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Francesca Bologna

Biographic Data

ID5641801
NAMEFrancesca Bologna
GIVEN NAMESFrancesca
FAMILY NAMEBologna
SIGNATUREBOLOGNA F
AFFILIATIONSUniversity of Verona
ORCID0009-0009-7739-4777
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Quantifying recarved Roman imperial portraits

    Open Access•Francesca Bologna, Raffaella Bucolo•ARTICLE•Journal of Roman Archaeology•2025

    This paper investigates the chronological and geographical evolution of the practice of recarving sculpture in the first three centuries CE, assessing the impact it had on ancient viewers, as well as the agency of sculptors and patrons. After considering the reasons for the higher or lower frequency of reworking during specific periods, the paper presents an overview of the geographical distribution of recarved portraits of Roman emperors through…

  • Imaging Hadrian in Britain between Coinage and Sculpture

    Open Access•Dario Calomino, Francesca Bologna et al.•ARTICLE•Britannia•2023•Cited by: 1•References: 4

    This paper presents a new approach to an old problem, the provincial reception of the image of Roman emperors. Applying 3D computer modelling, we captured the portrait features of Hadrian as represented on coinage minted for the British province, produced a 3D model from a coin and compared it with the bronze head of Hadrian found in London. The aim was to test the possibility, previously posited by other scholars, that the London portrait might …

  • Water and stone

    Open Access•Francesca Bologna•ARTICLE•Journal of Roman Archaeology•2019

    This article investigates production times, workforce, and materials involved in the creation of wall-paintings, applying figures obtained from pre-industrial building manuals and through experimental archaeology. This is a crucial yet — at least with regard to Roman wall-painting – unexploited avenue for research, one that has already been successfully applied to the study of ancient construction, stone-working, and mosaic production. 1 The impl…

  • Imaging Hadrian in Britain between Coinage and Sculpture

    Open Access•Dario Calomino, Francesca Bologna et al.•ARTICLE•Britannia•2023•Cited by: 1•References: 4

    This paper presents a new approach to an old problem, the provincial reception of the image of Roman emperors. Applying 3D computer modelling, we captured the portrait features of Hadrian as represented on coinage minted for the British province, produced a 3D model from a coin and compared it with the bronze head of Hadrian found in London. The aim was to test the possibility, previously posited by other scholars, that the London portrait might …

  • Water and stone

    Open Access•Francesca Bologna•ARTICLE•Journal of Roman Archaeology•2019

    This article investigates production times, workforce, and materials involved in the creation of wall-paintings, applying figures obtained from pre-industrial building manuals and through experimental archaeology. This is a crucial yet — at least with regard to Roman wall-painting – unexploited avenue for research, one that has already been successfully applied to the study of ancient construction, stone-working, and mosaic production. 1 The impl…

  • Imaging Hadrian in Britain between Coinage and Sculpture

    Open Access•Dario Calomino, Francesca Bologna et al.•ARTICLE•Britannia•2023•Cited by: 1•References: 4

    This paper presents a new approach to an old problem, the provincial reception of the image of Roman emperors. Applying 3D computer modelling, we captured the portrait features of Hadrian as represented on coinage minted for the British province, produced a 3D model from a coin and compared it with the bronze head of Hadrian found in London. The aim was to test the possibility, previously posited by other scholars, that the London portrait might …

  • Quantifying recarved Roman imperial portraits

    Open Access•Francesca Bologna, Raffaella Bucolo•ARTICLE•Journal of Roman Archaeology•2025

    This paper investigates the chronological and geographical evolution of the practice of recarving sculpture in the first three centuries CE, assessing the impact it had on ancient viewers, as well as the agency of sculptors and patrons. After considering the reasons for the higher or lower frequency of reworking during specific periods, the paper presents an overview of the geographical distribution of recarved portraits of Roman emperors through…

Classical Antiquity Studies (3 works) · Ancient Mediterranean Archaeology and History (2 works) · Art (2 works) · Portrait (2 works) · Sculpture (2 works) · Visual arts (2 works) · Ancient Egypt and Archaeology (1 work) · Ancient history (1 work) · Archaeological Research and Protection (1 work) · Art history (1 work)

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