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Peter Cannon‐Brookes

Biographic Data

ID5638486
NAMEPeter Cannon‐Brookes
GIVEN NAMESPeter
FAMILY NAMECannon‐Brookes
SIGNATUREBROOKES P C
AFFILIATIONSMuseum of Military Medicine
VERIFIEDNo
TOTAL WORKS68
TOTAL CITATIONS12
AUTHOR COUNT68
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2012
H-INDEX2
  • On the occasion ofMuseum Management and Curatorship's30th anniversary

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2012•Cited by: 1

    As Founder Editor of this journal, the invitation extended by Robert Janes to contribute to commemorating the 30th anniversary of its publication has been warmly welcomed. At the age of 74, I remai

  • Loot, legitimacy and ownership

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•International Journal of Museum…•2001•Cited by: 6

  • The British Art Journal and Somerset House

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2001

  • Jaharis Galleries at the Metropolitan Museum

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2001

  • The Jackdaw'Comes to Town

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2001

  • Eiasm workshop on 'Managing Cultural Organizations', London, 5-6 January 2001

    Patrick J Boylan, Patrick Boylan et al.•ARTICLE•European Accounting Review•2000

  • The Museo Mandralisca at Cefalù

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000

    (2000). The Museo Mandralisca at Cefalu. Museum Management and Curatorship: Vol. 18, No. 4, pp. 409-415

  • Old' Heart Presented to Science Museum

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000

    (2000). ‘Old’ Heart Presented to Science Museum. Museum Management and Curatorship: Vol. 18, No. 4, pp. 416-418

  • Conservation II

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2000•References: 1

  • Picture Framing

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • The Victoria and Albert Museum Silver Galleries I

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • The Kunsthaus, Zürich, Revisited

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1998

  • An Ideal Pact with a Pluriform Devil; John Malcolm of Poltalloch; 50th Anniversary of Icom; The Presentation of Contemporary Science and Technology in Museums and Science Centres; Raphael, the Cartoon…

    Riemer Knoop, Riemer R Knoop et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). An Ideal Pact with a Pluriform Devil; John Malcolm of Poltalloch; 50th Anniversary of ICOM; The Presentation of Contemporary Science and Technology in Museums and Science Centres; Raphael, the Cartoons and the Decorative Arts; The Museums & Heritage Show, 1998. Museum Management and Curatorship: Vol. 16, No. 2, pp. 192-204

  • Display

    William S Wells, Peter Cannon-Brookes et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). Display: Secret Sound; Picture Framing: “Frameworks” in London; Research: Assessing the Performance of Research in Britain's National Museums and Galleries. Museum Management and Curatorship: Vol. 16, No. 2, pp. 205-214

  • The Tokyo Metropolitan Teien Art Museum

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • The Natale Labia Museum at Muizenberg, South Africa

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • Conservation

    David S Leigh, David Leigh et al.•ARTICLE•Museum Management and Curatorship•1997

    (1997). Conservation: Studies at West Dean College; Picture Framing A Framed Portrait from the Roman Empire; Security: The Human Factor in Security Engineering. Museum Management and Curatorship: Vol. 16, No. 3, pp. 309-318

  • Security

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

  • The Liberal Arts Studiolo from the Ducal Palace at Gubbio; The Beaulieu Motorworks; Re-opening of the Ernst Barlach House, Hamburg

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1997

    (1997). The Liberal Arts Studiolo from the Ducal Palace at Gubbio; The Beaulieu Motorworks; Re-opening of the Ernst Barlach House, Hamburg. Museum Management and Curatorship: Vol. 16, No. 3, pp. 295-308

  • World of museums

    Lida Lopes Cardozo‐kindersley, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1996

  • World of museums

    Peter Cannon‐Brookes, Gilberto Suva Taboada•ARTICLE•Museum Management and Curatorship•1996

  • Professional notes

    Peter Cannon‐Brookes, William F Vartorella•ARTICLE•Museum Management and Curatorship•1996

  • Professional notes

    Stephen W A Cannon‐Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1996

  • World of museums

    Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1996

  • Managing quality cultural tourism

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Tourism Management•1996

Next
  • Loot, legitimacy and ownership

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•International Journal of Museum…•2001•Cited by: 6

  • Antiquities in the market-place

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Antiquity•1994•Cited by: 3

    To those of us who wish there was no commercial trade in antiquities, colleagues - and those themselves active in the market - say there always has been one and always will be. Since concern largely arises from destruction of context and loss of information, may there be a way forward that both permits the trade and preserves the context

  • Connoisseurship and picture framing in the 1990s

    P Cannon-Brookes, Peter Cannon‐brooke et al.•ARTICLE•Museum Management and Curatorship•1990•Cited by: 2•References: 1

