Gernot Wieland
Biographic Data
| ID | 5640318 |
|---|---|
| NAME | Gernot Wieland |
| GIVEN NAMES | Gernot |
| FAMILY NAME | Wieland |
| SIGNATURE | WIELAND G |
| AFFILIATIONS | University of British Columbia |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 2 |
"Early Medieval Glosses on Prudentius' "Psychomachia
Humour in Anglo-Saxon Literature . Jonathan Wilcox
Clavis des auteurs latins du moyen âge
Handbuch zur lateinischen Sprache des Mittelalters, 3
Mediaeval Antiquity. Andries Welkenhuysen , Herman Braet , Werner Verbeke
The origin and development of the Anglo-Saxon Psychomachia illustrations
The reception in Anglo-Saxon England of Prudentius's Psychomachia has been well studied. In an earlier article I concentrated on the textual tradition and touched only briefly on the important aspect of Psychomachia illustrations in Anglo-Saxon manuscripts; in the present article I treat the illustrations more fully. Psychomachia illustrations have been studied previously, most thoroughly by Stettiner and Woodruff, and they are also referred to b…
The Anglo-Saxon manuscripts of Prudentius's Psychomachia
According to his own testimony, the fourth-century Spanish poet Prudentius devoted himself to writing only late in life. The Praefatio to his works provides all the biographical details which we have of him: he was born in 348, the year in which Salia was consul (lines 25–6: ‘Sub quo [=Salia] prima dies mihi/ quam multas hiemes uoluerit’), he appears to have studied rhetoric (lines 8–9: ‘mox docuit toga infectum uitiis falsa loqui’), possibly pra…
The glossed manuscript
In a recent article, Michael Lapidge has cautioned the scholarly world not to assume too readily that any glossed medieval manuscript was necessarily used in the schoolroom. Identical glosses, he points out, often appear in several manuscripts, forcing us to conclude that glosses were either copied along with the text or from a commentary. The glosses naturally show greater variety than the texts because the scribe could at will omit them, change…
Die Nachwirkung der antiken Sakralsprache im christlichen Gebet des lateinischen und italienischen Mittelalters
A Canterbury classbook of the mid-eleventh century (the ‘Cambridge Songs’ manuscript)
Cambridge, University Library, Gg. 5.35 is known to scholars principally for the contents of fols. 432–41, the lyric anthology known (somewhat mis-leadingly) as the ‘Cambridge Songs’. Important though this group of poems is for the history of the Latin lyric, it has diverted attention from the contents of the manuscript as a whole, which presents a remarkable range of texts, mainly poetic, from the Early Christian, Carolingian and Anglo-Latin per…
The glossed manuscript
In a recent article, Michael Lapidge has cautioned the scholarly world not to assume too readily that any glossed medieval manuscript was necessarily used in the schoolroom. Identical glosses, he points out, often appear in several manuscripts, forcing us to conclude that glosses were either copied along with the text or from a commentary. The glosses naturally show greater variety than the texts because the scribe could at will omit them, change…
A Canterbury classbook of the mid-eleventh century (the ‘Cambridge Songs’ manuscript)
Cambridge, University Library, Gg. 5.35 is known to scholars principally for the contents of fols. 432–41, the lyric anthology known (somewhat mis-leadingly) as the ‘Cambridge Songs’. Important though this group of poems is for the history of the Latin lyric, it has diverted attention from the contents of the manuscript as a whole, which presents a remarkable range of texts, mainly poetic, from the Early Christian, Carolingian and Anglo-Latin per…
A Canterbury classbook of the mid-eleventh century (the ‘Cambridge Songs’ manuscript)
Cambridge, University Library, Gg. 5.35 is known to scholars principally for the contents of fols. 432–41, the lyric anthology known (somewhat mis-leadingly) as the ‘Cambridge Songs’. Important though this group of poems is for the history of the Latin lyric, it has diverted attention from the contents of the manuscript as a whole, which presents a remarkable range of texts, mainly poetic, from the Early Christian, Carolingian and Anglo-Latin per…
Die Nachwirkung der antiken Sakralsprache im christlichen Gebet des lateinischen und italienischen Mittelalters
The glossed manuscript
In a recent article, Michael Lapidge has cautioned the scholarly world not to assume too readily that any glossed medieval manuscript was necessarily used in the schoolroom. Identical glosses, he points out, often appear in several manuscripts, forcing us to conclude that glosses were either copied along with the text or from a commentary. The glosses naturally show greater variety than the texts because the scribe could at will omit them, change…
The Anglo-Saxon manuscripts of Prudentius's Psychomachia
According to his own testimony, the fourth-century Spanish poet Prudentius devoted himself to writing only late in life. The Praefatio to his works provides all the biographical details which we have of him: he was born in 348, the year in which Salia was consul (lines 25–6: ‘Sub quo [=Salia] prima dies mihi/ quam multas hiemes uoluerit’), he appears to have studied rhetoric (lines 8–9: ‘mox docuit toga infectum uitiis falsa loqui’), possibly pra…
The origin and development of the Anglo-Saxon Psychomachia illustrations
The reception in Anglo-Saxon England of Prudentius's Psychomachia has been well studied. In an earlier article I concentrated on the textual tradition and touched only briefly on the important aspect of Psychomachia illustrations in Anglo-Saxon manuscripts; in the present article I treat the illustrations more fully. Psychomachia illustrations have been studied previously, most thoroughly by Stettiner and Woodruff, and they are also referred to b…
Mediaeval Antiquity. Andries Welkenhuysen , Herman Braet , Werner Verbeke
Handbuch zur lateinischen Sprache des Mittelalters, 3
Humour in Anglo-Saxon Literature . Jonathan Wilcox
Clavis des auteurs latins du moyen âge
"Early Medieval Glosses on Prudentius' "Psychomachia
Art (9 works) · History (8 works) · History (8 works) · Classics (7 works) · Classics (7 works) · Literature (5 works) · Medieval Literature and History (5 works) · Computer Science (4 works) · Humanities (4 works) · Art history (3 works)