Gwendolyn Audrey Foster
Biographic Data
| ID | 5643215 |
|---|---|
| NAME | Gwendolyn Audrey Foster |
| GIVEN NAMES | Gwendolyn Audrey |
| FAMILY NAME | Foster |
| SIGNATURE | FOSTER G A |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Third World Women’s Cinema
In an age in which there has been a voluminous outpouring of “postcolonial,” “emergent” feminist criticism, a specious lack of dialogue addresses the scanty discourse of Third World women filmmakers. The speaking, writing, and filmic creative “testimony” of non-Western women challenges the crossing borders of feminism and arguably transforms and problematizes academic pedagogy. Often, non-Westem women filmmakers suffer from an emerging colonialis…
Consuming the Apocalypse, Marketing Bunker Materiality
Self-Stylization and Performativity in the Work of Yoko Ono, Yayoi Kusama and Mariko Mori
Gwendolyn Audrey Foster is a Professor in the Department of English, University of Nebraska, Lincoln, and Coordinator of the Film Studies Program. Her most recent books include A Short History of Film, co-written with Wheeler Winston Dixon (Rutgers University Press, 2008), which has since gone through several additional printings; Class-Passing: Social Mobility in Film and Popular Culture (Southern Illinois University Press, 2005); and Performing…
Women Filmmakers of the African & Asian Diaspora
An examination of the works of six contemporary black and Asian women filmmakers, including Zeinabue Irene Davis, Ngozi Onwurah, Julie Dash, Pratibha Parmar, Minh-ha and Mira Nair. It also includes a detailed introduction and a chapter entitled "Other Voices", documenting the work of other black and asian filmmakers
No prominent works on this page.
Women Filmmakers of the African & Asian Diaspora
An examination of the works of six contemporary black and Asian women filmmakers, including Zeinabue Irene Davis, Ngozi Onwurah, Julie Dash, Pratibha Parmar, Minh-ha and Mira Nair. It also includes a detailed introduction and a chapter entitled "Other Voices", documenting the work of other black and asian filmmakers
Self-Stylization and Performativity in the Work of Yoko Ono, Yayoi Kusama and Mariko Mori
Gwendolyn Audrey Foster is a Professor in the Department of English, University of Nebraska, Lincoln, and Coordinator of the Film Studies Program. Her most recent books include A Short History of Film, co-written with Wheeler Winston Dixon (Rutgers University Press, 2008), which has since gone through several additional printings; Class-Passing: Social Mobility in Film and Popular Culture (Southern Illinois University Press, 2005); and Performing…
Consuming the Apocalypse, Marketing Bunker Materiality
Third World Women’s Cinema
In an age in which there has been a voluminous outpouring of “postcolonial,” “emergent” feminist criticism, a specious lack of dialogue addresses the scanty discourse of Third World women filmmakers. The speaking, writing, and filmic creative “testimony” of non-Western women challenges the crossing borders of feminism and arguably transforms and problematizes academic pedagogy. Often, non-Westem women filmmakers suffer from an emerging colonialis…
Art (3 works) · Sociology (3 works) · African history and culture studies (2 works) · Gender Studies (2 works) · History (2 works) · Visual arts (2 works) · Aesthetics (1 work) · African american motion picture producers and directors (1 work) · African American women motion picture producers and directors (1 work) · Afro-American women motion picture producers and directors (1 work)