Elena Oliete Aldea
Biographic Data
| ID | 5640150 |
|---|---|
| NAME | Elena Oliete Aldea |
| GIVEN NAMES | Elena Oliete |
| FAMILY NAME | Aldea |
| SIGNATURE | ALDEA E O |
| AFFILIATIONS | Universidad de Zaragoza |
| ORCID | 0000-0001-8197-1199 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Transnational representation of a gendered recession in corporate dramas
The cinematic depiction of the financial crisis has centred on the explanation of the causes and consequences of the global recessionary scenario in which gender acquires special relevance. My aim in this article is to carry out a hitherto unaddressed transnational analysis of corporate dramas. More specifically, I elicit the commonalities as well as local specificities that different Western cinematographies show when tackling gendered recession…
The Great Recession and Transnational Horror
The Porosity of Identity Boundaries
The question of cultural identity is an important issue of debate in contemporary societies all around the world, and even more so in Great Britain, given the profound changes in the constitution of British society over recent decades. Stuart Hall argues that a sense of identity entails demarcations of inclusion and exclusion: ‘identities can function as points of identification and attachment only because of their capacity to exclude, to render …
‘On Heroes’
Released on 30 November in India and 3 December in the UK, it could be said that Attenborough’s Gandhi inaugurated the 1980s Raj revival cycle. Although it shares some formal and narrative characteristics with subsequent Raj films of the decade, Gandhi presents significant variants. The most obvious feature that distinguishes Attenborough’s film from the other Raj productions is that it is based on actual historical events, not on literary fictio…
Hybrid Heritage on Screen
Hybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era a
Gurinder Chadha’s Bride and Prejudice
At the beginning of the 21st century, the processes of globalization have propelled intense cultural contacts between formerly cohesive communities resulting in both homogenizing and hybridizing socio-cultural changes (Robertson, 1995: 27); these changes, however, go hand in hand with a “global fear” of a potentially threatening “other”, which fuel people to take defensive actions that re-create “protective” prejudices and boundaries (Bauman, 200…
Fear and Nostalgia in Times of Crisis
The intense interconnectedness of 21st century globalization has provoked continuous re-definitions of the political, cultural, economic and social frontiers. The imminent consequence of these constant changes is an increasing feeling of instability and uncertainty in the postmodern individual, ultimately leading to vulnerability and fear. This anxiety has provoked a nostalgic search for the shelter of a community, symbolically represented by the…
Fear and Nostalgia in Times of Crisis
The intense interconnectedness of 21st century globalization has provoked continuous re-definitions of the political, cultural, economic and social frontiers. The imminent consequence of these constant changes is an increasing feeling of instability and uncertainty in the postmodern individual, ultimately leading to vulnerability and fear. This anxiety has provoked a nostalgic search for the shelter of a community, symbolically represented by the…
Transnational representation of a gendered recession in corporate dramas
The cinematic depiction of the financial crisis has centred on the explanation of the causes and consequences of the global recessionary scenario in which gender acquires special relevance. My aim in this article is to carry out a hitherto unaddressed transnational analysis of corporate dramas. More specifically, I elicit the commonalities as well as local specificities that different Western cinematographies show when tackling gendered recession…
Hybrid Heritage on Screen
Hybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era a
Gurinder Chadha’s Bride and Prejudice
At the beginning of the 21st century, the processes of globalization have propelled intense cultural contacts between formerly cohesive communities resulting in both homogenizing and hybridizing socio-cultural changes (Robertson, 1995: 27); these changes, however, go hand in hand with a “global fear” of a potentially threatening “other”, which fuel people to take defensive actions that re-create “protective” prejudices and boundaries (Bauman, 200…
Fear and Nostalgia in Times of Crisis
The intense interconnectedness of 21st century globalization has provoked continuous re-definitions of the political, cultural, economic and social frontiers. The imminent consequence of these constant changes is an increasing feeling of instability and uncertainty in the postmodern individual, ultimately leading to vulnerability and fear. This anxiety has provoked a nostalgic search for the shelter of a community, symbolically represented by the…
The Porosity of Identity Boundaries
The question of cultural identity is an important issue of debate in contemporary societies all around the world, and even more so in Great Britain, given the profound changes in the constitution of British society over recent decades. Stuart Hall argues that a sense of identity entails demarcations of inclusion and exclusion: ‘identities can function as points of identification and attachment only because of their capacity to exclude, to render …
‘On Heroes’
Released on 30 November in India and 3 December in the UK, it could be said that Attenborough’s Gandhi inaugurated the 1980s Raj revival cycle. Although it shares some formal and narrative characteristics with subsequent Raj films of the decade, Gandhi presents significant variants. The most obvious feature that distinguishes Attenborough’s film from the other Raj productions is that it is based on actual historical events, not on literary fictio…
Hybrid Heritage on Screen
Hybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era a
The Great Recession and Transnational Horror
Transnational representation of a gendered recession in corporate dramas
The cinematic depiction of the financial crisis has centred on the explanation of the causes and consequences of the global recessionary scenario in which gender acquires special relevance. My aim in this article is to carry out a hitherto unaddressed transnational analysis of corporate dramas. More specifically, I elicit the commonalities as well as local specificities that different Western cinematographies show when tackling gendered recession…
Art (6 works) · Sociology (6 works) · Political science (5 works) · Aesthetics (4 works) · History (4 works) · Law (4 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Computer Science (2 works) · Economics (2 works)