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Brian Madigan

Biographic Data

ID5638091
NAMEBrian Madigan
GIVEN NAMESBrian
FAMILY NAMEMadigan
SIGNATUREMADIGAN B
AFFILIATIONSWayne State University
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS12
WORKS AS AUTHOR15
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2013
H-INDEX1
  • D. Greek & Latin Words

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 2 Litter Statues

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • C. Personal Names

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 4 Exuviae

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • B. Place Names

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 1 Processional Statuettes

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • Epilogue

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • A. Ancient Texts

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Preliminary Material

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 3 Capita Deorum

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Appendix Inscriptional and Papyrological Texts

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • E. General Subjects

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • The Ceremonial Sculptures of the Roman Gods

    Brian Madigan•BOOK•Ceremonial Sculptures of the…•2013•Cited by: 12

    The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne cerem…

  • Monetary Policy when Interest Rates Are Bounded at Zero

    Jeffrey C Fuhrer, Brian Madigan et al.•ARTICLE•The Review of Economics and…•1997

    This paper assesses the importance of the zero lower bound on nominal interest rates for the interest-rate channel of monetary policy. We simulate several interest-rate setting policy rules with either high or low inflation targets. We determine the extent to which the zero bound prevents real rates from falling, thus cushioning aggregate output in response to negative spending shocks. For small temporary and large permanent shocks, the output pa…

  • A Transposed Head

    Brian Madigan•ARTICLE•Hesperia The Journal of the…•1991

  • The Ceremonial Sculptures of the Roman Gods

    Brian Madigan•BOOK•Ceremonial Sculptures of the…•2013•Cited by: 12

    The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne cerem…

  • A Transposed Head

    Brian Madigan•ARTICLE•Hesperia The Journal of the…•1991

  • Monetary Policy when Interest Rates Are Bounded at Zero

    Jeffrey C Fuhrer, Brian Madigan et al.•ARTICLE•The Review of Economics and…•1997

    This paper assesses the importance of the zero lower bound on nominal interest rates for the interest-rate channel of monetary policy. We simulate several interest-rate setting policy rules with either high or low inflation targets. We determine the extent to which the zero bound prevents real rates from falling, thus cushioning aggregate output in response to negative spending shocks. For small temporary and large permanent shocks, the output pa…

  • D. Greek & Latin Words

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 2 Litter Statues

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • C. Personal Names

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 4 Exuviae

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • B. Place Names

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 1 Processional Statuettes

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • Epilogue

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • A. Ancient Texts

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Preliminary Material

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Chapter 3 Capita Deorum

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • Appendix Inscriptional and Papyrological Texts

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • E. General Subjects

    Brian Madigan•CHAPTER•Ceremonial Sculptures of the…•2013

  • The Ceremonial Sculptures of the Roman Gods

    Brian Madigan•BOOK•Ceremonial Sculptures of the…•2013•Cited by: 12

    The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne cerem…

History (8 works) · Classical Antiquity Studies (6 works) · Art (5 works) · Visual arts (4 works) · Aesthetics (3 works) · Ancient history (3 works) · Ancient Mediterranean Archaeology and History (3 works) · Art (3 works) · Decorum (3 works) · Emperor (3 works)

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