Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Carlo Tronchetti

Biographic Data

ID5638015
NAMECarlo Tronchetti
GIVEN NAMESCarlo
FAMILY NAMETronchetti
SIGNATURETRONCHETTI C
AFFILIATIONSNational Archaeological Museum
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS13
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Locality and Agency in the Iron Age Mediterranean

    Open Access•Giulia Saltini Semerari, Beatriz Marín-Aguilera et al.•BOOK•Locality and Agency in the Iron…•2026

    Against the background of the interest in ancient Mediterranean connectivity and globalization, the present volume examines local places and local communities. Exploring the interplay between the local and the global, the focus shifts from long-distance connections and 'global' trends to the local dimensions of Mediterranean interactions, highlighting how local contexts engaged with their long-distance counterparts. Given the transformative natur…

  • Cultural Interactions in Iron Age Sardinia

    Open Access•Carlo Tronchetti•CHAPTER•Cambridge Prehistory of the…•2015

    Two main and opposing models have typically dominated the interpretation of the Phoenician Archaic colonisation phenomenon. The first one is a Marxist and Polanyian model, which maintains that Phoenician colonization was an enterprise conducted by the palace of Tyre and Gadir, its representative in the far west, whose main objectives were to disperse the excess population from the Levant, and to exploit the Tartessian territory by a workforce fro…

  • Entangled Objects and Hybrid Practices

    Carlo Tronchetti, Peter Van Dommelen•ARTICLE•Journal of Mediterranean…•2006•Cited by: 13•References: 4

    The Iron Age statues of Monte Prama (west-central Sardinia) have long been famous for their unique nature and reputation as the best known examples of Phoenician colonial influence on indigenous Nuragic traditions. These statues, however, form part of a much more complex site that in turn was integrated within a wider colonial landscape. In this paper we propose a new reading of the Monte Prama evidence both by examining the site itself in minute…

  • Ceramica Attica a Figure Nere

    Nancy Hirschland Ramage, Carlo Tronchetti•ARTICLE•The Classical World•1985

  • Contributo allo studio del commercio tharrense

    Carlo Tronchetti•ARTICLE•Mélanges de l École française de…•1979

    Carlo Tronchetti, Contributo allo studio del commercio tharrense, p. 63-69. Si esaminano tre vasi attici a figure nere provenienti da Tharros, e conservati al Museo Archeologico Nazionale di Cagliari. Due pezzi sono coppe appartenenti al gruppo Leafless, mentre uno è un'anfora a collo separato della Hyblaea Class, attribuita alla cerchia del pittore BMN. Questa classe di vasi, decorati in tale ambito, trova la sua precipua diffusione sul mercato …

  • Entangled Objects and Hybrid Practices

    Carlo Tronchetti, Peter Van Dommelen•ARTICLE•Journal of Mediterranean…•2006•Cited by: 13•References: 4

    The Iron Age statues of Monte Prama (west-central Sardinia) have long been famous for their unique nature and reputation as the best known examples of Phoenician colonial influence on indigenous Nuragic traditions. These statues, however, form part of a much more complex site that in turn was integrated within a wider colonial landscape. In this paper we propose a new reading of the Monte Prama evidence both by examining the site itself in minute…

  • Contributo allo studio del commercio tharrense

    Carlo Tronchetti•ARTICLE•Mélanges de l École française de…•1979

    Carlo Tronchetti, Contributo allo studio del commercio tharrense, p. 63-69. Si esaminano tre vasi attici a figure nere provenienti da Tharros, e conservati al Museo Archeologico Nazionale di Cagliari. Due pezzi sono coppe appartenenti al gruppo Leafless, mentre uno è un'anfora a collo separato della Hyblaea Class, attribuita alla cerchia del pittore BMN. Questa classe di vasi, decorati in tale ambito, trova la sua precipua diffusione sul mercato …

  • Ceramica Attica a Figure Nere

    Nancy Hirschland Ramage, Carlo Tronchetti•ARTICLE•The Classical World•1985

  • Entangled Objects and Hybrid Practices

    Carlo Tronchetti, Peter Van Dommelen•ARTICLE•Journal of Mediterranean…•2006•Cited by: 13•References: 4

    The Iron Age statues of Monte Prama (west-central Sardinia) have long been famous for their unique nature and reputation as the best known examples of Phoenician colonial influence on indigenous Nuragic traditions. These statues, however, form part of a much more complex site that in turn was integrated within a wider colonial landscape. In this paper we propose a new reading of the Monte Prama evidence both by examining the site itself in minute…

  • Cultural Interactions in Iron Age Sardinia

    Open Access•Carlo Tronchetti•CHAPTER•Cambridge Prehistory of the…•2015

    Two main and opposing models have typically dominated the interpretation of the Phoenician Archaic colonisation phenomenon. The first one is a Marxist and Polanyian model, which maintains that Phoenician colonization was an enterprise conducted by the palace of Tyre and Gadir, its representative in the far west, whose main objectives were to disperse the excess population from the Levant, and to exploit the Tartessian territory by a workforce fro…

  • Locality and Agency in the Iron Age Mediterranean

    Open Access•Giulia Saltini Semerari, Beatriz Marín-Aguilera et al.•BOOK•Locality and Agency in the Iron…•2026

    Against the background of the interest in ancient Mediterranean connectivity and globalization, the present volume examines local places and local communities. Exploring the interplay between the local and the global, the focus shifts from long-distance connections and 'global' trends to the local dimensions of Mediterranean interactions, highlighting how local contexts engaged with their long-distance counterparts. Given the transformative natur…

Ancient Mediterranean Archaeology and History (5 works) · Classical Antiquity Studies (5 works) · Geography (3 works) · Indigenous (3 works) · Ancient history (2 works) · Archaeology (2 works) · Art (2 works) · Colonialism (2 works) · History (2 works) · Phoenician (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae