Aidan Arrowsmith
Biographic Data
| ID | 5645356 |
|---|---|
| NAME | Aidan Arrowsmith |
| GIVEN NAMES | Aidan |
| FAMILY NAME | Arrowsmith |
| SIGNATURE | ARROWSMITH A |
| AFFILIATIONS | University of Staffordshire |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 2 |
Angles on Aran
This article focuses on three Irish diasporic representations of the Aran Islands, and is innovative in analysing all three in the light of recent cultural theory, especially around postmemory and postmodernity. In particular, the paintings and photographs of Irish-British artist Sean Scully, especially Walls of Aran (2007), are given a first appraisal in this light. Further angles on Aran, and contexts for Scully’s work, are provided by Man of A…
New Field Day Dawning
Since 1980, when it was formed by Brian Friel and Stephen Rea, Field Day Theatre Company (as it was then known) has been a hugely influential force, ‘set[ting] the terms for the current debate in I
Plastic paddies vs. master racers
This article focuses upon three key moments in the interlinked history of ‘soccer’ and Irish nationalism. In 2002 the Gaelic Athletic Association de-railed the Football Association of Ireland’s bid to stage the 2008 European Football Championships. The GAA’s intransigence contrasts with the apparently more inclusive Irish identity symbolized by the emergence during the 1980s and 1990s of the multi-cultural Republic of Ireland team and its diaspor…
Plastic Paddy
(2000). Plastic Paddy: Negotiating Identity in Second-generation 'Irish-English' Writing. Irish Studies Review: Vol. 8, No. 1, pp. 35-43
Debating diasporic identity
Plastic Paddy
(2000). Plastic Paddy: Negotiating Identity in Second-generation 'Irish-English' Writing. Irish Studies Review: Vol. 8, No. 1, pp. 35-43
Plastic paddies vs. master racers
This article focuses upon three key moments in the interlinked history of ‘soccer’ and Irish nationalism. In 2002 the Gaelic Athletic Association de-railed the Football Association of Ireland’s bid to stage the 2008 European Football Championships. The GAA’s intransigence contrasts with the apparently more inclusive Irish identity symbolized by the emergence during the 1980s and 1990s of the multi-cultural Republic of Ireland team and its diaspor…
Debating diasporic identity
Debating diasporic identity
Plastic Paddy
(2000). Plastic Paddy: Negotiating Identity in Second-generation 'Irish-English' Writing. Irish Studies Review: Vol. 8, No. 1, pp. 35-43
Plastic paddies vs. master racers
This article focuses upon three key moments in the interlinked history of ‘soccer’ and Irish nationalism. In 2002 the Gaelic Athletic Association de-railed the Football Association of Ireland’s bid to stage the 2008 European Football Championships. The GAA’s intransigence contrasts with the apparently more inclusive Irish identity symbolized by the emergence during the 1980s and 1990s of the multi-cultural Republic of Ireland team and its diaspor…
New Field Day Dawning
Since 1980, when it was formed by Brian Friel and Stephen Rea, Field Day Theatre Company (as it was then known) has been a hugely influential force, ‘set[ting] the terms for the current debate in I
Angles on Aran
This article focuses on three Irish diasporic representations of the Aran Islands, and is innovative in analysing all three in the light of recent cultural theory, especially around postmemory and postmodernity. In particular, the paintings and photographs of Irish-British artist Sean Scully, especially Walls of Aran (2007), are given a first appraisal in this light. Further angles on Aran, and contexts for Scully’s work, are provided by Man of A…
Art (5 works) · Aesthetics (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · History (3 works) · Identity (music (3 works) · Irish (3 works) · Law (3 works) · Nationalism (3 works) · Politics (3 works)