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John Shanahan

Biographic Data

ID5641652
NAMEJohn Shanahan
GIVEN NAMESJohn
FAMILY NAMEShanahan
SIGNATURESHANAHAN J
AFFILIATIONSDePaul University
ORCID0000-0002-3054-5701
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2022
H-INDEX1
  • The Making of The Wandering Earth

    Jiaren Wang, Regina Kanyu Wang et al.•BOOK•Making of the Wandering Earth•2022

    This handbook takes us through the making of The Wandering Earth, one of the highest-grossing non-English films of all time. It is a rare, in-depth, behind-the-scenes study of the making of a masterpiece, taking the reader through the entire production process of a landmark Chinese science fiction film. The book brings to life how The Wandering Earth was created, from words to images, by a young and innovative professional team assembled by direc…

  • Reading Chicago Reading

    Open Access•John Shanahan, Robin Burke et al.•ARTICLE•Digital humanities quarterly•2020

    This essay presents quantitative capture and predictive modeling for one of the largest and longest running mass reading programs of the past two decades: One Book One Chicago (OBOC) sponsored by the Chicago Public Library (CPL). The Reading Chicago Reading project uses data associated with OBOC as a probe into city-scale library usage and, by extension, as a window onto contemporary reading behavior. The first half of the essay explains why CPL’…

  • The Dryden-Davenant Tempest, Wonder Production, and the State of Natural Philosophy in 1667

    John Shanahan•ARTICLE•The Eighteenth century/ The…•2013•Cited by: 2•References: 20

    This essay argues that the logic governing the adaptation and early popularity of the revised Tempest stems in large part from the way the play exemplified natural philosophical ideas and projects associated with the Royal Society. I show that the Dryden-Davenant Tempest resembles the new science in its form as well as its content, and that its co-authors staged it to be, among other things, a contribution to the ongoing work of the virtuosi. To …

  • From Drama to Science

    Open Access•John Shanahan•ARTICLE•Literature Compass•2008•References: 6

    This paper introduces a Literature Compass cluster on Margaret Cavendish. The full cluster is made up of the following articles: ‘Recent Developments in the Study of Seventeenth‐Century Literature and Three Papers from the 2007 Margaret Cavendish Conference’, James Fitzmaurice, Literature Compass 5 (2008), DOI: 10.1111/j.1741-4113.2008.00523.x . ‘Filling in the Picture: Contexts and Contacts of Jane Cavendish’, Alexandra G. Bennett, Literature Co…

  • The Dryden-Davenant Tempest, Wonder Production, and the State of Natural Philosophy in 1667

    John Shanahan•ARTICLE•The Eighteenth century/ The…•2013•Cited by: 2•References: 20

    This essay argues that the logic governing the adaptation and early popularity of the revised Tempest stems in large part from the way the play exemplified natural philosophical ideas and projects associated with the Royal Society. I show that the Dryden-Davenant Tempest resembles the new science in its form as well as its content, and that its co-authors staged it to be, among other things, a contribution to the ongoing work of the virtuosi. To …

  • From Drama to Science

    Open Access•John Shanahan•ARTICLE•Literature Compass•2008•References: 6

    This paper introduces a Literature Compass cluster on Margaret Cavendish. The full cluster is made up of the following articles: ‘Recent Developments in the Study of Seventeenth‐Century Literature and Three Papers from the 2007 Margaret Cavendish Conference’, James Fitzmaurice, Literature Compass 5 (2008), DOI: 10.1111/j.1741-4113.2008.00523.x . ‘Filling in the Picture: Contexts and Contacts of Jane Cavendish’, Alexandra G. Bennett, Literature Co…

  • The Dryden-Davenant Tempest, Wonder Production, and the State of Natural Philosophy in 1667

    John Shanahan•ARTICLE•The Eighteenth century/ The…•2013•Cited by: 2•References: 20

    This essay argues that the logic governing the adaptation and early popularity of the revised Tempest stems in large part from the way the play exemplified natural philosophical ideas and projects associated with the Royal Society. I show that the Dryden-Davenant Tempest resembles the new science in its form as well as its content, and that its co-authors staged it to be, among other things, a contribution to the ongoing work of the virtuosi. To …

  • Reading Chicago Reading

    Open Access•John Shanahan, Robin Burke et al.•ARTICLE•Digital humanities quarterly•2020

    This essay presents quantitative capture and predictive modeling for one of the largest and longest running mass reading programs of the past two decades: One Book One Chicago (OBOC) sponsored by the Chicago Public Library (CPL). The Reading Chicago Reading project uses data associated with OBOC as a probe into city-scale library usage and, by extension, as a window onto contemporary reading behavior. The first half of the essay explains why CPL’…

  • The Making of The Wandering Earth

    Jiaren Wang, Regina Kanyu Wang et al.•BOOK•Making of the Wandering Earth•2022

    This handbook takes us through the making of The Wandering Earth, one of the highest-grossing non-English films of all time. It is a rare, in-depth, behind-the-scenes study of the making of a masterpiece, taking the reader through the entire production process of a landmark Chinese science fiction film. The book brings to life how The Wandering Earth was created, from words to images, by a young and innovative professional team assembled by direc…

Art (3 works) · Literature (3 works) · Philosophy (3 works) · Computer Science (2 works) · Epistemology (2 works) · History (2 works) · Philosophy (2 works) · Psychology (2 works) · Aesthetics (1 work) · Astrobiology (1 work)

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