Ella Haselswerdt
Datos Biográficos
| ID | 5638306 |
|---|---|
| NOMBRE | Ella Haselswerdt |
| NOMBRES | Ella |
| APELLIDO | Haselswerdt |
| FIRMA | HASELSWERDT E |
| AFILIACIONES | University of California, Los Angeles |
| ORCID | 0000-0002-8789-5753 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 0 |
Bacchae ’s Queer Hyperchorality
This essay reconsiders the often remarked-upon queerness of Euripides’ Bacchae through the lens of the play’s unique deployment of chorality, read with the help of Jack Halberstam’s conceptualization of wildness. I argue that the play exhibits a tragic “hyperchorality,” that is, a systematic collapse of distinctions between chorus and character, leading to the erosion of boundaries between the dramatic world and the spectators’ world, and the suf…
Reading Greek Tragedy with Judith Butler
Considering Butler’s “tragic trilogy”—a set of interventions on Sophocles’ Antigone, Euripides’ Bacchae, and Aeschylus’s Eumenides—this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler’s thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler’s writing. It shows how Butler’s mode of read…
The Routledge Handbook of Classics and Queer Theory
Sound and the Sublime in Sophocles' Oedipus at Colonus
This article undertakes an analysis of the deployment of sound in Sophocles' Oedipus at Colonus that is grounded in a material aesthetics. Oedipus' blindness elevates sound's significance, and the play simultaneously emphasizes the power of voice (sunthēmata, here termed "auditory recognition tokens") and the ineffable (the aphatos thunderbolt of Zeus), phenomena that serve, respectively, to draw the audience into a close sensory sympathy with th…
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Sound and the Sublime in Sophocles' Oedipus at Colonus
This article undertakes an analysis of the deployment of sound in Sophocles' Oedipus at Colonus that is grounded in a material aesthetics. Oedipus' blindness elevates sound's significance, and the play simultaneously emphasizes the power of voice (sunthēmata, here termed "auditory recognition tokens") and the ineffable (the aphatos thunderbolt of Zeus), phenomena that serve, respectively, to draw the audience into a close sensory sympathy with th…
The Routledge Handbook of Classics and Queer Theory
Bacchae ’s Queer Hyperchorality
This essay reconsiders the often remarked-upon queerness of Euripides’ Bacchae through the lens of the play’s unique deployment of chorality, read with the help of Jack Halberstam’s conceptualization of wildness. I argue that the play exhibits a tragic “hyperchorality,” that is, a systematic collapse of distinctions between chorus and character, leading to the erosion of boundaries between the dramatic world and the spectators’ world, and the suf…
Reading Greek Tragedy with Judith Butler
Considering Butler’s “tragic trilogy”—a set of interventions on Sophocles’ Antigone, Euripides’ Bacchae, and Aeschylus’s Eumenides—this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler’s thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler’s writing. It shows how Butler’s mode of read…
Art (3 obras) · Literature (2 obras) · Philosophy (2 obras) · Acoustics (1 obras) · Aesthetics (1 obras) · Ambivalence (1 obras) · Beauty (1 obras) · Choir (1 obras) · Cinema and Media Studies (1 obras) · Classical Antiquity Studies (1 obras)