Allison K Deutermann
Biographic Data
| ID | 5637676 |
|---|---|
| NAME | Allison K Deutermann |
| GIVEN NAMES | Allison K |
| FAMILY NAME | Deutermann |
| SIGNATURE | DEUTERMANN A K |
| AFFILIATIONS | Baruch College |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Listening for Form at the Cockpit Theatre
This chapter focuses on the repertoire of a single West End playhouse, the Cockpit, during the final decade of the early modern theatre’s existence. In this somewhat seedy rival to the more fashionable Blackfriars, new revenge tragedies and city comedies continued to be written and performed, but the two forms were becoming increasingly hybridized, their sonic and auditory investments less distinct. A set of supra-generic conventions, each deeply…
Formal Matters
Listening for Theatrical Form in Early Modern England
Early modern drama was in fundamental ways an aural art form. How plays should sound and how they should be heard were questions vital to the formal development of early modern drama, and particularly to two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by William Shakespeare and Thomas Kyd imagine sound stabbing, piercing and slicing into liste…
Staging the Blazon in Early Modern English Theater
Staging the Blazon in Early Modern English Theater. Deborah Uman and Sara Morrison, eds. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2013. xi + 220 pp. $99.95. - Volume 68 Issue 2
Formal matters
The essays in this collection explore the intersection between literary and material forms of writing in sixteenth- and seventeenth-century England by linking formalist analysis with the insights of book history
Ben Jonson and Envy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
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Ben Jonson and Envy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Formal matters
The essays in this collection explore the intersection between literary and material forms of writing in sixteenth- and seventeenth-century England by linking formalist analysis with the insights of book history
Staging the Blazon in Early Modern English Theater
Staging the Blazon in Early Modern English Theater. Deborah Uman and Sara Morrison, eds. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2013. xi + 220 pp. $99.95. - Volume 68 Issue 2
Listening for Form at the Cockpit Theatre
This chapter focuses on the repertoire of a single West End playhouse, the Cockpit, during the final decade of the early modern theatre’s existence. In this somewhat seedy rival to the more fashionable Blackfriars, new revenge tragedies and city comedies continued to be written and performed, but the two forms were becoming increasingly hybridized, their sonic and auditory investments less distinct. A set of supra-generic conventions, each deeply…
Formal Matters
Listening for Theatrical Form in Early Modern England
Early modern drama was in fundamental ways an aural art form. How plays should sound and how they should be heard were questions vital to the formal development of early modern drama, and particularly to two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by William Shakespeare and Thomas Kyd imagine sound stabbing, piercing and slicing into liste…
Art (4 works) · Computer Science (3 works) · History and criticism (3 works) · Literature (3 works) · Philippine History and Culture (3 works) · Psychology (3 works) · Sociology (3 works) · 1500-1700 (2 works) · Active listening (2 works) · Communication (2 works)