Yuka Kadoi
Biographic Data
| ID | 5637883 |
|---|---|
| NAME | Yuka Kadoi |
| GIVEN NAMES | Yuka |
| FAMILY NAME | Kadoi |
| SIGNATURE | KADOI Y |
| AFFILIATIONS | Mondes Iranien et Indien |
| ORCID | 0000-0003-3567-4200 |
| VERIFIED | Yes |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 19 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
The Dragon in Medieval East Christian and Islamic Art. By Sara Kuehn (Islamic History and Civilization, Volume 86). pp. xiii, 298. Leiden and Boston, Brill, 2011.
Revisiting Buddhism in Ilkhanid Iran
It is generally agreed that Buddhism, which already came to be known in West Asia during the Sasanian period through commercial exchanges with India, revived in Iran under the Ilkhanids. A pioneering study of Buddhist-Islamic interactions by Elverskog (Buddhism and Islam on the Silk Road, 2010) amply demonstrates the importance of the Mongol period for the understanding of the religious contacts between Buddhists and Muslims, with particular refe…
John Curtis, Ina Sarikhani Sandmann, Tim Stanley. Epic Iran
Organised by the Victoria and Albert Museum with the Iran Heritage Foundation in association with the Sarikhani Collection, Epic Iran: 5000 Years of Culture was one of the major exhibitions that took place during the second year of the pandemic crisis (29 May – 12 September 2021). While the timing was not particularly right to encourage in-person visits, the exhibition website (https://www.vam.ac.uk/exhibitions/epic-iran), including a trailer (ht…
Magdalena Ginter-Frołow. Perskie malarstwo miniaturowe w rękopisach z polskich zbiorów
Written in Polish, thus it remains difficult to reach a wider international audience, Perskie malarstwo miniaturowe w rękopisach z polskich zbiorów (“Persian Miniature Painting in Manuscripts from Polish Collections”) deserves to be recognised as one of the pioneering studies concerning the Persian art of books in recent years. With the focus on thirteen early-modern Persian manuscripts from Polish collections, which contain two hundred and sixte…
Lamia Balafrej. The Making of the Artist in Late Timurid Painting
How did Persian artists self-represent themselves within paintings in the absence of a tradition of self-portraiture? How did Persian beholders engage themselves with the style of painting in the past? By addressing these fundamental questions in the study of Persian painting, The Making of the Artist in Late Timurid Painting examines the performative and self-representational abilities of Persian artists through the detailed examination of the C…
Bernard O’Kane. “From Atelier Floor to Monument Wall
This article is the reprinted version of one of the author’s conference papers, originally published online in the proceedings of the international conference, Against Gravity: Building Practices in the Pre-Industrial World, edited by Robert Ousterhout, Dorian Borbonus and Elisha Dumser (Philadelphia: Center for Ancient Studies, University of Pennsylvania, 2016; https://www.sas.upenn.edu/ancient/publications.html). Given that this article is conc…
Walter B. Denny. “Color, Expectations, and Authenticity in Oriental Carpets
This article appears in the 2020 issue of The Textile Museum Journal, a long-standing peer-reviewed journal that has been devoted to the historical, cultural and technical scholarship of textiles in North America since 1962 (until 2004; reinstated in 2017). Guest-edited by Mary Dusenbury, Volume 47 features articles dealing with the art and science of color in textiles, including Denny’s recent article, entitled “Color, Expectations, and Authenti…
CHAPTER 4 From Acquisition to Display
Persian Art
Explores the pictorial, material and technological richness of the Persian world In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the historical, religious or scientific role of visual culture in the shaping, influencing and transforming of distinct…
The Mongols Enthroned
Persia through the Lens
Having been introduced to the scholarly community and the general public through a variety of photographic presentations during the inter-war period, monuments in Iran, particularly those of pre-modern Islamic periods, became key buildings to be seized upon as the ultimate embodiment of Persian beauty. The lasting image of Persian Islamic architecture that was articulated through photographs continues not only to set an important benchmark for th…
Arthur Upham Pope and A New Survey of Persian Art
In Arthur Upham Pope and A New Survey of Persian Art, fourteen scholars explore the legacy of Arthur Upham Pope (1881–1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his p…
Translating from jing to mir’āt / ā’īna
This article sets out to re-evaluate the role of China in the development of medieval Islamic mirrors, particularly in the context of the Sino-Islamic artistic relationship. Having being inspired by the form and style of mirrors imported from China, Islamic metalmakers discovered an artistic merit in the decoration of mirrors and by degree remodeled them into new types of mirror suitable for their cultural sphere.1
Landscape and Islamic art
The Road from China to Iran
This study deals with the stylistic evolution of Iranian candlesticks through the prism of a unique jade object now in the collection of the Art Institute of Chicago. By comparing the Chicago jade candlestick with a variety of examples in different media, regions and periods, the study sheds further light on the artistic communication between the Iranian world and China during the Timurid period
Islamic Chinoiserie
Winner of Honourable Mention, Saidi-Sirjani Book Award 2008-9, International Society for Iranian Studies The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style – I…
Çintamani
Aspects of Frescoes in Fourteenth-Century Iranian Architecture
Islamic Chinoiserie
Winner of Honourable Mention, Saidi-Sirjani Book Award 2008-9, International Society for Iranian Studies The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style – I…
Translating from jing to mir’āt / ā’īna
This article sets out to re-evaluate the role of China in the development of medieval Islamic mirrors, particularly in the context of the Sino-Islamic artistic relationship. Having being inspired by the form and style of mirrors imported from China, Islamic metalmakers discovered an artistic merit in the decoration of mirrors and by degree remodeled them into new types of mirror suitable for their cultural sphere.1
The Road from China to Iran
This study deals with the stylistic evolution of Iranian candlesticks through the prism of a unique jade object now in the collection of the Art Institute of Chicago. By comparing the Chicago jade candlestick with a variety of examples in different media, regions and periods, the study sheds further light on the artistic communication between the Iranian world and China during the Timurid period
Aspects of Frescoes in Fourteenth-Century Iranian Architecture
Çintamani
Landscape and Islamic art
The Road from China to Iran
This study deals with the stylistic evolution of Iranian candlesticks through the prism of a unique jade object now in the collection of the Art Institute of Chicago. By comparing the Chicago jade candlestick with a variety of examples in different media, regions and periods, the study sheds further light on the artistic communication between the Iranian world and China during the Timurid period
Islamic Chinoiserie
Winner of Honourable Mention, Saidi-Sirjani Book Award 2008-9, International Society for Iranian Studies The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style – I…
Translating from jing to mir’āt / ā’īna
This article sets out to re-evaluate the role of China in the development of medieval Islamic mirrors, particularly in the context of the Sino-Islamic artistic relationship. Having being inspired by the form and style of mirrors imported from China, Islamic metalmakers discovered an artistic merit in the decoration of mirrors and by degree remodeled them into new types of mirror suitable for their cultural sphere.1
Arthur Upham Pope and A New Survey of Persian Art
In Arthur Upham Pope and A New Survey of Persian Art, fourteen scholars explore the legacy of Arthur Upham Pope (1881–1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his p…
CHAPTER 4 From Acquisition to Display
Persian Art
Explores the pictorial, material and technological richness of the Persian world In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the historical, religious or scientific role of visual culture in the shaping, influencing and transforming of distinct…
The Mongols Enthroned
Persia through the Lens
Having been introduced to the scholarly community and the general public through a variety of photographic presentations during the inter-war period, monuments in Iran, particularly those of pre-modern Islamic periods, became key buildings to be seized upon as the ultimate embodiment of Persian beauty. The lasting image of Persian Islamic architecture that was articulated through photographs continues not only to set an important benchmark for th…
Lamia Balafrej. The Making of the Artist in Late Timurid Painting
How did Persian artists self-represent themselves within paintings in the absence of a tradition of self-portraiture? How did Persian beholders engage themselves with the style of painting in the past? By addressing these fundamental questions in the study of Persian painting, The Making of the Artist in Late Timurid Painting examines the performative and self-representational abilities of Persian artists through the detailed examination of the C…
Bernard O’Kane. “From Atelier Floor to Monument Wall
This article is the reprinted version of one of the author’s conference papers, originally published online in the proceedings of the international conference, Against Gravity: Building Practices in the Pre-Industrial World, edited by Robert Ousterhout, Dorian Borbonus and Elisha Dumser (Philadelphia: Center for Ancient Studies, University of Pennsylvania, 2016; https://www.sas.upenn.edu/ancient/publications.html). Given that this article is conc…
Walter B. Denny. “Color, Expectations, and Authenticity in Oriental Carpets
This article appears in the 2020 issue of The Textile Museum Journal, a long-standing peer-reviewed journal that has been devoted to the historical, cultural and technical scholarship of textiles in North America since 1962 (until 2004; reinstated in 2017). Guest-edited by Mary Dusenbury, Volume 47 features articles dealing with the art and science of color in textiles, including Denny’s recent article, entitled “Color, Expectations, and Authenti…
Revisiting Buddhism in Ilkhanid Iran
It is generally agreed that Buddhism, which already came to be known in West Asia during the Sasanian period through commercial exchanges with India, revived in Iran under the Ilkhanids. A pioneering study of Buddhist-Islamic interactions by Elverskog (Buddhism and Islam on the Silk Road, 2010) amply demonstrates the importance of the Mongol period for the understanding of the religious contacts between Buddhists and Muslims, with particular refe…
John Curtis, Ina Sarikhani Sandmann, Tim Stanley. Epic Iran
Organised by the Victoria and Albert Museum with the Iran Heritage Foundation in association with the Sarikhani Collection, Epic Iran: 5000 Years of Culture was one of the major exhibitions that took place during the second year of the pandemic crisis (29 May – 12 September 2021). While the timing was not particularly right to encourage in-person visits, the exhibition website (https://www.vam.ac.uk/exhibitions/epic-iran), including a trailer (ht…
Magdalena Ginter-Frołow. Perskie malarstwo miniaturowe w rękopisach z polskich zbiorów
Written in Polish, thus it remains difficult to reach a wider international audience, Perskie malarstwo miniaturowe w rękopisach z polskich zbiorów (“Persian Miniature Painting in Manuscripts from Polish Collections”) deserves to be recognised as one of the pioneering studies concerning the Persian art of books in recent years. With the focus on thirteen early-modern Persian manuscripts from Polish collections, which contain two hundred and sixte…
The Dragon in Medieval East Christian and Islamic Art. By Sara Kuehn (Islamic History and Civilization, Volume 86). pp. xiii, 298. Leiden and Boston, Brill, 2011.
Eurasian Exchange Networks (13 works) · Art (12 works) · History (12 works) · Archaeology (8 works) · Ancient history (7 works) · Art history (7 works) · Historical and Architectural Studies (6 works) · Philosophy (6 works) · History (5 works) · Islamic Studies and History (5 works)