Maria Broggiato
Biographic Data
| ID | 5638140 |
|---|---|
| NAME | Maria Broggiato |
| GIVEN NAMES | Maria |
| FAMILY NAME | Broggiato |
| SIGNATURE | BROGGIATO M |
| AFFILIATIONS | Sapienza University of Rome |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
A Fragment of Eratosthenes, on Old Comedy (Photius, Lexicon Ε 100 Theodoridis)
Phot. Lex. ε 100 Theodoridis: ἔγχουσαν οἱ Ἀττικοὶ λέγουσι τὴν ῥίζαν, οὐ δὴ ἄγχουσαν, ἣν ἀπείρως Ἐρατοσθένης φυκίον. Ἀμειψίας Ἀποκοτταβίζουσι· ‘δυοῖν ὀβολοῖν ἔγχουσα καὶ ψιμύθιον’ (fr. 3 K.–A.). Phot. Lex. ε 100 Theodoridis: The Attic writers call the root enchusa (alkanet), not anchusa , which Eratosthenes out of ignorance (thinks is) a seaweed. Ameipsias in the Cottabus-Players (writes): ‘alkanet and white lead at the price of two obols’ (fr. 3 …
Eratosthenes, Icaria and the Origins of Tragedy
This paper discusses the text of one of the fragments of Eratosthenes’ Erigone (fr. 22 Powell). Modern scholars have linked this one-line fragment with a Hellenistic theory that placed the origin of drama in the village of Icaria, in the Attic countryside. It is likely that the fragment did mention the word ‘billy-goat’ (τράγος), but there are no definite elements in favour of the hypothesis that Eratosthenes devised a theory on the origin of tra…
Philodemus, On Poems. Books 3–4 with the fragments of Aristotle, On Poets edited with Introduction, Translation, and Commentary by Richard Janko with an unpublished edition by Cecilia Mangoni †.
Philodemus, On Poems. Books 3–4 with the fragments of Aristotle, On Poets edited with Introduction, Translation, and Commentary by Richard Janko with an unpublished edition by Cecilia Mangoni †. Oxford: Oxford UP 2011. XVI, 629 S. 20 Taf. (The Philodemus Translation Project. Philodemus: The Aesthetic Works. I/3.) 95 £.
Artemon of Pergamum ( FGRH 569)
An overview of the fragments of the historian Artemon of Pergamum; his exegetical methods show that he was a follower of the grammarian Crates of Mallos
Textual Criticism in Pergamum
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Eratosthenes, Icaria and the Origins of Tragedy
This paper discusses the text of one of the fragments of Eratosthenes’ Erigone (fr. 22 Powell). Modern scholars have linked this one-line fragment with a Hellenistic theory that placed the origin of drama in the village of Icaria, in the Attic countryside. It is likely that the fragment did mention the word ‘billy-goat’ (τράγος), but there are no definite elements in favour of the hypothesis that Eratosthenes devised a theory on the origin of tra…
Textual Criticism in Pergamum
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Textual Criticism in Pergamum
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Artemon of Pergamum ( FGRH 569)
An overview of the fragments of the historian Artemon of Pergamum; his exegetical methods show that he was a follower of the grammarian Crates of Mallos
Philodemus, On Poems. Books 3–4 with the fragments of Aristotle, On Poets edited with Introduction, Translation, and Commentary by Richard Janko with an unpublished edition by Cecilia Mangoni †.
Philodemus, On Poems. Books 3–4 with the fragments of Aristotle, On Poets edited with Introduction, Translation, and Commentary by Richard Janko with an unpublished edition by Cecilia Mangoni †. Oxford: Oxford UP 2011. XVI, 629 S. 20 Taf. (The Philodemus Translation Project. Philodemus: The Aesthetic Works. I/3.) 95 £.
Eratosthenes, Icaria and the Origins of Tragedy
This paper discusses the text of one of the fragments of Eratosthenes’ Erigone (fr. 22 Powell). Modern scholars have linked this one-line fragment with a Hellenistic theory that placed the origin of drama in the village of Icaria, in the Attic countryside. It is likely that the fragment did mention the word ‘billy-goat’ (τράγος), but there are no definite elements in favour of the hypothesis that Eratosthenes devised a theory on the origin of tra…
A Fragment of Eratosthenes, on Old Comedy (Photius, Lexicon Ε 100 Theodoridis)
Phot. Lex. ε 100 Theodoridis: ἔγχουσαν οἱ Ἀττικοὶ λέγουσι τὴν ῥίζαν, οὐ δὴ ἄγχουσαν, ἣν ἀπείρως Ἐρατοσθένης φυκίον. Ἀμειψίας Ἀποκοτταβίζουσι· ‘δυοῖν ὀβολοῖν ἔγχουσα καὶ ψιμύθιον’ (fr. 3 K.–A.). Phot. Lex. ε 100 Theodoridis: The Attic writers call the root enchusa (alkanet), not anchusa , which Eratosthenes out of ignorance (thinks is) a seaweed. Ameipsias in the Cottabus-Players (writes): ‘alkanet and white lead at the price of two obols’ (fr. 3 …
Art (4 works) · Literature (4 works) · Classical Antiquity Studies (3 works) · History (3 works) · Philosophy (3 works) · Philosophy (3 works) · Algorithm (2 works) · Classical Philosophy and Thought (2 works) · Classics (2 works) · Computer Science (2 works)