Katelijne Schiltz
Biographic Data
| ID | 5639322 |
|---|---|
| NAME | Katelijne Schiltz |
| GIVEN NAMES | Katelijne |
| FAMILY NAME | Schiltz |
| SIGNATURE | SCHILTZ K |
| AFFILIATIONS | University of Regensburg |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Deep Mourning in Cinquecento Venice
This article investigates three voci pari settings by Gioseffo Zarlino, the lectiones pro mortuis that appeared in the Motetta D. Cipriani de Rore et aliorum auctorum (Venice: Girolamo Scotto, 1563). Although this collection contains motets, we argue that Zarlino's lectiones were intended as liturgical items for an Office for the Dead, celebrated as part of exequial rites. As such, they represent the first printed liturgical settings for the Offi…
Musikalische Rätsel in der Frühen Neuzeit
Fuga Satanae
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Johanna Japs
Adrian Willaert’s Hymn for the Holy Shroud
Although the Holy Shroud has always attracted attention, musical traces of this relic are rare. Willaert’s hymn O iubar, nostrae specimen salutis, however, is an exception. The piece was published in Hymnorum musica (Venice, 1542), ten years after the Shroud was miraculously saved from a fire in the Sainte-Chapelle of Chambéry. A close investigation of O iubar reveals a series of anomalies, such as its place in the church calendar and in Willaert…
Canons and Canonic Techniques, 14th-16th Centuries
Recension av: Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History, red. Bonnie J. Blackburn och Katelijne Schiltz (Leuven Studies in Musicology 1), Leuven: Peeters, 2007. 498 s., ill., notex. ISBN 978-90-429-1681-4
Mäzenatentum und Selbstdarstellung in Exil
Während der 1530er und 1540er Jahre wirkten die Florentiner fuorusciti Neri Capponi und Ruberto Strozzi in ihrem venezianischen Exil als Mäzene der Musik. Silvestro Ganassi dal Fontego widmete ihnen seine "Regola Rubertina" (1542-43), Antonfrancesco Doni lobte Capponis ausgezeichneten Geschmack in seinem "Dialogo della musica" (1544), und Girolamo Parabosco widmete Strozzi sein Buch fünfstimmiger Madrigale (1546). Beide fuorusciti hatten ein beso…
Bonfire Songs. Savonarola's Musical Legacy
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Bonfire Songs. Savonarola's Musical Legacy
Mäzenatentum und Selbstdarstellung in Exil
Während der 1530er und 1540er Jahre wirkten die Florentiner fuorusciti Neri Capponi und Ruberto Strozzi in ihrem venezianischen Exil als Mäzene der Musik. Silvestro Ganassi dal Fontego widmete ihnen seine "Regola Rubertina" (1542-43), Antonfrancesco Doni lobte Capponis ausgezeichneten Geschmack in seinem "Dialogo della musica" (1544), und Girolamo Parabosco widmete Strozzi sein Buch fünfstimmiger Madrigale (1546). Beide fuorusciti hatten ein beso…
Canons and Canonic Techniques, 14th-16th Centuries
Recension av: Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History, red. Bonnie J. Blackburn och Katelijne Schiltz (Leuven Studies in Musicology 1), Leuven: Peeters, 2007. 498 s., ill., notex. ISBN 978-90-429-1681-4
Johanna Japs
Adrian Willaert’s Hymn for the Holy Shroud
Although the Holy Shroud has always attracted attention, musical traces of this relic are rare. Willaert’s hymn O iubar, nostrae specimen salutis, however, is an exception. The piece was published in Hymnorum musica (Venice, 1542), ten years after the Shroud was miraculously saved from a fire in the Sainte-Chapelle of Chambéry. A close investigation of O iubar reveals a series of anomalies, such as its place in the church calendar and in Willaert…
Musikalische Rätsel in der Frühen Neuzeit
Fuga Satanae
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Deep Mourning in Cinquecento Venice
This article investigates three voci pari settings by Gioseffo Zarlino, the lectiones pro mortuis that appeared in the Motetta D. Cipriani de Rore et aliorum auctorum (Venice: Girolamo Scotto, 1563). Although this collection contains motets, we argue that Zarlino's lectiones were intended as liturgical items for an Office for the Dead, celebrated as part of exequial rites. As such, they represent the first printed liturgical settings for the Offi…
Art (6 works) · History (3 works) · Literature (3 works) · Musical (3 works) · Musicology and Musical Analysis (3 works) · Art history (2 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · Historical Influence and Diplomacy (2 works) · Reformation and Early Modern Christianity (2 works)