David H Porter
Biographic Data
| ID | 5648727 |
|---|---|
| NAME | David H Porter |
| GIVEN NAMES | David H |
| FAMILY NAME | Porter |
| SIGNATURE | PORTER D H |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1823 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
On the Divide
This paper had its origins at the 2010 Classical Association of the Atlantic States meetings in Newark. For a panel on music and the classics I was slated to offer "The Well-Tampered Clavier: Play, Musical and Otherwise," a lecture-recital that features music by Ives, Cowell, Cage, and Satie but that is really about the centrality of play and playfulness in creative endeavor of any sort. When it proved impossible to find the two pianos required f…
Troubling the Familiar into New Life
Aeschylus' Eumenides
Although Aeschylus' Oresteia moves toward resolution on many fronts, there are significant counterpoints to these positive progressions. Human stature and initiative decline over the course of the trilogy; the "hero"of the final play is largely passive, with speech and action increasingly the province of the gods; Orestes' "initiation" in Eumenides remains incomplete; and the trilogy ends with not just "uppity" women put in their place but the ca…
Ideographia
List of illustrations Introduction 1. Linguistic legitimacy and the interpretation of Chinese writing 2. The first ancestor: intimations of Chinese divinity 3. Chinoiserie and the aesthetics of illegitimacy 4. Commercialist legitimacy and the China trade Epilogue Notes Bibliography Index
Playing the Game
Self-Promotion and the "Crisis" in Classics [with Responses]
John Heath, Barbara K. Gold, Tamara M. Green, David Konstan, Barbara McManus, Ronald Mellor, David H. Porter, Jon Solomon, Richard F. Thomas, Self-Promotion and the "Crisis" in Classics [with Responses], The Classical World, Vol. 89, No. 1 (Sep. - Oct., 1995), pp. 3-52
Horace's Poetic Journey
David Porter's approach to Horace's most important lyric collection is through a close sequential reading of the eighty-eight poems in Odes 1-3. Taking into account the way an ancient book was read or recited, this view of the work as a continuously unfolding creation reveals a strong sense of forward movement and of thematic development, at times almost a narrative flow.Originally published in 1987.The Princeton Legacy Library uses the latest pr…
Chloe and Phyllis
Motivic Transformation in Classical Literature and Music
A Modicum of Greek in the In-Translation Course
Structural Parallelism in Greek Tragedy
Ring-Composition in Classical Literature and Contemporary Music
Classics in Translation
A voyage in the South Seas in the years 1812, 1813, and 1814
shortly afterwards, spoke a Portuguese brig bound to St. Anthony's ; run down among the islands that day, and the next night passed in sight of the isles of Sal and Bonavista.The first is high, VOYAGES and TRAVELS, No. XLVII.Vol.VIII.B of government, I will not pretend to decide; I would, however, -recommend it to such vessels as require fresh provisions, to pur-* chase sheep, hogs, and poultry, in preference to beef, on account 4.Porter's Voyage…
Horace's Poetic Journey
David Porter's approach to Horace's most important lyric collection is through a close sequential reading of the eighty-eight poems in Odes 1-3. Taking into account the way an ancient book was read or recited, this view of the work as a continuously unfolding creation reveals a strong sense of forward movement and of thematic development, at times almost a narrative flow.Originally published in 1987.The Princeton Legacy Library uses the latest pr…
Structural Parallelism in Greek Tragedy
A voyage in the South Seas in the years 1812, 1813, and 1814
shortly afterwards, spoke a Portuguese brig bound to St. Anthony's ; run down among the islands that day, and the next night passed in sight of the isles of Sal and Bonavista.The first is high, VOYAGES and TRAVELS, No. XLVII.Vol.VIII.B of government, I will not pretend to decide; I would, however, -recommend it to such vessels as require fresh provisions, to pur-* chase sheep, hogs, and poultry, in preference to beef, on account 4.Porter's Voyage…
Classics in Translation
Structural Parallelism in Greek Tragedy
Ring-Composition in Classical Literature and Contemporary Music
A Modicum of Greek in the In-Translation Course
Motivic Transformation in Classical Literature and Music
Chloe and Phyllis
Horace's Poetic Journey
David Porter's approach to Horace's most important lyric collection is through a close sequential reading of the eighty-eight poems in Odes 1-3. Taking into account the way an ancient book was read or recited, this view of the work as a continuously unfolding creation reveals a strong sense of forward movement and of thematic development, at times almost a narrative flow.Originally published in 1987.The Princeton Legacy Library uses the latest pr…
Self-Promotion and the "Crisis" in Classics [with Responses]
John Heath, Barbara K. Gold, Tamara M. Green, David Konstan, Barbara McManus, Ronald Mellor, David H. Porter, Jon Solomon, Richard F. Thomas, Self-Promotion and the "Crisis" in Classics [with Responses], The Classical World, Vol. 89, No. 1 (Sep. - Oct., 1995), pp. 3-52
Ideographia
List of illustrations Introduction 1. Linguistic legitimacy and the interpretation of Chinese writing 2. The first ancestor: intimations of Chinese divinity 3. Chinoiserie and the aesthetics of illegitimacy 4. Commercialist legitimacy and the China trade Epilogue Notes Bibliography Index
Playing the Game
Aeschylus' Eumenides
Although Aeschylus' Oresteia moves toward resolution on many fronts, there are significant counterpoints to these positive progressions. Human stature and initiative decline over the course of the trilogy; the "hero"of the final play is largely passive, with speech and action increasingly the province of the gods; Orestes' "initiation" in Eumenides remains incomplete; and the trilogy ends with not just "uppity" women put in their place but the ca…
Troubling the Familiar into New Life
On the Divide
This paper had its origins at the 2010 Classical Association of the Atlantic States meetings in Newark. For a panel on music and the classics I was slated to offer "The Well-Tampered Clavier: Play, Musical and Otherwise," a lecture-recital that features music by Ives, Cowell, Cage, and Satie but that is really about the centrality of play and playfulness in creative endeavor of any sort. When it proved impossible to find the two pianos required f…
Art (10 works) · History (9 works) · Literature (8 works) · Classical Antiquity Studies (5 works) · Classical Philosophy and Thought (4 works) · Art history (3 works) · Chemistry (3 works) · Classics (3 works) · Historical and Literary Studies (3 works) · Philosophy (3 works)