Ellerson Ellerson
Biographic Data
| ID | 5636487 |
|---|---|
| NAME | Ellerson Ellerson |
| GIVEN NAMES | Ellerson |
| FAMILY NAME | Ellerson |
| SIGNATURE | ELLERSON E |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
African Women Professionals in Cinema
African Women, Cinema, and Leadership
Leadership entails listening, sharing, mentoring, and understanding that we may learn from each other through diverse exchanges: intergenerational, intercultural, and inter-regional. These features are incorporated in many of the workshops and forums organized by African women, designed for leadership awareness and development. Moreover, African women film professionals have initiated mechanisms to foster effective leadership in the diverse areas…
African Women on the Film Festival Landscape
African Women on the Film Festival Landscape Beti Ellerson (bio) Click for larger view View full resolution Figure C. Women gather at FESPACO festival. Courtesy of FESPACO. [End Page 59] A vital function of the film festival is in its capacity to showcase on a local, continental and international level, the works of African women, and to serve as a networking space to professionalize their experiences as stakeholders on the global film festival l…
Fifty Years of Women's Engagement at Fespaco
Fifty Years of Women's Engagement at FESPACO Beti Ellerson (bio) Click for larger view View full resolution Figure G. Women gather at FESPACO. Courtesy of FESPACO. [End Page 245] Our role as an elder is to transmit our knowledge to the younger ones...I am very happy to see that I am a model for the youth and especially for young girls. Alimata Salambéré at the UNESCO reception at FESPACO in her honor on March 4, 2019 and on February 26 during the…
Safi Faye's Mossane
Mossane (dir. Safi Faye), completed in 1990 and released in 1996, is a timeless piece. That is the nature of legends, of myths, and of allegories. Destiny has been inscribed, fate already determined. Having created a narrative imbued in Serer mythology, structured around the fate of a fourteen-year-old girl who because of her stunning beauty is returned to the Pangool spirits through the waters of the Mamangueth, Safi Faye's cinematic endeavor wa…
African Women on the Film Festival Landscape
An important function of the film festival is its capacity to showcase on a local, continental, and international level the works of African women, and to serve as a networking space to professionalize their experiences as stakeholders on the global film festival landscape. As these entities proliferate on the continent and internationally, African women are leading the way, often at the helm of these institutions
Teaching African Women in Cinema
Teaching African Women in Cinema:Part Two Beti Ellerson (bio) The second part of this essay offers a primer on African women in cinema studies, which is based on actual courses, seminars, and lectures and draws directly from articles posted on the African Women in Cinema Blog1 since its inception in 2009. A longer version of this article was published in nine parts on the blog. Toward an African Women Cinema Studies A developing corpus of literat…
Teaching African Women in Cinema, Part One
Teaching African Women in Cinema, Part One Beti Ellerson (bio) African women must be everywhere. They must be in the images, behind the camera, in the editing room and involved in every stage of the making of a film. They must be the ones to talk about their problems. —Sarah Maldoror1 The epigraph by Sarah Maldoror has become a leitmotif in my writings, discourse, and classrooms as I extend her declaration to embrace women in front of the screen …
Teaching African Women in Cinema, Part One
Teaching African Women in Cinema, Part One Beti Ellerson (bio) African women must be everywhere. They must be in the images, behind the camera, in the editing room and involved in every stage of the making of a film. They must be the ones to talk about their problems. —Sarah Maldoror1 The epigraph by Sarah Maldoror has become a leitmotif in my writings, discourse, and classrooms as I extend her declaration to embrace women in front of the screen …
Teaching African Women in Cinema, Part One
Teaching African Women in Cinema, Part One Beti Ellerson (bio) African women must be everywhere. They must be in the images, behind the camera, in the editing room and involved in every stage of the making of a film. They must be the ones to talk about their problems. —Sarah Maldoror1 The epigraph by Sarah Maldoror has become a leitmotif in my writings, discourse, and classrooms as I extend her declaration to embrace women in front of the screen …
Teaching African Women in Cinema
Teaching African Women in Cinema:Part Two Beti Ellerson (bio) The second part of this essay offers a primer on African women in cinema studies, which is based on actual courses, seminars, and lectures and draws directly from articles posted on the African Women in Cinema Blog1 since its inception in 2009. A longer version of this article was published in nine parts on the blog. Toward an African Women Cinema Studies A developing corpus of literat…
Safi Faye's Mossane
Mossane (dir. Safi Faye), completed in 1990 and released in 1996, is a timeless piece. That is the nature of legends, of myths, and of allegories. Destiny has been inscribed, fate already determined. Having created a narrative imbued in Serer mythology, structured around the fate of a fourteen-year-old girl who because of her stunning beauty is returned to the Pangool spirits through the waters of the Mamangueth, Safi Faye's cinematic endeavor wa…
African Women on the Film Festival Landscape
An important function of the film festival is its capacity to showcase on a local, continental, and international level the works of African women, and to serve as a networking space to professionalize their experiences as stakeholders on the global film festival landscape. As these entities proliferate on the continent and internationally, African women are leading the way, often at the helm of these institutions
African Women, Cinema, and Leadership
Leadership entails listening, sharing, mentoring, and understanding that we may learn from each other through diverse exchanges: intergenerational, intercultural, and inter-regional. These features are incorporated in many of the workshops and forums organized by African women, designed for leadership awareness and development. Moreover, African women film professionals have initiated mechanisms to foster effective leadership in the diverse areas…
African Women on the Film Festival Landscape
African Women on the Film Festival Landscape Beti Ellerson (bio) Click for larger view View full resolution Figure C. Women gather at FESPACO festival. Courtesy of FESPACO. [End Page 59] A vital function of the film festival is in its capacity to showcase on a local, continental and international level, the works of African women, and to serve as a networking space to professionalize their experiences as stakeholders on the global film festival l…
Fifty Years of Women's Engagement at Fespaco
Fifty Years of Women's Engagement at FESPACO Beti Ellerson (bio) Click for larger view View full resolution Figure G. Women gather at FESPACO. Courtesy of FESPACO. [End Page 245] Our role as an elder is to transmit our knowledge to the younger ones...I am very happy to see that I am a model for the youth and especially for young girls. Alimata Salambéré at the UNESCO reception at FESPACO in her honor on March 4, 2019 and on February 26 during the…
African Women Professionals in Cinema
African history and culture studies (8 works) · Art (6 works) · Movie theater (6 works) · Sociology (6 works) · Gender Studies (5 works) · Gender Studies (5 works) · Media studies (5 works) · Political science (5 works) · Cinema and Media Studies (4 works) · Visual arts (4 works)