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Rebecca Harris‐Warrick

Biographic Data

ID5639266
NAMERebecca Harris‐Warrick
GIVEN NAMESRebecca
FAMILY NAMEHarris‐Warrick
SIGNATUREWARRICK R H
AFFILIATIONSCornell University
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS3
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Dance and drama in French baroque opera a history

    Open Access•Rebecca Harris‐Warrick, Rebecca Harris-Warrick•BOOK•Dance and Drama in French Baroque…•2016•References: 29

    Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act o…

  • Lully's on-stage societies

    Open Access•Rebecca Harris‐Warrick, Rebecca Harris-Warrick•CHAPTER•Opera and Society in Italy and…•2007

    Aside from their numerous and well-discussed musical differences, French and Italian Baroque operas depart radically from each other in their construction of on-stage societies. As a general rule, Italian operas present a small group of individuals who find themselves in unstable situations to which they seek individual resolutions. They may be rulers or generals, and the fate of thousands may depend on their actions, but their subjects or soldie…

  • Paris (opera)

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick et al.•CHAPTER•The new Grove dictionary of music…•2002

  • Philidor, Pierre Danican

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick•CHAPTER•The new Grove dictionary of music…•2001

  • Dance

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick•CHAPTER•The new Grove dictionary of music…•2001

  • Philidor [Filidor] family

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Dance

    E Kerr Borthwick, Ingrid Brainard et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Ballet

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Dance

    Julia Sutton, Rebecca Harris‐Warrick et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Ingrid Brainard

    Open Access•Patricia Rader, Ruth Ambrose et al.•ARTICLE•Dance Research Journal•2000

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the 'Save PDF' action button

  • Magnificence in motion

    Open Access•Rebecca Harris‐Warrick, Rebecca Harris-Warrick•ARTICLE•Cambridge Opera Journal•1994•Cited by: 1•References: 5

    Those fortunate enough to have seen the recent production of Jean-Baptiste Lully's Atys mounted by Les Arts Florissants will remember the sumptuously staged realm of sleep in Act III, during which costumed lute and recorder players appeared alongside the singers and dancers. Although conductor William Christie and director Jean-Marie Villégier made no attempt to reproduce the original seventeenth-century staging, they did adhere to Quinault's ins…

  • Translating Magri

    Rebecca Harris‐Warrick•ARTICLE•Dance Chronicle•1989

    Theoretical and Practical Treatise on Dancing (Naples, 1779). By Gennaro Magri. Translated by Mary Skeaping, with Anna Ivanova and Irmgard E. Berry. Edited by Irmgard E. Berry and Annalisa Fox. 246 pp. plus 23 folios of dance notations in facsimile. London: Dance Books, 1988. £25. $65

  • A new source for seventeenth‐century ballet

    Carol G Marsh, Rebecca Harris‐Warrick•ARTICLE•Dance Chronicle•1987•Cited by: 2•References: 1

    (1987). A new source for seventeenth‐century ballet: Le Manage de la Grosse Cathos. Dance Chronicle: Vol. 11, No. 3, pp. 398-428

  • A new source for seventeenth‐century ballet

    Carol G Marsh, Rebecca Harris‐Warrick•ARTICLE•Dance Chronicle•1987•Cited by: 2•References: 1

    (1987). A new source for seventeenth‐century ballet: Le Manage de la Grosse Cathos. Dance Chronicle: Vol. 11, No. 3, pp. 398-428

  • Magnificence in motion

    Open Access•Rebecca Harris‐Warrick, Rebecca Harris-Warrick•ARTICLE•Cambridge Opera Journal•1994•Cited by: 1•References: 5

    Those fortunate enough to have seen the recent production of Jean-Baptiste Lully's Atys mounted by Les Arts Florissants will remember the sumptuously staged realm of sleep in Act III, during which costumed lute and recorder players appeared alongside the singers and dancers. Although conductor William Christie and director Jean-Marie Villégier made no attempt to reproduce the original seventeenth-century staging, they did adhere to Quinault's ins…

  • A new source for seventeenth‐century ballet

    Carol G Marsh, Rebecca Harris‐Warrick•ARTICLE•Dance Chronicle•1987•Cited by: 2•References: 1

    (1987). A new source for seventeenth‐century ballet: Le Manage de la Grosse Cathos. Dance Chronicle: Vol. 11, No. 3, pp. 398-428

  • Translating Magri

    Rebecca Harris‐Warrick•ARTICLE•Dance Chronicle•1989

    Theoretical and Practical Treatise on Dancing (Naples, 1779). By Gennaro Magri. Translated by Mary Skeaping, with Anna Ivanova and Irmgard E. Berry. Edited by Irmgard E. Berry and Annalisa Fox. 246 pp. plus 23 folios of dance notations in facsimile. London: Dance Books, 1988. £25. $65

  • Magnificence in motion

    Open Access•Rebecca Harris‐Warrick, Rebecca Harris-Warrick•ARTICLE•Cambridge Opera Journal•1994•Cited by: 1•References: 5

    Those fortunate enough to have seen the recent production of Jean-Baptiste Lully's Atys mounted by Les Arts Florissants will remember the sumptuously staged realm of sleep in Act III, during which costumed lute and recorder players appeared alongside the singers and dancers. Although conductor William Christie and director Jean-Marie Villégier made no attempt to reproduce the original seventeenth-century staging, they did adhere to Quinault's ins…

  • Ingrid Brainard

    Open Access•Patricia Rader, Ruth Ambrose et al.•ARTICLE•Dance Research Journal•2000

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the 'Save PDF' action button

  • Philidor, Pierre Danican

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick•CHAPTER•The new Grove dictionary of music…•2001

  • Dance

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick•CHAPTER•The new Grove dictionary of music…•2001

  • Philidor [Filidor] family

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Dance

    E Kerr Borthwick, Ingrid Brainard et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Ballet

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Dance

    Julia Sutton, Rebecca Harris‐Warrick et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Paris (opera)

    Rebecca Harris‐Warrick, Rebecca Harris-Warrick et al.•CHAPTER•The new Grove dictionary of music…•2002

  • Lully's on-stage societies

    Open Access•Rebecca Harris‐Warrick, Rebecca Harris-Warrick•CHAPTER•Opera and Society in Italy and…•2007

    Aside from their numerous and well-discussed musical differences, French and Italian Baroque operas depart radically from each other in their construction of on-stage societies. As a general rule, Italian operas present a small group of individuals who find themselves in unstable situations to which they seek individual resolutions. They may be rulers or generals, and the fate of thousands may depend on their actions, but their subjects or soldie…

  • Dance and drama in French baroque opera a history

    Open Access•Rebecca Harris‐Warrick, Rebecca Harris-Warrick•BOOK•Dance and Drama in French Baroque…•2016•References: 29

    Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act o…

Art (10 works) · Dance (7 works) · Visual arts (7 works) · Art history (5 works) · Diversity and Impact of Dance (5 works) · Baroque (4 works) · Computer Science (4 works) · Historical and Literary Studies (4 works) · Opera (4 works) · Literature (3 works)

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