Jane Kingsley‐Smith
Biographic Data
| ID | 5636909 |
|---|---|
| NAME | Jane Kingsley‐Smith |
| GIVEN NAMES | Jane |
| FAMILY NAME | Kingsley‐Smith |
| SIGNATURE | SMITH J K |
| AFFILIATIONS | University of Roehampton |
| ORCID | 0000-0002-4986-9626 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Character and the Individual Personality in English Renaissance Drama
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy. John E. CurranJr . Newark: University of Delaware Press, 2014. xxiv + 334 pp. $95. - Volume 69 Issue 1
Cupid in Early Modern Literature and Culture
Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and…
Cupid in Early Modern Literature and Culture
Titus Andronicus
Titus Andronicus has often been judged to be less than the sum of its parts – perhaps because those parts are so sensational. Yet, in the late twentieth and early twenty‐first centuries, the play has experienced a striking reversal in its critical and theatrical fortunes. This reversal has been based on a perception of the play's integrity, discovered not just in the links between stage properties and language, nor between its violent set‐pieces …
Sidney, Cinthio, and Painter
Journal Article Sidney, Cinthio, and Painter: A New Source for the Arcadia Get access Jane Kingsley-Smith Jane Kingsley-Smith Roehampton University Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, Volume 57, Issue 229, April 2006, Pages 169–175, https://doi.org/10.1093/res/hgl034 Published: 01 April 2006
‘A World Elsewhere’
‘Hence from Verona art thou banishèd / Be patient for the world is broad and wide’ (3.3.15–16) — the Friar in Romeo and Juliet is unable to make good this consolation. The play conceives of the world as a narrow place, defined by the walls of one or two Italian cities. By contrast, in Shakespeare’s late plays, for example Pericles, The Winter’s Tale, Cymbeline and The Tempest , we find the exile ranging across countries and seas (imaginatively ex…
Shakespeare's Drama of Exile
Exile defines the Shakespearean canon, from The Two Gentlemen of Verona to The Two Noble Kinsmen . This book traces the influences on the drama of exile, examining the legal context of banishment (pur
Shakespeare's Drama of Exile
Exile defines the Shakespearean canon, from The Two Gentlemen of Verona to The Two Noble Kinsmen . This book traces the influences on the drama of exile, examining the legal context of banishment (pur
‘A World Elsewhere’
‘Hence from Verona art thou banishèd / Be patient for the world is broad and wide’ (3.3.15–16) — the Friar in Romeo and Juliet is unable to make good this consolation. The play conceives of the world as a narrow place, defined by the walls of one or two Italian cities. By contrast, in Shakespeare’s late plays, for example Pericles, The Winter’s Tale, Cymbeline and The Tempest , we find the exile ranging across countries and seas (imaginatively ex…
Shakespeare's Drama of Exile
Exile defines the Shakespearean canon, from The Two Gentlemen of Verona to The Two Noble Kinsmen . This book traces the influences on the drama of exile, examining the legal context of banishment (pur
Sidney, Cinthio, and Painter
Journal Article Sidney, Cinthio, and Painter: A New Source for the Arcadia Get access Jane Kingsley-Smith Jane Kingsley-Smith Roehampton University Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, Volume 57, Issue 229, April 2006, Pages 169–175, https://doi.org/10.1093/res/hgl034 Published: 01 April 2006
Titus Andronicus
Titus Andronicus has often been judged to be less than the sum of its parts – perhaps because those parts are so sensational. Yet, in the late twentieth and early twenty‐first centuries, the play has experienced a striking reversal in its critical and theatrical fortunes. This reversal has been based on a perception of the play's integrity, discovered not just in the links between stage properties and language, nor between its violent set‐pieces …
Cupid in Early Modern Literature and Culture
Cupid in Early Modern Literature and Culture
Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and…
Character and the Individual Personality in English Renaissance Drama
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy. John E. CurranJr . Newark: University of Delaware Press, 2014. xxiv + 334 pp. $95. - Volume 69 Issue 1
Art (7 works) · Literature (6 works) · Art history (5 works) · History (5 works) · Drama (4 works) · History (4 works) · Philosophy (4 works) · Painting (3 works) · Reformation and Early Modern Christianity (3 works) · Classical Antiquity Studies (2 works)