    Painted during the first half of 1791, Henri-Pierre Danloux’s Portrait of the Baron de Besenval (Figure 1) depicts the elderly collector in the Salon de Compagnie of his Paris h&d surrounded by his paintings and oriental porcelain. These paintings are hung on green damask-the preferred background in l&h-century France-and thanks to his meticulously finished style, the frames can be studied in some detail. But just how reliable, as a document, is …

  • On the occasion ofMuseum Management and Curatorship's30th anniversary

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•2012•Cited by: 1

    As Founder Editor of this journal, the invitation extended by Robert Janes to contribute to commemorating the 30th anniversary of its publication has been warmly welcomed. At the age of 74, I remai

  • Animals with Human Faces

    P Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1977

    Book Reviews an absorbing, candid and well-written account of his life in Germany under the Wilhehnian Empire, the Weimar Republic, National Socialism, and now the Federal Republic of Germany.As a social document dealing with middle-class life and politics in twentieth-century Germany this book is especially important.It likewise provides a revealing account of German medicine in peace-time and during war, especially on the Russian front in World…

  • Chardin and the Still-Life Tradition in France

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1981

  • Chardin

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1982

  • Zao Wou-Ki

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1983

  • Impermanence

    Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Leonardo•1983

  • Still Life Painting, from Antiquity to the Twentieth Century

    Peter Cannon-Brookes, Peter Cannon‐Brookes et al.•ARTICLE•Leonardo•1984

  • Museums for a new century

    Open Access•Peter Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Tourism Management•1986

  • Professional notes

    David Vance, Peter Cannon‐Brookes et al.•ARTICLE•Museum Management and Curatorship•1990

  • Connoisseurship and picture framing in the 1990s

    P Cannon-Brookes, Peter Cannon‐brooke et al.•ARTICLE•Museum Management and Curatorship•1990•Cited by: 2•References: 1

    Painted during the first half of 1791, Henri-Pierre Danloux’s Portrait of the Baron de Besenval (Figure 1) depicts the elderly collector in the Salon de Compagnie of his Paris h&d surrounded by his paintings and oriental porcelain. These paintings are hung on green damask-the preferred background in l&h-century France-and thanks to his meticulously finished style, the frames can be studied in some detail. But just how reliable, as a document, is …

  • Transportation of works of art by sea

    Peter Cannon‐brooke, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1991

  • World of museums

    Peter Wakefield, Peter Cannon‐Brookes et al.•ARTICLE•Museum Management and Curatorship•1992

  • Professional notes

    Peter Cannon‐Brookes, Didier Ciambra et al.•ARTICLE•Museum Management and Curatorship•1992

  • Professional notes

    David Vance, John Perkins et al.•ARTICLE•Museum Management and Curatorship•1992

  • Architecture

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1992

  • Picture framing I

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1992

  • Picture framing I

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1992

  • Picture framing II

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1992

    This paper follows two earlier papers about Portuguese gesso gilding grounds, a typical decoration from the 13th to the 18th century but with a special focus on the Baroque period. It concentrates on understanding the reasons why these gilded surfaces are so durable. The main concerns of the people involved in the production of the gilded surfaces, as revealed in contemporary historical documents, are the quality and durability of the decorations…

  • Professional notes

    David Mlinaric, P C Main et al.•ARTICLE•Museum Management and Curatorship•1993

  • Professional notes

    Michael West, Peter Cannon‐Brookes et al.•ARTICLE•Museum Management and Curatorship•1993

  • World of museums

    Rizo Sijarić, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1993

  • World of museums

    Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1993

  • World of museums

    Marian Wenzel, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1993

  • Professional notes

    Milena Nečásková, Susan O'Reilly et al.•ARTICLE•Museum Management and Curatorship•1993

  • World of museums

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1993

    The task of rebuilding a city after war-time destruction can take many forms. In addition to the obvious signs of refurbishment and new buildings, there are more subtle forms of renewal involving a re-creation of the city’s identity and changes to its inhabitants’ views of the world. For Sarajevo, capital of Bosnia and Hercegovina, the cessation of the struggle for control of the city, involving various ethnic groups in the former Yugoslavia, has…

  • Picture framing II

    P Cannon-Brookes, Peter Cannon‐Brookes•ARTICLE•Museum Management and Curatorship•1993

History (29 works) · Business (28 works) · Archaeology (26 works) · Art (19 works) · Museums and Cultural Heritage (19 works) · Political science (17 works) · Earthquake and Disaster Impact Studies (12 works) · Educational Robotics and Engineering (12 works) · Human auditory perception and evaluation (12 works) · Geography (11 works)

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