Edwin Hees
Biographic Data
| ID | 5650742 |
|---|---|
| NAME | Edwin Hees |
| GIVEN NAMES | Edwin |
| FAMILY NAME | Hees |
| SIGNATURE | HEES E |
| AFFILIATIONS | Stellenbosch University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
Global Ibsen. Performing multiple modernities
Encountering modernity
The devil you dance with
Try for White
Foregrounding the background
(1996). Foregrounding the background: Landscape and ideology in South African films. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 63-84
Visions of the Past
(1996). Visions of the Past: The Challenge of Film to Our Idea of History by Robert A Rosenstone. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 181-186
In Darkest Hollywood
(1996). In Darkest Hollywood: Exploring the Jungles of Cinema's South Africa by Peter Davis. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 176-180
The Voortrekkers on Film
(1996). The Voortrekkers on Film: From Preller to Pornography. Critical Arts: Vol. 10, No. 1, pp. 1-22
Truly, the ways of the white man are strange”
(1991). “Truly, the ways of the white man are strange”: tribal utopianism in two South African propaganda films. South African Theatre Journal: Vol. 5, South African Film, pp. 74-97
Apartheid, History, Film
Brief Notices
The devil you dance with
In Darkest Hollywood
(1996). In Darkest Hollywood: Exploring the Jungles of Cinema's South Africa by Peter Davis. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 176-180
Truly, the ways of the white man are strange”
(1991). “Truly, the ways of the white man are strange”: tribal utopianism in two South African propaganda films. South African Theatre Journal: Vol. 5, South African Film, pp. 74-97
Apartheid, History, Film
Brief Notices
Foregrounding the background
(1996). Foregrounding the background: Landscape and ideology in South African films. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 63-84
Visions of the Past
(1996). Visions of the Past: The Challenge of Film to Our Idea of History by Robert A Rosenstone. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 181-186
In Darkest Hollywood
(1996). In Darkest Hollywood: Exploring the Jungles of Cinema's South Africa by Peter Davis. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 176-180
The Voortrekkers on Film
(1996). The Voortrekkers on Film: From Preller to Pornography. Critical Arts: Vol. 10, No. 1, pp. 1-22
Try for White
Encountering modernity
The devil you dance with
Global Ibsen. Performing multiple modernities
Art (10 works) · History (8 works) · African history and culture studies (6 works) · Sociology (6 works) · African studies and sociopolitical issues (5 works) · South African History and Culture (5 works) · Art history (4 works) · Gender Studies (4 works) · Media studies (4 works) · Anthropology (3 works)