Alfredo Michel Modenessi
Biographic Data
| ID | 5649823 |
|---|---|
| NAME | Alfredo Michel Modenessi |
| GIVEN NAMES | Alfredo Michel |
| FAMILY NAME | Modenessi |
| SIGNATURE | MODENESSI A M |
| AFFILIATIONS | Universidad Nacional Autonoma de Mexico |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Translation at the Intersections of Shakespeare and Race
Shakespeare’s works make hard, ever-accruing demands on translators because the multiple energies at work in their complex design change and expand unceasingly, together with Shakespeare itself, with societies and cultures, and with translation. Chief among the translator’s tasks, then, is to tackle those demands head-on for stage artists to do right by their art and their publics. The intersections of ‘race’ with Shakespeare, and the presence th…
Victim of Improvisation’ in Latin America
The history of Shakespeare in Latin America spans roughly the same two hundred years as the region’s independent life. Throughout, his works have been the object of performance, translation, and adaptation more than of academic study and discussion. This essay offers a comprehensive framework for application to future work on the subject of Shakespeare performance in Latin America. The chief theoretical tools undepinning the essay are Haroldo de …
Looking for Mr GoodWill in “Rancho Grande” and Beyond
The Perhaps as an outcome of the “globalization” of Shakespeare studies, the film Huapango (dir. Iván Lipkies, 2003), avowedly based on Othello, seems to be drawing attention from scholars world-wide far more quickly and productively than the only other movie unabashedly adapted from a Shakespeare play in Mexican cinema: Cantinflas’s Romeo y Julieta (dir. Miguel M. Delgado, 1943). Although in Mexico these two pictures still stand alone in derivin…
Humor en disidencia
Este artículo explora varios puntos de correlación para abordar la presencia del humor en Shakespeare a partir y a través de las ironías que permean su entorno cultural. El examen de complicaciones, implicaciones y condiciones sociopolíticas relativas a cierto arte visual y dramático de su época —en particular un cuadro del Veronés y la anónima Tragedia de Arden de Faversham— busca sugerir marcos alternativos para la gastada imagen del “poeta sub…
No prominent works on this page.
Humor en disidencia
Este artículo explora varios puntos de correlación para abordar la presencia del humor en Shakespeare a partir y a través de las ironías que permean su entorno cultural. El examen de complicaciones, implicaciones y condiciones sociopolíticas relativas a cierto arte visual y dramático de su época —en particular un cuadro del Veronés y la anónima Tragedia de Arden de Faversham— busca sugerir marcos alternativos para la gastada imagen del “poeta sub…
Looking for Mr GoodWill in “Rancho Grande” and Beyond
The Perhaps as an outcome of the “globalization” of Shakespeare studies, the film Huapango (dir. Iván Lipkies, 2003), avowedly based on Othello, seems to be drawing attention from scholars world-wide far more quickly and productively than the only other movie unabashedly adapted from a Shakespeare play in Mexican cinema: Cantinflas’s Romeo y Julieta (dir. Miguel M. Delgado, 1943). Although in Mexico these two pictures still stand alone in derivin…
Victim of Improvisation’ in Latin America
The history of Shakespeare in Latin America spans roughly the same two hundred years as the region’s independent life. Throughout, his works have been the object of performance, translation, and adaptation more than of academic study and discussion. This essay offers a comprehensive framework for application to future work on the subject of Shakespeare performance in Latin America. The chief theoretical tools undepinning the essay are Haroldo de …
Translation at the Intersections of Shakespeare and Race
Shakespeare’s works make hard, ever-accruing demands on translators because the multiple energies at work in their complex design change and expand unceasingly, together with Shakespeare itself, with societies and cultures, and with translation. Chief among the translator’s tasks, then, is to tackle those demands head-on for stage artists to do right by their art and their publics. The intersections of ‘race’ with Shakespeare, and the presence th…
Art (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · History (3 works) · Humanities (3 works) · Philippine History and Culture (3 works) · Art history (2 works) · Early Modern Spanish Literature (2 works) · History (2 works) · 1564-1616 (1 work) · Adaptation (eye (1 work)