Carlo Martino Lucarini
Biographic Data
| ID | 5639910 |
|---|---|
| NAME | Carlo Martino Lucarini |
| GIVEN NAMES | Carlo Martino |
| FAMILY NAME | Lucarini |
| SIGNATURE | LUCARINI C M |
| AFFILIATIONS | University of Palermo |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 17 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Arnobe, Contre les Gentils (Contre les Païens). Livres IV–V. Texte établi, traduit et commenté par Jacqueline Champeaux
Luigi Battezzato
The theses set out in the book in question are discussed
Zu Ampelius
Loci aliquot Ampeli, rerum Romanarum scriptoris, ad genuinam lectionem restituuntur
Dorandis neue Ausgabe von Diogenes Laertios
Dorandi hat eine hervorrangende Ausgabe von Diogenes Laertios aufgestellt. Der vorliegende Beitrag zeigt, dass das Antigraphon von BFP eine Majuskelhandschrift war, und dass die Excerpta Vaticana und Suidas aus derselben Überlieferung geschöpft haben. Es wird auch erwiesen, dass die Excerpta Vaticana den ps.-Hesychios ( De viris illustribus ) voraussetzen. Außerdem werden mehr als hundert neue Konjekturen vorgeschlagen
L’ἐκκύκλημα nel teatro greco dell’età classica
The aim of this paper is to demonstrate that the tragic poets of the fifth century BC used an engine called ekkyklema in order to reveal the scenes supposed to take place inside. I think I can indicate a passage, that clearly demonstrates the use of such an engine (Eur. Her. 1028 ff.), since the chorus’ words are otherwise unintellegibile. Comic poets used this engine only for paratragic purpose, because the distinction inside/outside was not rel…
Faltoniae Betitiae Probae Cento Vergilianus
The volume contains the first systematic investigation of Proba's manuscript tradition; all mss. survivors are listed and classified for the first time. Furthermore, the text is critically edited. The purpose of the publication is to provide the new reference edition of Proba's Cento Vergilianus
Una Fonte di Properzio 3.14 e le Origine Greche dell ́ Elegia d ́ Amore Romana
Prop. 3.14 seems to take its main motif from a subgenre of Hellenistic erotic literature, the same on wich Athenaeus also drew for sections of Deipn. 13. This subgenre seems to be the source of the fictional epistolary exchange between Menander and Glycera in Alciphron and the Hellenistic fragment in hexameters in SH 495. This erotic production focused on the relationships between famous Athenian characters and some courtesans. This characterizat…
Una Fonte di Properzio 3.14 e le Origine Greche dell ́ Elegia d ́ Amore Romana
Prop. 3.14 seems to take its main motif from a subgenre of Hellenistic erotic literature, the same on wich Athenaeus also drew for sections of Deipn. 13. This subgenre seems to be the source of the fictional epistolary exchange between Menander and Glycera in Alciphron and the Hellenistic fragment in hexameters in SH 495. This erotic production focused on the relationships between famous Athenian characters and some courtesans. This characterizat…
L’ἐκκύκλημα nel teatro greco dell’età classica
The aim of this paper is to demonstrate that the tragic poets of the fifth century BC used an engine called ekkyklema in order to reveal the scenes supposed to take place inside. I think I can indicate a passage, that clearly demonstrates the use of such an engine (Eur. Her. 1028 ff.), since the chorus’ words are otherwise unintellegibile. Comic poets used this engine only for paratragic purpose, because the distinction inside/outside was not rel…
Una Fonte di Properzio 3.14 e le Origine Greche dell ́ Elegia d ́ Amore Romana
Prop. 3.14 seems to take its main motif from a subgenre of Hellenistic erotic literature, the same on wich Athenaeus also drew for sections of Deipn. 13. This subgenre seems to be the source of the fictional epistolary exchange between Menander and Glycera in Alciphron and the Hellenistic fragment in hexameters in SH 495. This erotic production focused on the relationships between famous Athenian characters and some courtesans. This characterizat…
Faltoniae Betitiae Probae Cento Vergilianus
The volume contains the first systematic investigation of Proba's manuscript tradition; all mss. survivors are listed and classified for the first time. Furthermore, the text is critically edited. The purpose of the publication is to provide the new reference edition of Proba's Cento Vergilianus
L’ἐκκύκλημα nel teatro greco dell’età classica
The aim of this paper is to demonstrate that the tragic poets of the fifth century BC used an engine called ekkyklema in order to reveal the scenes supposed to take place inside. I think I can indicate a passage, that clearly demonstrates the use of such an engine (Eur. Her. 1028 ff.), since the chorus’ words are otherwise unintellegibile. Comic poets used this engine only for paratragic purpose, because the distinction inside/outside was not rel…
Dorandis neue Ausgabe von Diogenes Laertios
Dorandi hat eine hervorrangende Ausgabe von Diogenes Laertios aufgestellt. Der vorliegende Beitrag zeigt, dass das Antigraphon von BFP eine Majuskelhandschrift war, und dass die Excerpta Vaticana und Suidas aus derselben Überlieferung geschöpft haben. Es wird auch erwiesen, dass die Excerpta Vaticana den ps.-Hesychios ( De viris illustribus ) voraussetzen. Außerdem werden mehr als hundert neue Konjekturen vorgeschlagen
Zu Ampelius
Loci aliquot Ampeli, rerum Romanarum scriptoris, ad genuinam lectionem restituuntur
Luigi Battezzato
The theses set out in the book in question are discussed
Arnobe, Contre les Gentils (Contre les Païens). Livres IV–V. Texte établi, traduit et commenté par Jacqueline Champeaux
Art (5 works) · Classical Antiquity Studies (4 works) · Historical, Religious, and Philosophical Studies (4 works) · Humanities (4 works) · Philosophy (3 works) · Linguistics and language evolution (2 works) · Literature (2 works) · Aesthetics (1 work) · Chorus (1 work) · Classical Philosophy and Thought (1 work)