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Christina Cain

Biographic Data

ID5636291
NAMEChristina Cain
GIVEN NAMESChristina
FAMILY NAMECain
SIGNATURECAIN C
AFFILIATIONSUniversity of Colorado Boulder
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS12
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Toward Legal, Ethical, and Culturally Informed Care of Animal Remains in American Museum Collections

    Open Access•Chance Ward, Jimmy Arterberry et al.•ARTICLE•Advances in Archaeological Practice•2024•References: 10

    Repatriation of human remains and associated funerary objects under NAGPRA and the increased use of culturally informed curation practices for sacred, religious, and ceremonial objects are important steps toward restoring control over cultural patrimony to Native Nations in the United States. Many museums holding Indigenous belongings have begun a collaborative care approach involving Indigenous community voices and improving access to collection…

  • Dancing in the Dark

    C D Cain, Christina Cain•ARTICLE•American Journal of Archaeology•2001•Cited by: 12•References: 1

    In theory, narratives in any medium can recount religious, profane, real, or fantastic events. But some stories, those involving battles for instance, are easier to relate and understand than others; they have more narrative value, or narrativity. The often-reproduced scene on a ring from Isopata, Crete, is an instructive example of the rich narrative character of the finest Aegean glyptic art. It also exemplifies the difficulties posed to the mo…

  • Dancing in the Dark

    C D Cain, Christina Cain•ARTICLE•American Journal of Archaeology•2001•Cited by: 12•References: 1

    In theory, narratives in any medium can recount religious, profane, real, or fantastic events. But some stories, those involving battles for instance, are easier to relate and understand than others; they have more narrative value, or narrativity. The often-reproduced scene on a ring from Isopata, Crete, is an instructive example of the rich narrative character of the finest Aegean glyptic art. It also exemplifies the difficulties posed to the mo…

  • Dancing in the Dark

    C D Cain, Christina Cain•ARTICLE•American Journal of Archaeology•2001•Cited by: 12•References: 1

    In theory, narratives in any medium can recount religious, profane, real, or fantastic events. But some stories, those involving battles for instance, are easier to relate and understand than others; they have more narrative value, or narrativity. The often-reproduced scene on a ring from Isopata, Crete, is an instructive example of the rich narrative character of the finest Aegean glyptic art. It also exemplifies the difficulties posed to the mo…

  • Toward Legal, Ethical, and Culturally Informed Care of Animal Remains in American Museum Collections

    Open Access•Chance Ward, Jimmy Arterberry et al.•ARTICLE•Advances in Archaeological Practice•2024•References: 10

    Repatriation of human remains and associated funerary objects under NAGPRA and the increased use of culturally informed curation practices for sacred, religious, and ceremonial objects are important steps toward restoring control over cultural patrimony to Native Nations in the United States. Many museums holding Indigenous belongings have begun a collaborative care approach involving Indigenous community voices and improving access to collection…

History (2 works) · History (2 works) · Aesthetics (1 work) · Ancient Mediterranean Archaeology and History (1 work) · Anthropology (1 work) · Archaeological Research and Protection (1 work) · Archaeology (1 work) · Archaeology and ancient environmental studies (1 work) · Art (1 work) · Biology (1 work)

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