigates their ancient polychromy and the urns’ trajectories through changing modern-day art market practices and museum conservation policies. The objects’ shared moldmade motif of a specific scene from Sophocles’ play Antigone makes this group particularly suitable for illustrating differences and similarities in their past and present materiality, uncovered by multisp…

Ancient Mediterranean Archaeology and History (3 works) · Art (3 works) · History (3 works) · Archaeology (2 works) · Cultural Heritage Materials Analysis (2 works) · History (2 works) · Visual arts (2 works) · Ancient and Medieval Archaeology Studies (1 work) · Ancient history (1 work) · Archaeological Research and Protection (1 work)

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